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词条 Woman of the Apocalypse
释义

  1. Narrative

  2. Interpretation as the Virgin Mary

     History  Theological interpretation  Veneration 

  3. Interpretation as the Church

  4. Other interpretations

     The Nation of Israel  Astrological symbolism  The Church of Jesus Christ of Latter-day Saints  Christian Science   Astronomical Alignment  

  5. See also

  6. References

  7. External links

{{short description|Figure described in Chapter 12 of the Book of Revelation}}{{distinguish|Whore of Babylon}}

The Woman of the Apocalypse (or Woman clothed in the Sun, {{lang|grc|γυνὴ περιβεβλημένη τὸν ἥλιον}}; {{lang|la|Mulier amicta sole}}) is a figure described in Chapter 12 of the Book of Revelation (written c. AD 95).

The woman gives birth to a male child who is threatened by a dragon, identified as the Devil and Satan, who intends to devour the child as soon as he is born.[1] When the child is taken to heaven, the woman flees into the wilderness leading to a "War in Heaven" in which the angels cast out the dragon. The dragon attacks the woman, who is given wings to escape, and then attacks her again with a flood of water from his mouth, which is subsequently swallowed by the earth. Frustrated, the dragon initiates war on "the remnant of her seed", identified as the righteous followers of Christ.

The Woman of the Apocalypse is widely identified as the Virgin Mary. This interpretation is held by the ancient Church as well as in the medieval and modern Roman Catholic Church. This view does not negate the alternative interpretation of the Woman representing the Church, as in modern Catholic dogma, Mary is herself considered both the Mother of God and the Mother of the Church. Some Catholic commentaries, such as Thomas Haydock's Catholic Bible Commentary (1859), allow for the interpretation of the woman as either the Church or Mary. The commentary of the New American Bible (the official Roman Catholic Bible for America) states that "The woman adorned with the sun, the moon, and the stars (images taken from Genesis 37:9–10) symbolizes God’s people in the Old and the New Testament. The Israel of old gave birth to the Messiah (Rev 12:5) and then became the new Israel, the church, which suffers persecution by the dragon (Rev 12:6, 13–17); cf. Is 50:1; 66:7; Jer 50:12."[2]

In Reformed theology and traditions which are averse to Marian veneration, the interpretation of the Woman represents the church.

Narrative

{{wikisource|Bible_(King_James)/Revelation#Chapter_12|Revelation 12 (KJV)}}{{wikisourcelang|el|Αποκάλυψις_Ιωάννου#12|Αποκάλυψις Ιωάννου ιβʹ}}

The text describes "a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars" (12:1).

The woman is pregnant and about to give birth, "travailing in birth, and pained to be delivered" (12:2).

Then there is "a great red dragon, having seven heads and ten horns, and seven crowns upon his heads" (12:3) who is about to "devour her child as soon as it was born" (12:4). But her child is "caught up unto God" (12:5), and the woman herself is "fled into the wilderness, where she hath a place prepared of God, that they should feed her there a thousand two hundred and threescore days." (12:6)

Then there is a description of "War in Heaven" of the angels against the dragon, and "the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him." (12:9)

The woman is again mentioned in 12:13, as she is persecuted by the dragon, and "two wings of a great eagle" are given to her to escape (12:14).

The dragon attacks her by "water as a flood" emerging from his mouth (12:15), but the flood is swallowed up by the earth (12:16), so the dragon went "to make war with the remnant of her seed, which keep the commandments of God, and have the testimony of Jesus Christ" (12:17).

Interpretation as the Virgin Mary

History

Ancient witnesses to the Marian interpretation include St. Epiphanius,[4] Tychonius[5] (who heavily influenced St. Augustine), the unknown author of the History of Joseph the Carpenter,[6] Quodvultdeus (a disciple of St. Augustine), Cassiodorus (Complexiones in Apocalypsi, written c. 570 AD), and the Greek Fathers Andreas of Caesarea (late 6th c. / early 7th c.) and Oikoumenios[7] (6th c.).

In modern times, the Marian interpretation has been affirmed by Pope Pius X,[8]

Pope Pius XII,[9]Pope Paul VI,[10] and Pope John Paul II.[11]

Theological interpretation

The woman's "male child" is a reference to Jesus (Revelation 12:5), since he is destined to "rule all nations with a rod of iron" (Revelation 12:5). The dragon trying to devour the woman's child at the moment of his birth (Revelation 12:4) is a reference to Herod the Great's attempt to kill the infant Jesus (Matthew 2:16). Through his death and resurrection and Ascension, Jesus "was snatched up to God and to his throne" (Revelation 12:5).{{citation needed|date=September 2017}}

In the interpretation of Pius X (1904), the birth is not that of Jesus but "surely ours," (i.e. the Church Militant) "we who, being yet detained in exile, are still to be brought forth to the perfect love of God and eternal happiness".[8] Pius XII (1950) makes explicit the reference to the Assumption of Mary.[9]

And John Paul II (1987) to the Protoevangelium interpretation of Genesis 3:15, and by extension the symbolic identification of the Woman with both Mary and Eve.[11]

For an assessment of the logical and theological reasons for identifying the Woman of Revelation 12 with Mary Mother of God, see {{Interlanguage link multi|Brunero Gherardini|it}}, Raised to Heaven because Co-Redemptrix on Earth. Thoughts on the Foundation of the Catholic Dogma (2012)[13] and D'Argon J-L, "The Apocalypse" in The Jerome Biblical Commentary (1968).

Veneration

Both Marian veneration and the interpretation of the Woman of the Apocalypse are recorded since at least the 4th century, but the specific veneration of Mary in this form becomes tangible only in the medieval period. Iconographically, Marian figures associated with the Revelations narrative are recognizable by the astronomical attributes, specifically her standing on a crescent moon, and the crown of twelve stars (while the description "clothed with the sun" is sometimes rendered by rays emanating from her figure).

Association of Mary with a single star is recorded from the early medieval period, in the hymn Ave Maris Stella.

Many depictions of Mary from the Gothic period (14th to 16th century) show her standing on a crescent moon inspired by the association of Mary with the woman of the Apocalypse. The motif became so popular in 15th-century Germany that pre-existing Madonna figures were refitted with a crescent (e.g. Madonna of Bad Doberan, c. 1300, refitted in the 15th century).

The Virgin of Guadalupe was depicted as the Madonna of the Apocalypse since at least the 16th century.

{{multiple image
| align = right
| image1 = Stiftskirche Schlägl - Kirchenportal 2 Maria vom Siege.jpg
| width1 = 200
| caption1 = A statue of Our Lady of Victory (1654), shown with crescent moon and solar rays, portal of Schlägl monastery church.
| image2 = Statue of Virgin Mary in the Cathedral of Strasbourg.jpg
| width2 = 200
| caption2 = A statue of Mary in Strasbourg Cathedral (1859) with a crown of twelve stars.
}}

The Madonna of the Apocalypse became associated with Our Lady of the Rosary, the "crown of twelve stars" being identified with a "rosary of twelve privileges" of Mary.[16] The Virgin of the Rosary is frequently shown with the crown or halo of twelve stars (but not the crescent moon) in modern depictions (since the 19th century[17]). A notable example is the Virgin of the Rosary of Pompei.

An anecdote (first published in the 1980s) connects the design of the Flag of Europe (1955) to this aspect of Marian iconography.[18]

Interpretation as the Church

Commentators who adhere to Reformed Theology in their eschatology sometimes identify the woman as the Church, and the man-child she gives birth to are the saints.[22] According to this interpretation, Revelation 12:17 describes the remnant of the seed of the woman as those who keep the commandments of God, and have the testimony of Jesus Christ. The offspring of the Woman, the Woman's seed, then refers to the saints. The man child "who shall rule the nations with a rod of iron" is a symbol of the faithful members of the Church.

In Revelation 2:18-29, the Church in Thyatira is promised that the faithful shall rule the nations with a rod of iron. In Revelation 19:15 the same thing is stated of Jesus. In Galatians 4:26, Paul the Apostle refers to the "New Jerusalem" as "our mother", and in Revelation 21:2 and Ephesians 5:21-32 the New Jerusalem and the Church is portrayed as the Bride of Christ.

The Seventh-day Adventist Church has traditionally identified itself as the end-time "remnant church" described in Revelation 12:17.

The Catholic Church recognizes the 'woman' as part of the polyvalent symbolism that is found in the book in four referents: Israel, the Church, Eve, and Mary.

The Church of Jesus Christ of Latter-day Saints also interprets the woman to be the Church, and the man-child to be the political kingdom that will grow out of the Church prior to or during the Second Coming of Christ; this interpretation arises from Joseph Smith's translation of the twelfth chapter of Revelation.{{citation needed|date=March 2018}} Some in the church interpret the woman to be a symbol of the earth.{{citation needed|date=March 2018}} Baptisms of fire and water being poured upon the earth and the sun clothing the earth daily are just a couple examples of this reference.{{citation needed|date=March 2018}}

Other interpretations

The Nation of Israel

Dispensational Premillennialists, and Amillennialists who believe in multiple valid interpretations will often identify the woman as the nation of Israel. There are several reasons given to support this interpretation. The woman is said to be clothed with the sun, the moon under her feet, and twelve stars. These symbols are drawn from Genesis 37:9–11, in which Joseph has a dream of the sun and moon symbolizing his father and mother, and stars representing his eleven brothers, which bow down to him. The Old Testament's prophets referred to Israel as a "woman" (Isaiah 54:5-6; Jeremiah 4:31; Micah 4:9-10).[22]

The woman flees into the wilderness where she is nourished for 1260 days, the equivalent of three and a half years or forty-two months (cf. Rev. 11:1-3). According to this interpretation, these terms are used prophetically in Scripture either for the first half or the last half of the "Seventieth Week of Daniel," in Daniel 9:24-27, a prophecy specifically addressed to Daniel and his people, Israel (Dan. 9:24).[22]

In the latter part of the seventieth week, a remnant of Israel will flee into the wilderness to escape the persecution of Antichrist, who is called "the son of destruction," "the lawless one," and "whose coming is in accord with the activity of Satan" (2 Thess. 2:1-12; cf. Rev. 12:4,9). Jesus, in the Olivet discourse, warned the people of this time which would occur just prior to His return to set up His earthly, Millennial kingdom (Matt. 24:15-22). Further, the archangel Michael is called the guardian over the sons of Israel in Dan. 12:1. And he will arise at that time of national Israel's tribulation (Dan. 12:1; cf. Rev. 12:7).[19]

Amillennialist belief can also interpret this passage as the nation of Israel, however this belief as expressed by amillennialists refers, not to the modern Israel, but to the Ancient religious state of Israel(Judea) as it existed in the time of Christ. The Child is Christ, born into the then existing state of Israel, and of Israel's lineage.

The remnant or sons of Israel is, in this understanding, the followers of Christ, the followers of the true religion of Israel as it exists after the coming of the messiah. The "Seventieth Week of Daniel," and prophecy of the Olivet discourse, in this belief, are ascribed as concerning the first coming of Christ, the destruction of Jerusalem in 70 A.D(During which enforced emperor worship occurred in the temple of Jerusalem, which was later almost totally destroyed, and many Jews were made slaves in distant lands resulting presumably in their remaining families not knowing what happened to them or where they were), and the establishment of Christ's Church, as it currently exists, both on earth and in heaven.

Lutheran scholar Craig Koester, for example, says, "The woman encompasses the story of Israel, from whom the Messiah was born, as well as the story of the church, which was persecuted after Jesus' death and resurrection... John's visionary account of the threat against the woman and the woman's preservation uses imagery that encompasses many moments in the story of God's people. This allows the story to apply to people in many times and places."[20]

Astrological symbolism

Russian Orthodox theologian Sergei Bulgakov (1871–1944) in his interpretation of Revelation notes of the astronomical attributes of the woman in Babylonian, Persian, Greek, and Egyptian mythologies. He takes the crown of twelve stars as representing the Zodiac. In his interpretation, astronomical attributes of a pagan goddess are here "translated into the language of Christian theology and assume the new symbolism[21]

The Church of Jesus Christ of Latter-day Saints

In Joseph Smith's Inspired Translation of the King James Bible the woman is identified as "the church of God".

"And the woman fled into the wilderness, where she had a place prepared of God, that they should feed her there a thousand two hundred and threescore years. And there was war in heaven; Michael and his angels fought against the dragon; and the dragon and his angels fought against Michael; And the dragon prevailed not against Michael, neither the child, nor the woman which was the church of God, who had been delivered of her pains, and brought forth the kingdom of our God and his Christ. (Revelation 12:1-17 JST)

Christian Science

Science and Health with Key to the Scriptures (1875), the foundational text of Christian Science, presents the woman in the Apocalypse as symbolizing "generic man, the spiritual idea of God; she illustrates the coincidence of God and man as the divine Principle and divine idea...the spiritual idea of God's motherhood."[22] The man child represents "Christ, God's idea, [which] will eventually rule all nations and peoples - imperatively, absolutely, finally - with divine Science." [23]

Astronomical Alignment

{{see|Revelation 12 sign prophecy}}

On September 23, 2017 there was an alignment of the celestial bodies which was considered by some to be a literal fulfillment of the description of Revelation 12:1.

See also

{{Christian Eschatology}}
  • {{annotated link|Our Lady of Guadalupe}}
  • {{annotated link|Whore of Babylon}}

References

1. ^Revelation 12:4
2. ^United States Conference of Catholic Bishops, New American Bible, Revised Edition (NABRE), Revelation 12, footnote 2
3. ^Brading, D.A. Mexican Phoenix. Our Lady of Guadalupe: Image and Tradition Across Five Centuries. Cambridge University Press: Cambridge, 2001.
4. ^{{cite web|url=http://www.documentacatholicaomnia.eu/04z/z_0320-0403__Epiphanius_Salaminis_Episcopus__Homilia_in_laudes_Mariae_deiparae__MGR.pdf.html|title=Epiphanius Salaminis Episcopus - Homilia in laudes Mariae deiparae [0320-0403] Full Text at Documenta Catholica Omnia|publisher=}}
5. ^Tychonius view is transmitted by Cassiodorus, Complexiones in Apocalypsin; PL, 70, 1411
6. ^{{cite web|url=http://www.ccel.org/ccel/schaff/anf08.vii.vii.html|title=ANF08. The Twelve Patriarchs, Excerpts and Epistles, The Clementia, Apocrypha, Decretals, Memoirs of Edessa and Syriac Documents, Remains of the First - Christian Classics Ethereal Library|publisher=}}
7. ^Oecumenius in his commentary states that the woman is the Theotokos and that she is present in heaven bodily and describes her as consubstantial with us (i.e. of the same human nature). See The Fathers of the Church, Commentary on the Apocalypse by Oecumenius, translated by John N. Suggit, [https://books.google.com/books?id=GGpSK6yLzvUC&printsec=frontcover&dq=Oecumenius&hl=en&ei=U6jCT8GEJ-KsiALw7cnABA&sa=X&oi=book_result&ct=book-thumbnail&resnum=1&ved=0CDYQ6wEwAA#v=onepage&q=Oecumenius&f=false page 107]
8. ^St. Pius X, Ad diem illum. ASS 36. 458 - 59: "No one of us does not know that that woman signifies the Virgin Mary, who brought forth our Head with her virginity intact. But the Apostle continues: 'And being with child, she cried out, laboring in birth, and was in pain to be delivered. ' Therefore John saw the Most Holy Mother of God already enjoying eternal happiness, and yet laboring from some hidden birth. With what birth? Surely ours, we who, being yet detained in exile, are still to be brought forth to the perfect love of God and eternal happiness."
9. ^Pius XII, Munificentissimus Deus. AAS 42. 762-63: "We frequently find theologians and preachers who, following the footsteps of the Holy Fathers, use words and events from sacred Scripture with some freedom to explain their belief in the Assumption... . And furthermore, the Scholastic doctors have considered the Assumption of the Virgin Mother of God as signified not only in the various figures of the Old Testament, but also in that woman clothed with the sun, whom the Apostle John contemplated on the island of Patmos."
10. ^Paul VI, Signum Magnum, May 13, 1967 AAS 59: "The great sign which the Apostle John saw in heaven, 'a woman clothed with the sun' is interpreted by the sacred liturgy, not without foundation, as referring to the most Blessed Mary, the Mother of all men by the grace of Christ the Redeemer."
11. ^John Paul II, Redemptoris Mater, March 15, 1987. Vatican Translation. #24: "... she who was the one 'full of grace' was brought into the mystery of Christ in order to be his Mother and thus the Holy Mother of God, through the Church remains in that mystery as 'the woman' spoken of by the Book of Genesis (3:15) at the beginning and by the Apocalypse (12:1) at the end of the history of salvation."
12. ^see also James Akin, The Woman of Revelation 12 This Rock (Catholic Answers Magazine), Volume 8, Number 5 (May 1997).{{verify credibility|date=July 2015}}"The Woman in Revelation 12 is part of the fusion imagery/polyvalent symbolism that is found in the book. She has four referents: Israel, the Church, Eve, and Mary. [...]The Woman is Eve because she is part of the three-way conflict also involving her Seed and the Dragon, who is identified with the ancient serpent (the one from Eden) in 20:2. This mirrors the conflict in Genesis 3:15 between Eve, the serpent, and her unborn seed—which in turn is a symbol of the conflict between Mary, Satan, and Jesus."
13. ^{{cite web|url=http://www.centreleonardboyle.com/Assunta.html|title=Catholic Mariology: Assumpta (Mary of the Assumption) - Mary Mediatrix - Mary Co-Redemptrix|publisher=}}
14. ^Modello for the painting of the altarpiece for the high altar of the cathedral at Freising, The J. Paul Getty Museum, Los Angeles, acc. no. 85.PB.146.
15. ^{{cite web|title=Drawn by the Brush: Oil Sketches by Peter Paul Rubens|publisher= bampfa.berkeley.edu |url=http://www.bampfa.berkeley.edu/exhibits/rubens/exhibition/church5detail.html|accessdate= 2 December 2006}}
16. ^Michael Rohrmayer, Marianisches Wallfahrtsbuch, 1844, [https://books.google.ch/books?id=9mY9AAAAcAAJ&pg=PA45&lpg=PA45#v=onepage&q&f=false p. 45].
17. ^there are examples of Baroque-era predecessors of this iconographic tradition, e.g. Diego Velazquez, Immaculata conceptio (1618), Carlo Dolci, Madonna in Glory (1670).
18. ^Arsène Heitz (1908–1989), one of the designers who had submitted proposals for the flag's design, in 1987, following the adoption of the flag by the EEC, laid claim such a religious inspiration. Heitz also made a connection to the date of the flag's adoption, 8 December 1955, coinciding with the Catholic Feast of the Immaculate Conception of the Blessed Virgin Mary. The French satirical magazine Le Canard enchaîné reacted to Heitz' statement with an article entitled L’Europe violée par la Sainte Vierge ("Europe Raped by the Blessed Virgin") in the 20 December 1989 edition.Carlo Curti Gialdino, I Simboli dell'Unione europea, Bandiera - Inno - Motto - Moneta - Giornata. Roma:Istituto Poligrafico e Zecca dello Stato S.p.A., 2005. {{ISBN|88-240-2503-X}}, pp. 80-85 (English translation at cvce.eu).
19. ^Who's That Woman?
20. ^Koester, Craig R., Revelation and the End of All Things, Grand Rapids: Eerdmans, 2001. {{ISBN|0-8028-4660-2}} pp. 123-124.
21. ^{{cite book|first=Sergei |last=Bulgakov|title=The Apocalypse of St. John|year=1948|url=http://www.magister.msk.ru/library/philos/bulgakov/bulgak04.htm |page=44}}
22. ^{{cite book|last=Baker Eddy|first=Mary|title=Science and Health with Key to the Scriptures|year=1910|publisher=Christian Science Publishing Society|location=Boston, MA|isbn=978-0-87952-038-0|pages=561–562}}
23. ^{{cite book|last=Baker Eddy|first=Mary|title=Science and Health with Key to the Scriptures|year=1910|publisher=Christian Science Publishing Society|location=Boston, MA|isbn=978-0-87952-038-0|pages=565}}

External links

{{Commonscat}}
  • Chivalric precursors to St. George and the Dragon, 14 images under Wikimedia:Virgin and Serpent
  • Immaculata as Radiation of Fatherhood 126 images under Wikimedia:Mondsickelmadonna
  • Scriptural parturition imagery of Revelation chapter 12, 24 images under Wikimedia:Woman of the Apocalypse
  • Eastern icon of the type Matka Boska Ostrobramska, 28 images Our Lady of the Gate of Dawn at the Eastern Gate, Vilnius, Lithuania
{{Book of Revelation}}{{DEFAULTSORT:Woman Of The Apocalypse}}

9 : Book of Revelation|Christian terminology|Titles of Mary|Our Lady of Guadalupe|Virgin Mary in art|Catholic Mariology|Women in the New Testament|Michael (archangel)|Marian apparitions

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