| 词条 | Ghare Baire (film) |
| 释义 |
| name = Ghare Baire (The Home and the World) | image = Dvd ghare baire satyajit ray.jpg | caption = A poster for Ghare Baire | director = Satyajit Ray | producer = NFDC | writer = Satyajit Ray, from the novel by Rabindranath Tagore | starring = Swatilekha Chatterjee (Sengupta) Victor Banerjee Jennifer Kendal Soumitra Chatterjee | original_music = Satyajit Ray | cinematography = Soumendu Roy | editing = Dulal Dutta | distributor = | released = {{Film date|1985|01|04|df=y}} | runtime = 140 minutes | country = India | language = Bengali/English | budget = }} Ghare Baire (The Home and the World) is a 1984 Indian Bengali romantic drama film Plot synopsisThe story is set in 1907) on the estate of the rich Bengali noble Nikhilesh (Victor Banerjee). In the chaotic aftermath of Lord Curzon's partition of Bengal into Muslim and Hindu states, the nationalist movement is trying to impose a boycott of foreign goods by claiming that imports are at the root of Indian poverty. He lives happily with his beautiful wife Bimala (Swatilekha Sengupta) until the appearance of his friend, a revolutionist, Sandip (Soumitra Chatterjee). Sandip, a passionate and active man, is a contradiction to the peace-loving and somewhat passive Nikhilesh. He easily attracts the innocent and unsuspecting Bimala, creating a love triangle. Although Nikhilesh figures out what is happening, he is a mature person and grants Bimala the freedom to grow and choose what she wants in life, as their marriage was arranged when she was a girl. Bimala experiences the emotions of love for the first time in a manner that helps her understand that it is indeed her husband Nikhilesh who really loves her. Importantly, Nikhilesh tells Bimala that he would like her to have a life not only inside the home, but outside of it as well — a controversial stance in 1916 when the novel was written. Cast
ProductionSatyajit Ray wrote a script for Ghare Baire in the 1940s, but the film, which was to have been directed by Harisadhan Dasgupta, was never made. Years later, Ray returned to his script and reworked it, describing the original version as "amateurish".[3] Soumitra Chatterjee was a Ray regular, having started his career with Apur Sansar. Victor Banerjee had also worked with Ray in Shatranj ke Khilari.Swatilekba Chatterjee, however,was a stage actress with the theatre group Nandikar, with no experience of acting in films. Ray saw her in a stage production and decided that she was the right choice to play the role of Bimala.[4] In 1983, during the shooting of the film, Ray suffered two massive heart attacks. His son, Sandip Ray, completed the project from his detailed instructions.{{citation needed|date=November 2018}} ReceptionThe film did well commercially when initially released. Ray's heart attack may have played a role in this. For the Indian audience, there was an additional interest, since it featured the first full-fledged kiss in Ray's films. Critical response in India was mixed. Sumit Mitra in his long review in India Today said the film "looks like an intended failure".[5] Some critics (including Mitra) thought Swatilekha Chatterjee was miscast as Bimala, as she herself recounts in a recent interview, more than thirty years after the release of the film. She says: "One critic wrote a line, `She never lived nor looked the role'." She goes on to add that, after reading the reviews, she had felt like killing herself.[4] Abroad, however, the response was mostly positive. The film premiered at Cannes, where it was well received. Although Ray was too ill to travel, at his insistence both Soumitra Chatterjee and Swatilekha Chatterjee went to Cannes. The latter recalls being felicitated for her performance: "... those around came and hugged me." [4] Pauline Kael wrote: "Toward the end, Bimala, who was [encouraged] into independence by her husband, becomes desperate to express that independence — recklessly, heedlessly. When it comes to truthfulness about women's lives, this great Indian moviemaker Satyajit Ray shames the American and European directors of both sexes."[6]Vincent Canby wrote in the New York Times: "As with the works of any great director, The Home and the World defies easy categorization. In close-up, it's a love story, but it's one so fully defined that, as in a long-shot, it also succeeds in dramatizing the events seen on the far horizon - including the political differences between Gandhi, who led the nationalist movement, and Tagore, who, like Nikhil, stood for civilized compromise." About the performances, he wrote: "The film is acted with immense grace by its three leading actors." [7] Roger Ebert noted that the real story of the film takes place within Bimala's heart and mind. He added: "It is a contemplative movie -- quiet, slow, a series of conversations punctuated by sudden bursts of activity."[8]Awards
References1. ^Pauline Kael, State of the Art {{ISBN|0-7145-2869-2}} 2. ^{{cite web|url=http://www.festival-cannes.com/en/archives/ficheFilm/id/1187/year/1984.html |title=Festival de Cannes: Ghare Baire |accessdate=2009-06-23 |work=festival-cannes.com |deadurl=yes |archiveurl=https://web.archive.org/web/20121001191116/http://www.festival-cannes.com/en/archives/ficheFilm/id/1187/year/1984.html |archivedate=1 October 2012 |df=dmy }} 3. ^{{cite web|title=Official Website of Satyajit Ray World: Script Writer|url=http://satyajitrayworld.org/script_writer.html|website=satyajitrayworld.org|accessdate=1 May 2018}} 4. ^1 2 {{cite news|last1=Sen |first1=Zinia|title=I wanted to kill myself after Ghare Baire: Swatilekha Sengupta|url=https://timesofindia.indiatimes.com/entertainment/bengali/movies/news/I-wanted-to-kill-myself-after-Ghare-Baire-Swatilekha-Sengupta/articleshow/47510881.cms|accessdate=4 May 2018|work=The Times of India|date=12 January 2017}} 5. ^{{cite news|last1=Mitra|first1=Sumit|title=Satyajit Ray's Ghare Baire looks like an intended failure to its last reel|url=https://www.indiatoday.in/magazine/society-the-arts/story/19840715-satyajit-rays-ghare-baire-looks-like-an-intended-failure-to-its-last-reel-803112-1984-07-15|accessdate=11 May 2018|work=India Today|date=15 July 1984}} 6. ^Pauline Kael, State of the Art p. 382 7. ^{{cite news|last=Canby|first=Vincent|title=Movie Review - The home and the World|url=https://movies.nytimes.com/movie/review?res=9E00E5D91039F932A15755C0A963948260|accessdate=8 February 2013|newspaper=The New York Times|date=21 June 1985}} 8. ^{{cite news|title=The Home and the World :: rogerebert.com :: Reviews|url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19840101/REVIEWS/401010346/1023|accessdate=15 February 2013 | work=Chicago Sun-Times}} 9. ^1 2 {{cite web|url=http://dff.nic.in/2011/32nd_nff_1985.pdf|title=32nd National Film Awards (PDF)|publisher=Directorate of Film Festivals|accessdate=18 January 2013}} 10. ^{{Cite web |url=http://www.nationalboardofreview.org/award-years/1985/ |title=1985 Award Winners |author= |date=2016 |publisher=National Board of Review of Motion Pictures |work= |accessdate=November 5, 2016 }} External links
15 : 1984 films|1980s drama films|Indian films|Indian drama films|Bengali-language films|Films based on Indian novels|Films based on works by Rabindranath Tagore|Films about women in India|Films set in the 1900s|Films featuring a Best Supporting Actor National Film Award-winning performance|Films directed by Satyajit Ray|Screenplays by Satyajit Ray|Films that won the Best Costume Design National Film Award|Best Bengali Feature Film National Film Award winners|1980s Bengali-language films |
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