“Whore dialogues”的意思、由来-开放百科全书

In Aretino's Ragionamenti the sex lives of wives, whores and nuns are compared and contrasted.^[3]^[4] Later works in the same genre include La Retorica delle Puttane (The Whore's Rhetoric) (1642) by Ferrante Pallavicino;^[5]^[6] L'Ecole des Filles (The school for girls) (1655), attributed to Michel Millot and Jean L'Ange.^[7]^[8] and The Dialogues of Luisa Sigea (c. 1660) by Nicolas Chorier.^[9]^[10] Such works typically concerned the sexual education of a naive younger woman by an experienced older woman and often included elements of philosophising, satire and anti-clericalism.^[11] Donald Thomas has translated L'École des filles, as The School of Venus, (1972), described on its back cover as "both an uninhibited manual of sexual technique and an erotic masterpiece of the first order".^[12]^[13] In his diary Samuel Pepys records reading and (in an often censored passage) masturbating over this work.^[14] Chorier's Dialogues of Luisa Sigea goes a bit further than its predecessors in this genre and has the older female giving practical instruction of a lesbian nature to the younger woman plus recommending the spiritual and erotic benefits of a flogging from willing members of the holy orders.^[15] This work was translated into many languages under various titles, appearing in English as A Dialogue between a Married Woman and a Maid in various editions.^[16] The School of Women first appeared as a work in Latin entitled Aloisiae Sigaeae, Toletanae, Satyra sotadica de arcanis Amoris et Veneris. This manuscript claimed that it was originally written in Spanish by Luisa Sigea de Velasco, an erudite poet and maid of honor at the court of Lisbon and was then translated into Latin by Jean or Johannes Meursius. The attribution to Sigea was a lie and Meursius was a complete fabrication; the true author was Nicolas Chorier.

1. ^Phyllis and Eberhard Kronhausen (1969) Erotic Fantasies: a study of the sexual imagination. New York, Grove Press; pp. 7-8
2. ^Patrick J. Kearney (1982) A History of Erotic Literature. Parragon: 34-46
3. ^Hyde (1964); p. 76
4. ^Ian Frederick Moulton, Before Pornography: erotic writing in Early Modern England (Studies in the History of Sexuality.) Oxford: Oxford University Press, 2004, {{ISBN|0-19-517982-X}}, p.130
5. ^Wendy Beth Heller, Emblems of Eloquence: opera and women's voices in seventeenth-century Venice, Berkeley: University of California Press, 2003, {{ISBN|0-520-20933-8}}, p. 75
6. ^James Turner, Libertines and Radicals in Early Modern London: sexuality, politics, and literary culture, 1630-1685. Cambridge: Cambridge University Press, 2002, {{ISBN|0-521-78279-1}}, p.3
7. ^Mitchell Greenberg, Baroque Bodies: psychoanalysis and the culture of French absolutism, Ithaca, NY: Cornell University Press, 2001, {{ISBN|0-8014-3807-1}}, pp.78-79
8. ^Muchembled, (2008) p. 90
9. ^Sarah Toulalan, Imagining Sex: pornography and bodies in seventeenth-century England. Oxford: Oxford University Press, 2007, {{ISBN|0-19-920914-6}}, p. 100
10. ^Alastair J. L. Blanshard, Sex: Vice and Love from Antiquity to Modernity, Chichester: John Wiley and Sons, 2010, {{ISBN|1-4051-2291-9}}, p. 51
11. ^Kronhausen (1969), pp. 7-8
12. ^The original title is L'escole des filles, ou: la philosophie des dames; later editions sometimes ascribe it to M. Mililot (sic). Pascal Durand edited it in 1959.
13. ^The School of Venus (orig: L'École des filles, ou la Philosophie des dames) by Michel Millot et Jean L'Ange (New American Library 1971) (Panther 1972) {{ISBN|0-586-03674-1}}
14. ^Hyde (1964); p. 19
15. ^Muchembled (2008) p. 77
16. ^Patrick J. Kearney (1982) A History of Erotic Literature. Parragon: 34-46

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References