| 词条 | Three (1965 film) |
| 释义 |
| name = Three | image = | alt = | caption = | director = Aleksandar Petrović | producer = | writer = Aleksandar Petrović ({{small|Screenplay}}) Antonije Isaković ({{small|Story}}) | starring = Bata Živojinović Kole Angelovski Stole Aranđelović Dragomir Bojanić Milan Jelić | music = | cinematography = Tomislav Pinter | editing = Mirjana Mitić | studio = | distributor = | released = {{film date|1965}} | runtime = 80 minutes | country = SFR Yugoslavia | language = Serbo-Croatian | budget = | gross = }}Three ({{lang-sh-Latn|Tri}}) is a 1965 Yugoslav film directed by Aleksandar Petrović. It was nominated for the Academy Award for Best Foreign Language Film at the 39th Academy Awards.[1] ThemeThe theme of the film is the death, in three forms: as witness of it, as a victim of it, and as an executor. Three was the first Yugoslav movie released in the United States (in 1966). Aleksandar Petrović's films Three and I Even Met Happy Gypsies provided the world an introduction to Yugoslav cinema. Unlike ‘Three’ it was very well received and translated in over 100 languages. Statement by director{{quotebox|The movie Three (Tri) is anti-war. It depicts war’s utter bestiality, waste and absurdity. Death is the indisputable protagonist. She takes three different appearances; as punishment, as victim and as the expression of the senselessness of war.You must be against war, but really, fully, against all the actors of the war. And against those who create reasons for war.{{cn|date=November 2014}}|source=Aleksandar Petrović}}. Cast
Awards, Honors
See also
Press excerptsA review from the New York Times from 1967 when it was nominated for Best foreign film at the Academy Awards War’s utter bestiality and waste, usually illustrated by armies, is brought into sharp focus by a talented few in “Three,” a prize-winning Yugoslav drama that treats its bleak and harrowing subject with a grim but poetic artistry. It had a showing at the New York Film Festival last year, and is now at the Studio Cinema and 72d Street Theaters. The film is mystifyingly abrupt in its transitions, but its effects, physical and intellectual, are unmistakably forceful and chilling. The director, Aleksandar Petrovic, with the aid of a sparse script and stunning photography by Tomislav Pinter, has pointed up war’s ravages as it affects one partisan’s fights in one small sector of the conflict. In each of three events he is part of, needless death brought about by fear, despair and defeat. References1. ^{{Cite web|url=http://www.oscars.org/oscars/ceremonies/1967 |title=The 39th Academy Awards (1967) Nominees and Winners |accessdate=2011-11-09|work=oscars.org}} External links
10 : 1965 films|Yugoslav films|Yugoslav war films|Serbo-Croatian-language films|Serbian comedy films|Films directed by Aleksandar Petrović|Serbian war films|Avala Film films|World War II films|Anti-war films about World War II |
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