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词条 Ñico Lora
释义

  1. Early life

  2. Career

  3. Death and legacy

  4. Sources

Francisco Antonio Lora Cabrera (1880, Maizal, Santiago[1]–1971, Bisonó (Navarrete)[2]) popularly known as Ñico Lora was a Dominican folk musician consider as one of the fathers of merengue.[3]

Early life

His grandfather, Félix Lunnaux, was a soldier that came with Charles Leclerc’s expedition in 1802.[4]

When he was a child, he learned how to play the button accordion.

Career

Though he was not educated in music theory, he reached a high level of success for his endeavors. His most important songs were San Antonio, Tingo Talango, Eres La Mujer Más Bella, Pedrito Chávez and San Francisco. These songs still stand in time as an essential part of the musical roots of the Dominican people.

He was a great supplier of anonymous melodies that are kept like a cultural good of the Dominican nation.[5]

Death and legacy

Ñico Lora died on April 9, 1971 in the town of Bisonó (Navarrete), where there is a plaza called "La Plaza de la Cultura Ñico Lora" which was built in 1997 to honor his achievements and contributions to Dominican music.[6] A statue in his memory was raised in Santiago in 2007.[7]

Sources

1. ^{{cite book|author=Sydney Hutchinson|title=Merengue Tipico in Transnational Dominican Communities: Gender, Geography, Migration and Memory in a Traditional Music|url=https://books.google.com/books?id=ETAf3vvNCkMC&pg=PA232|accessdate=12 May 2013|year=2008|publisher=ProQuest|isbn=978-0-549-81936-3|pages=232–}}
2. ^{{cite book|title=Enciclopedia Dominicana|url=https://books.google.com/books?id=lydsAAAAMAAJ|accessdate=12 May 2013|year=1978|publisher=Enciclopédia Dominicana}}
3. ^{{cite book|author1=Darío Tejeda|author2=Rafael Emilio Yunén|title=El Merengue en la Cultura Dominicana y Del Caribe: Memorias Del Primer Congreso Internacional "Música, Identidad y Cultura en el Caribe"|url=https://books.google.com/books?id=JI6fAAAAMAAJ|accessdate=12 May 2013|year=2006|publisher=Centro León|isbn=978-9945-8519-7-7|page=70}} - El padre del merengue no sería Juan Bautista Alfonseca, sino Ñico Lora
4. ^{{cite news|first=Edwin Rafael|last=Espinal Hernández|title=Los descendientes de la flota de Leclerc|url=http://www.idg.org.do/capsulas/diciembre2005/diciembre20053.htm|work=Cápsulas Genealógicas|publisher=Instituto Dominicano de Genealogía|date=3 December 2005|accessdate=26 December 2014}}
5. ^Celebridades de Santiago 2009/11/02
6. ^{{cite book|author=Sarah Cameron|title=Caribbean Islands Handbook 2000: with the Bahamas|url=https://books.google.com/books?id=gIIjAQAAIAAJ|accessdate=12 May 2013|date=1 November 1999|publisher=Footprint Handbooks|isbn=978-0-8442-4629-1}}
7. ^{{cite book|author=Sydney Hutchinson|title=Merengue Tipico in Transnational Dominican Communities: Gender, Geography, Migration and Memory in a Traditional Music|url=https://books.google.com/books?id=ETAf3vvNCkMC&pg=PA232|accessdate=12 May 2013|year=2008|publisher=ProQuest|isbn=978-0-549-81936-3|pages=232–}}
  • "Los cien músicos del siglo", (published in 2000 by "Cañabrava", in Santo Domingo and written by "Antonio Gómez Sotolongo" )in Spanish.
  • http://orgullosdenavarrete.blogspot.com/2008/09/biografia-de-ico-lora.html
{{DEFAULTSORT:Lora, Nico}}{{DominicanRepublic-musician-stub}}{{keyboardist-stub}}

6 : 1858 births|1971 deaths|Dominican Republic musicians|Accordionists|Merengue musicians|People from Santiago Province (Dominican Republic)

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