“Tomoko Uemura in Her Bath”的意思、由来-开放百科全书

Tomoko Uemura in Her Bath is a photograph taken by American photojournalist W. Eugene Smith in 1971. Many commentators regard Tomoko as Smith's greatest work. The black-and-white photo depicts a mother cradling her severely deformed, naked daughter in a traditional Japanese bathroom. The mother, Ryoko Uemura, agreed to deliberately pose the startlingly intimate photograph with Smith to illustrate the terrible effects of Minamata disease (a type of mercury poisoning) on the body and mind of her daughter Tomoko. Upon publication the photo became world-famous, significantly raising the international profile of Minamata disease and the struggle of the victims for recognition and compensation. At the wishes of Tomoko Uemura's family, the photograph was withdrawn from further publication in 1997, 20 years after Tomoko's death.

Alternate names given for the photograph include: Tomoko in the Bath, Tomoko and Mother in the Bath and Tomoko is Bathed by her Mother.

Capture

Tomoko's parents allowed Smith to photograph their daughter's body, in the hope that it might draw attention to the plight of similar families in Minamata and other pollution victims all over the world. Ryoko Uemura was keen for the photograph to portray her daughter in a sympathetic manner and actively collaborated with Smith to stage the perfect shot. Jim Hughes, (a biographer) said of Smith, "Although he wanted a photograph that would clearly show Tomoko's deformed body, Gene told me it was Ryoko Uemura, the mother, who suggested the bathing chamber".^[2] The photograph was finally taken on a chilly afternoon in December 1971, with Ryoko, Tomoko, Smith and his wife Aileen all cramped into the small bathing room.

Publication and impact

The photograph was first published in the June 2, 1972, edition of Life magazine as the centrepiece of a short Minamata photo essay. This was expanded into book form featuring the full series of photographs taken by Smith during his stay in Minamata. The issue of Minamata disease and the plights of the victims was brought to worldwide attention by this photo essay and book. As well, Smith was attacked and beaten by yakuza hired by Chisso, the polluting corporation.^[3]^[4]

The striking nature of the photograph ensured that it became world-famous very quickly. The Uemura family found themselves under a media spotlight. Tomoko's father, Yoshio Uemura said, "We were faced with an increasing number of interviews. Thinking that it would aid the struggle for the eradication of pollution, we agreed to interviews and photographs while the organizations that were working on our behalf used the photograph of Tomoko frequently". However the increased attention was not without its drawbacks. Rumors began to circulate in the Minamata community that the Uemuras were benefiting financially from the publicity. Some local people (who relied on the polluting Chisso Corporation for their livelihoods) were fiercely opposed to the Minamata disease victims' struggle for compensation. All these pressures added up significantly for the Uemura family. "I do not think," Yoshio Uemura stated, "that anybody outside our family can begin to imagine how unbearable the persistent rumors made our daily lives... Although she could not speak herself, I am sure that Tomoko felt that her family were worried for her".^[2]

Withdrawal

In 1997 a French television production company contacted the Uemura family, asking permission to use Smith's famous photograph in a documentary about the most important photographs of the 20th century, and to interview the family once again about Minamata disease and the photograph. However, by this stage, 20 years after his daughter's death, Yoshio Uemura had changed his mind. He refused any interviews and disliked the idea of Tomoko's image being further exploited: "I wanted Tomoko to be laid to rest and this feeling was growing steadily", he said.^[2]

After W. Eugene Smith's death in 1978 the copyright of his Minamata photographs passed to his ex-wife Aileen Smith. Upon hearing the reaction of the Uemura family to the request of the TV company, she travelled to Minamata and met with them. She decided to grant the copyright of the photograph to the family, so that they might have the right of decision regarding its use. Aileen Smith said, "This photograph would mean nothing if it did not honor Tomoko. This photograph would be a profanity if it continued to be issued against the will of Tomoko and her family. Because this was a statement about Tomoko's life, it must honor that life and by it her death."^[5]

References

1. ^Maddow, Ben. (1985). Let Truth Be the Prejudice: W.Eugene Smith His Life and Photographs. Aperture
2. ^¹²The Digital Journalist Tomoko Uemura, R.I.P., Article by Jim Hughes
3. ^{{cite book | author=Jim Hughes | title=W. Eugene Smith: Shadow & Substance: The Life and Work of an American Photographer | publisher=McGraw-Hill: New York |date=October 1989 | oclc=19981194 | isbn=978-0-07-031123-7}}
4. ^{{cite web | author=Jim Hughes | title=Tomoko Uemura, R.I.P. | url=http://www.digitaljournalist.org/issue0007/hughes.htm | accessdate=2015-07-19}}
5. ^Aileen Archive The Photograph "Tomoko and Mother in the Bath" - Statement by Aileen Smith.