| 词条 | Agnes Martin |
| 释义 |
| name = Agnes Martin | image = File:Agnes_Martin_1954.jpg | image_size = | alt = | caption = Martin in her studio, 1954 | birth_name = Agnes Bernice Martin | birth_date = {{Birth date |1912|03|22}} | birth_place = Macklin, Saskatchewan, Canada | death_date = {{Death date and age|2004|12|16|1912|03|22}} | death_place = Taos, New Mexico, United States | nationality = American | spouse = | field = Painting | training = Western Washington University Teachers College, Columbia University University of New Mexico | movement = Abstract expressionism | works = | patrons = | awards = | elected = | website = }}Agnes Bernice Martin (March 22, 1912 – December 16, 2004) was a Canadian-born American abstract painter. Her work has been defined as an "essay in discretion on inward-ness and silence".[1] Although she is often considered or referred to as a minimalist, Martin considered herself an abstract expressionist.[2][3] She was awarded a National Medal of Arts from the National Endowment for the Arts in 1998.[1] Personal lifeAgnes Bernice Martin was born in 1912 to Scottish Presbyterian farmers in Macklin, Saskatchewan, one of four children.[3][2][3] From 1919, she grew up in Vancouver.[4]{{rp|237}} She moved to the United States in 1931 to help her pregnant sister, Mirabell, in Bellingham, Washington.[4]{{rp|237}} She preferred American higher education and became an American citizen in 1950.[5] Martin studied at Western Washington University College of Education, Bellingham, Washington, prior to receiving her B.A. (1942) from Teachers College, Columbia University.[6] In 1947 she attended the Summer Field School of the University of New Mexico in Taos, New Mexico.[4]{{rp|237}} After hearing lectures by the Zen Buddhist scholar D. T. Suzuki at Columbia, she became interested in Asian thought, not as a religious discipline, but as a code of ethics, a practical how-to for getting through life.[6] A few years following graduation, Martin matriculated at the University of New Mexico, Albuquerque, where she also taught art courses before returning to Columbia University to earn her M.A. (1952).[7] She moved to New York City in 1957 and lived in a loft in Coenties Slip in lower Manhattan.[4]{{rp|238}} She left New York City in 1967, disappearing from the art world to live alone.[8] After eighteen months on the road, Martin settled in Cuba, New Mexico (1968-1977), and then Galisteo, New Mexico (1977-1993).[4]{{rp|240}} She built an adobe home for herself in each location. She lived alone all her adult life.[1] In 1993 she moved to a retirement residence in Taos, New Mexico, where she lived until her death in 2004.[4]{{rp|242}} She was publicly known to have schizophrenia,[8] once opting for electric shock therapy for treatment.[2] Many of her paintings bear positive names such as Happy Holiday (1999) and I Love the Whole World (2000).[2] In an interview in 1989, discussing her life and her painting, Agnes Martin said, "Beauty and perfection are the same. They never occur without happiness."[9] A pioneer of her time, Agnes Martin never publicly expressed her sexuality, but has been described as a "closeted homosexual."[10] The 2018 biography Agnes Martin: Pioneer, Painter, Icon describes several romantic relationships between Martin and other women, including the dealer Betty Parsons.[11] She often employed an intersectional feminist lens when she critiqued fellow artists' work. Jaleh Mansoor, an art historian, stated that Martin was "too engaged in a feminist relation to practice, perhaps, to objectify and label it as such."[12] CareerHer work is most closely associated with Taos,[27] with some of her early work visibly inspired by the desert environment of New Mexico.[2] She moved to New York City at the invitation of the artist/gallery owner Betty Parsons in 1957 (the women had met prior to 1954). That year, she settled in Coenties Slip in lower Manhattan, where her friends and neighbors, several of whom were also affiliated with Parsons, included Robert Indiana, Ellsworth Kelly, Jack Youngerman, and Lenore Tawney. Barnett Newman actively promoted Martin's work, and helped install Martin's exhibitions at Betty Parsons Gallery beginning in the late 1950s.[13] Another close friend and mentor was Ad Reinhardt.[14] In 1961 Martin contributed a brief introduction to a brochure for her friend Lenore Tawney's first solo exhibition, the only occasion on which she wrote on the work of a fellow artist.[15] In 1967, Martin famously abandoned her life in New York. Cited reasons include the death of her friend Ad Reinhardt the demolition of many buildings on Coenties Slip, and a breakup with the artist Chryssa whom Martin had dated off and on throughout the 1960s.[11] In her ten years living in New York Martin was frequently hospitalized to control symptoms of schizophrenia which manifested in the artist in a number of ways, including aural hallucinations and states of catatonia: on a number of occasions she received electroconvulsive therapy at Manhattan's Bellevue Hospital.[11] After Martin left New York, she drove about the western US and Canada, deciding to settle in Cuba, New Mexico for a few years (1968-1977), then settled in Galisteo, New Mexico (1977-1993).[4]{{rp|240–242}} In both New Mexico homes, she built adobe brick structures herself.[9] She did not return to art until 1973 and consciously distanced herself from the social life and social events that brought other artists into the public eye.[11] She collaborated with architect Bill Katz in 1974 on a log cabin she would use as her studio.[16] That same year, she completed a group of new paintings and from 1975 they were exhibited regularly. In 1976 she made her first film, Gabriel, a 78-minute landscape film which features a little boy going for a walk.[17] A second movie, Captivity, was never completed after the artist threw the rough cut into the town dump.[11] According to a filmed interview with her that was released in 2003, she had moved from New York City only when she was told her rented loft/workspace/studio would be no longer available because of the building's imminent demolition. She went on further to state that she could not conceive of working in any other space in New York. When she died at age 92, she was said not to have read a newspaper for the last 50 years. Essays in the book dedicated to the exhibition of her work in New York at The Drawing Center (traveling to other museums as well) in 2005 – 3x abstraction – analyzed the spiritual dimension in Martin's work.[18] The 2018 biography Agnes Martin: Pioneer, Painter, Icon was the first book to explore Martin's relationship with women and her early life in substantial detail and was written in collaboration with Martin's family and friends. The Agnes Martin estate is represented by Pace Gallery, New York.[19] Artistic styleIn addition to a couple of self-portraits and a few watercolor landscapes, Martin's early works included biomorphic paintings in subdued colors made when the artist had a grant to work in Taos between 1955 and 1957. However, she did her best to seek out and destroy paintings from the years when she was taking her first steps into abstraction.[14][43] Martin praised Mark Rothko for having "reached zero so that nothing could stand in the way of truth". Following his example Martin also pared down to the most reductive elements to encourage a perception of perfection and to emphasize transcendent reality.[20] Her signature style was defined by an emphasis upon line, grids, and fields of extremely subtle color. Particularly in her breakthrough years of the early 1960s, she created 6 × 6 foot square canvases that were covered in dense, minute and softly delineated graphite grids.[21] In the 1966 exhibition Systemic Painting at the Solomon R. Guggenheim Museum, Martin's grids were therefore celebrated as examples of Minimalist art and were hung among works by artists including Sol LeWitt, Robert Ryman, and Donald Judd.[22] While minimalist in form, however, these paintings were quite different in spirit from those of her other minimalist counterparts, retaining small flaws and unmistakable traces of the artist's hand; she shied away from intellectualism, favoring the personal and spiritual. Her paintings, statements, and influential writings often reflected an interest in Eastern philosophy, especially Taoist. Because of her work's added spiritual dimension, which became more and more dominant after 1967, she preferred to be classified as an abstract expressionist.[2][9] Martin worked only in black, white, and brown before moving to New Mexico. The last painting before she abandoned her career, and left New York in 1967, Trumpet, marked a departure in that the single rectangle evolved into an overall grid of rectangles. In this painting the rectangles were drawn in pencil over uneven washes of gray translucent paint.[23] In 1973, she returned to art making, and produced a portfolio of 30 serigraphs, On a Clear Day.[24] During her time in Taos, she introduced light pastel washes to her grids, colors that shimmered in the changing light.[25] Later, Martin reduced the scale of her signature 72 × 72 square paintings to 60 × 60 inches[26] and shifted her work to use bands of ethereal color.[27] Another departure was a modification, if not a refinement, of the grid structure, which Martin has used since the late 1950s. In Untitled No. 4 (1994), for example, one viewed the gentle striations of pencil line and primary color washes of diluted acrylic paint blended with gesso. The lines, which encompassed this painting, were not measured by a ruler, but rather intuitively marked by the artist.[26] In the 1990s, symmetry would often give way to varying widths of horizontal bands. ExhibitionsSince her first solo exhibition in 1958, Martin's work has been the subject of more than 85 solo shows and two retrospectives including the survey, Agnes Martin, organized by the Whitney Museum of American Art, New York, which later traveled to Jamaica (1992–94) and Agnes Martin: Paintings and Drawings 1974–1990 organized by the Stedelijk Museum, Amsterdam, with subsequent venues in France and Germany (1991–92). In 1998, The Museum of Fine Arts in Santa Fe, New Mexico mounted Agnes Martin Works on Paper. In 2002, the Menil Collection, Houston, mounted Agnes Martin: The Nineties and Beyond. That same year, the Harwood Museum of Art at the University of New Mexico, Pandora, organized Agnes Martin: Paintings from 2001, as well as a symposium honoring Martin on the occasion of her 90th birthday. In addition to participating in an international array of group exhibitions such as the Venice Biennale (1997, 1980, 1976), the Whitney Biennial (1995, 1977), and Documenta, Kassel, Germany (1972), Martin has been the recipient of multiple honors including the Lifetime Achievement Award on behalf of the Women's Caucus for Art of the College Art Association (2005); Fellow of the American Academy of Arts and Sciences (1992);[28] the Governor's Award for Excellence and Achievement in the Arts given by Governor Gary Johnson, Santa Fe, New Mexico (1998); the National Medal of Arts[29] awarded by President Bill Clinton and the National Endowment for the Arts (1998); the Distinguished Artist Award for Lifetime Achievement by the College Art Association (1998); the Golden Lion for Contribution to Contemporary Art at the Venice Biennale (1997); the Oskar Kokoschka Prize awarded by the Austrian government (1992); the Alexej von Jawlensky Prize awarded by the city of Wiesbaden, Germany (1991); and election to the American Academy and Institute of Arts and Letters, New York (1989).[30] Exhibitions continue to be mounted since her death in 2004, including Agnes Martin: Closing the Circle, Early and Late Feb 10, 2006 – Mar 04, 2006 at Pace Gallery.[31] Other exhibitions have been held in New York, Zurich, London, Dublin, Edinburgh, Cambridge (England), Aspen, Albuquerque, New Mexico and in Penticton, British Columbia in Canada.[32] In 2015, Tate Modern ran a retrospective of her life and career from the 1950s until her last work in 2004, which will travel to other museums after the show in London.[2][61] At the University of Michigan Museum of Art, Martin was featured in the exhibition Reductive Minimalism: Women Artists in Dialogue, 1960-2014 which examined the two generations of Minimalist art side-by-side, from October 2014 through January 2015. The exhibition included Anne Truitt, Mary Corse, and contemporary artists Shirazeh Houshiary and Tomma Abts. She was also featured in White on the White: Color, Scene, and Space in Hiroshima City Museum of Contemporary Art. From October 2015 through April 2016, Martin was exhibited in Opening the Box: Unpacking Minimalism at The George Economou Collection in Athens, Greece alongside Dan Flavin and Donald Judd. From 2015 to 2017 she had numerous solo exhibitions, some being at the Aspen Art Museum in Aspen Colorado, Tate Modern in London, K20, Kunstsammlung Nordhein-Westfalen in Dusseldorf, Los Angeles County Museum of Art (LACMA) in Los Angeles, Solomon R. Guggenheim Museum in the Upper East Side, at the Palace of Governors, The New Mexico Museum of History in Santa Fe. She is featured in the ongoing exhibition Intuitive Progression at the Fisher Landau Center for Art in Long Island City, New York from February 2017 to August 2017.[33] In 2016, a retrospective exhibition of her works from the 1950's through 2004 was presented at the Solomon R. Guggenheim Museum in New York.[34] In 2016 she was also featured in the Dansaekhwa and Minimalism Exhibition at Blum & Poe, Los Angeles[35] and earlier in the year in the show titled Aspects of Minimalism: Selections from East End Collections at the Guild Hall Museum in East Hampton, New York.[36] She will also be featured in Making Space: Women Artists and Postwar Abstraction at The Museum of Modern Art in Midtown, New York which shines light on women artists who worked post World War II and before the start of the Feminist movement. The exhibition is from April 2017 to August 2017 and features Lee Krasner, Helen Frankenthaler, and Joan Mitchell, Lygia Clark, Gego, Magdalena Abakanowicz, Louise Bourgeois, and Eva Hesse.[33] CollectionsMartin's work can be found in major public collections in the United States, including the New Mexico Museum of Art, Santa Fe, NM; Albright-Knox Art Gallery, Buffalo, NY; The Chinati Foundation, Marfa, TX; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Los Angeles Museum of Contemporary Art; The Menil Collection, Houston, TX; Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; Nelson-Atkins Museum of Art, Kansas City; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Wadsworth Atheneum Museum of Art, Hartford; Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; and Des Moines Art Center, Des Moines, IA, among others. Her work is on "long-term view" and part of the permanent holdings of Dia Art Foundation, Beacon, New York.[31] International holdings of Martin's work include the Tate, London and Magasin 3 Stockholm Konsthall, Stockholm, Sweden.[37][38] LegacyMartin became an inspiration to younger artists, from Eva Hesse to Ellen Gallagher.[39] In 1994, the Harwood Museum of Art in Taos, part of the University of New Mexico, announced that it would renovate its Pueblo-revival building and dedicate one wing to Martin's work.[40] The gallery was designed according to the artist's wishes in order to accommodate Martin's gift of seven large untitled paintings made between 1993 and 1994.[41] An Albuquerque architectural firm, Kells & Craig, designed the octagonal gallery with an oculus installed overhead, and four yellow Donald Judd benches placed directly under the oculus.[42][43] The gift of the paintings and gallery's design and construction were negotiated and overseen by Robert M. Ellis, the Harwood's director at the time and a close friend of Martin's. Today, the Agnes Martin Gallery attracts visitors from all over the world and has been compared by scholars to the Chapelle du Rosaire de Vence (Matisse Chapel), Corbusier's Chapel of Notre Dame du Haut in Ronchamp, and the Rothko Chapel in Houston. {{citation needed|date=March 2019}} Films about Martin
Art marketIn 2007, Martin's Loving Love (2000) was sold for $2.95 million at Christie's, New York.[21] In 2015, Untitled #7 (1984), a white acrylic painting with geometric pencil lines, sold for $4.2 million at Phillips in New York.[47] In 2016, her Orange Grove sold at auction for $13.7 million, the same year as the Guggenheim held a retrospective of her work.[48] In popular cultureComposer John Zorn's Redbird (1995) was inspired by and dedicated to Martin.[49] Wendy Beckett, in her book American Masterpieces, said about Martin: "Agnes Martin often speaks of joy; she sees it as the desired condition of all life. Who would disagree with her?... No-one who has seriously spent time before an Agnes Martin, letting its peace communicate itself, receiving its inexplicable and ineffable happiness, has ever been disappointed. The work awes, not just with its delicacy, but with its vigor, and this power and visual interest is something that has to be experienced."[50]Poet Hugh Behm-Steinberg's poem "Gridding, after some sentences by Agnes Martin" discusses patterns in the natural world, makes a parallel between writing and painting, and ends with a line about the poet's admiration of Martin's work.[51] Her work inspired a Google doodle on the 102nd anniversary of her birth on March 22, 2014. The doodle takes color cues from Agnes Martin's late work which is marked by soft edges, muted colors and distinctly horizontal bands, turned to six vertical bars, one for each letter of the Google logo.[52] In 2018, Screaming Females, a New Jersey-based punk band, released a track titled after the late artist in their album All at Once. Related Minimalist artists
Bibliography
Further reading
References1. ^1 {{cite news |first=Matt |last=Schudel |title=Influential Abstract Painter Agnes Martin Dies at 92 |url=https://www.washingtonpost.com/ac2/wp-dyn/A9391-2004Dec17 |date=December 18, 2004 |work=The Washington Post |accessdate=November 25, 2011}} 2. ^1 2 3 4 5 {{Cite news |title=Agnes Martin: the quiet American |url=http://www.ft.com/cms/s/0/22341ab2-091f-11e5-b643-00144feabdc0.html |newspaper=Financial Times |date=June 5, 2015 |access-date=October 5, 2015 |issn=0307-1766 |first=Rachel |last=Spence |subscription=yes}} 3. ^MoMA | The Collection | Agnes Martin. (American, born Canada. 1912–2004), Moma.org. Accessed March 28, 2011. 4. ^1 2 3 4 5 6 {{cite book|title = Agnes Martin|last1=Morris |first1=Frances |last2=Bell |first2=Tiffany |publisher=Tate Publishing |year=2015 |isbn=978 1 84976 268 7 |location=London}} 5. ^Collection Online | Agnes Martin {{webarchive|url=https://web.archive.org/web/20060215233601/http://www.guggenheimcollection.org/site/artist_bio_103.html |date=2006-02-15 }}, Guggenheimcollection.org. Accessed March 28, 2011. 6. ^1 {{cite news |first=Holland |last=Cotter |title=Agnes Martin, Abstract Painter, Dies at 92 |url=https://www.nytimes.com/2004/12/17/arts/design/17martin.html |date=December 17, 2004 |work=The New York Times |accessdate=November 25, 2011}} 7. ^{{cite news |first=Christopher |last=Knight |title=Agnes Martin, 92; Abstract Painter Won the Golden Lion |url=http://articles.latimes.com/2004/dec/17/local/me-martin17 |date=December 17, 2004 |work=Los Angeles Times |accessdate=November 25, 2011}} 8. ^1 {{Cite news |title = Pretty as a picture |url = http://www.ft.com/cms/s/0/740d2868-fa30-11e4-a41c-00144feab7de.html |newspaper=Financial Times |date=May 22, 2015 |access-date=October 5, 2015 |issn = 0307-1766 |first = Charlie |last = Porter |subscription=yes}} 9. ^1 2 3 4 {{cite web |url=http://www.aaa.si.edu/collections/interviews/oral-history-interview-agnes-martin-13296 |title=Oral history interview with Agnes Martin, 1989 May 15 |publisher=Archives of American Art, Smithsonian Institution |accessdate=October 6, 2015 }} 10. ^{{cite web|last1=Fiske|first1=Courtney|title=Agnes Martin |url=http://www.brooklynrail.org/2012/04/art_books/agnes-martin-fiske-apr2012 |website=www.brooklynrail.org |publisher=The Brooklyn Rail |accessdate=7 March 2015}} 11. ^1 2 3 4 {{Cite book |title=Agnes Martin: pioneer, painter, icon |first=Henry |last=Martin |isbn=978-1-943156-30-6 |edition=First paperback |publisher=Schaffner |location=Tucson, Arizona |oclc=981962171}} 12. ^{{cite journal |last1=Schiff |first1=Karen L. |title=Agnes Martin, Under New Auspices |journal=Art Journal |date=March 4, 2013 |volume=71 |issue=3 |pages=121–125}} 13. ^1 {{cite web |url=http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=5147496 |author=Agnes Martin |title=Starlight 1963, Lot Notes |publisher=Christie's |location=New York |work=Post War and Contemporary Art Evening Sale |date=November 12, 2008 |accessdate=March 22, 2014}} 14. ^1 {{cite news |first=Ann |last=Landi |date=March 13, 2012 |url=https://www.wsj.com/articles/SB10001424052970203753704577253590562995200 |title=Saved From the Artist's Fire |newspaper=Wall Street Journal |accessdate=6 August 2017 |subscription=yes}} 15. ^{{cite web |url=http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=5437870 |title=Agnes Martin Homage to Greece (1959) |publisher=Christie's |location=New York |work=Post War and Contemporary Art Evening Sale |date=May 11, 2011 |accessdate=October 6, 2015}} 16. ^{{cite journal |author=Bagley, Christopher |date=March 2008 |url=http://www.wmagazine.com/artdesign/2008/03/bill_katz |title=Perfect Vision |journal=W Magazine |accessdate=October 6, 2015}} 17. ^{{Cite book|title = Agnes Martin: Her Life and Art|last = Princenthal|first = Nancy|publisher = Thames & Hudson|year = 2015|isbn = 978 0 500 09390 0|location = London|pages = 199}} 18. ^{{cite book |url=https://books.google.com/books?id=3Ew8pPV-59MC |title=3 X Abstraction: New Methods of Drawing, Hilma Af Klint, Emma Kunz, Agnes Martin |editor1=de Zegher, Catherine |editor2=Telcher, Hendel |year=2005 |work=The Drawing Center |publisher=Yale University Press |isbn=978-0300108262 |quote=Published on the occasion of the exhibition 3 x abstraction: new methods of drawing by Hilma af Klint, Emma Kunz, and Agnes Martin; Organized by the Drawing Center; The Drawing Center, New York, NY, March 19-May 21, 2005, Santa Monica Museum of Art, Santa Monica, CA, June 10-August 13, 2005, Irish Museum of Modern Art, Dublin, January 24-March 26, 2006.}} 19. ^{{cite web |url=http://www.pacegallery.com/artists/290/agnes-martin/bio |title=Agnes Martin |publisher=Pace Gallery |location=New York |date=2015 |accessdate=6 October 2015 |deadurl=yes |archiveurl=https://web.archive.org/web/20151006234756/http://www.pacegallery.com/artists/290/agnes-martin/bio |archivedate=6 October 2015 |df= }} 20. ^{{cite web |url=http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=5147467 |title=Agnes Martin, Untitled #1 (1989) |publisher=Christie's |location=New York |work=Post War and Contemporary Art Evening Sale |date=November 12, 2008 |accessdate=October 6, 2015}} 21. ^1 {{cite web |url=http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=4978845 |title=Agnes Martin, Loving Love (2000) |publisher=Christie's |location=New York |work=Post War and Contemporary Art Evening Sale |date=November 13, 2007 |accessdate=October 6, 2015}} 22. ^{{cite web |url=http://www.guggenheim.org/new-york/exhibitions/publications/from-the-archives/items/view/72 |title=Systemic Painting: Catalogue for the Exhibition |author=Alloway, Lawrence |year=1966 |publisher=Guggenheim Museum |accessdate=October 6, 2015 |location=New York}} 23. ^{{cite web |url=http://www.zwirnerandwirth.com/exhibitions/2003/022003Martin/press.html |title=Agnes Martin: Five Decades, February 20 – April 26, 2003 |publisher=Zwirner & Wirth Gallery |location=New York |accessdate=October 6, 2015}} 24. ^{{cite web |url=http://www.gallery.ca/en/see/collections/artist.php?iartistid=3556 |title=Agnes Martin 1912 - 2004 |publisher=National Gallery of Canada |location=Ottawa |accessdate=October 6, 2015}} 25. ^{{cite web |url=http://www.diacenter.org/exhibitions/introduction/89 |publisher=Dia Art Foundation |title=Exhibition: Agnes Martin long term view |location=New York |accessdate=March 28, 2011 |deadurl=yes |archiveurl=https://web.archive.org/web/20110927044855/http://www.diacenter.org/exhibitions/introduction/89 |archivedate=September 27, 2011 |df= }} 26. ^1 {{cite web |url=http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=3918126 |title=Agnes Martin Untitled No. 4 (1994) |publisher=Christie's |location=New York |work=Post War and Contemporary Art Evening Sale |date=May 14, 2002 |accessdate=October 6, 2015}} 27. ^{{cite web |url=http://www.tate.org.uk/art/artists/agnes-martin-1583 |title=Agnes Martin 1912–2004: Artist biography |work=Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists |author=Alley, Ronald |year=1981 |page=488 |location=London |accessdate=October 6, 2015}} 28. ^{{cite web|title=Book of Members, 1780–2010: Chapter B |url=http://www.amacad.org/publications/BookofMembers/ChapterB.pdf |publisher=American Academy of Arts and Sciences|accessdate=July 25, 2014}} 29. ^Lifetime Honors – National Medal of Arts {{webarchive|url=https://web.archive.org/web/20110721054307/http://www.nea.gov/honors/medals/medalists_year.html |date=2011-07-21 }}, nea.gov. Accessed March 28, 2011. 30. ^{{cite web|url=http://www.artsandletters.org/academicians2_deceased.php |title=Deceased Members: Agnes Martin |accessdate=March 23, 2014 |deadurl=yes |archiveurl=https://web.archive.org/web/20110726004624/http://www.artsandletters.org/academicians2_deceased.php |archivedate=July 26, 2011 }} 31. ^1 2 {{cite web |url=http://www.pacegallery.com/newyork/exhibitions/11830/agnes-martin-closing-the-circle-early-and-late |title=Agnes Martin: Closing the Circle, Early and Late |publisher=Pace Gallery |date=February 10, 2006 |accessdate=October 6, 2015}} 32. ^{{cite web |url=http://www.pacegallery.com/artists/290/agnes-martin/documents |title=Agnes Martin: Selected One-Artist Exhibitions |work=Biographical documents |publisher=Pace Gallery |accessdate=October 6, 2015}} 33. ^1 {{Cite web |url=https://www.mutualart.com/Artist/Agnes-Martin/8E9DC2766A9B654A/Exhibitions |title=Events & Exhibitions of Agnes Martin (Canadian, 1912 - 2004) 15 April–13 August 2017 |last=|first=|date= |publisher=Mutual Art, Agnes Martin Exhibitions |accessdate=3 March 2017}} 34. ^{{Cite web|url=https://www.guggenheim.org/exhibition/agnes-martin|title=Agnes Martin|date=2016-02-02|language=en-US|access-date=August 5, 2016}} 35. ^{{cite news |url=http://artobserved.com/2016/02/los-angeles-dansaekhwa-and-minimalism-at-blum-poe-through-march-12th-2016/ |title=Dansaekhwa and Minimalism at Blum & Poe Through March 12th, 2016 |date=February 26, 2016 |accessdate=April 13, 2017 |newspaper=Art Observed |last=Creahan |first=D. }} 36. ^{{cite news |url=http://artdaily.com/index.asp?int_sec=11&int_new=89483#.WO9kG6K1vmQ |title=Guild Hall Museum opens "Aspects of Minimalism: Selections from East End Collections" |accessdate=April 13, 2017 |publisher=Art Daily}} 37. ^1 2 {{cite web |url=https://www.magasin3.com/en/publication/agnes-martin-2/ |title=Exhibition folder: Agnes Martin |publisher=Magasin III: Museum & Foundation for Contemporary Art |location=Stockholm |accessdate=October 6, 2015 }} 38. ^1 {{cite web |url=https://www.theguardian.com/artanddesign/2015/jun/07/agnes-martin-retrospective-review-tate-modern |title=Agnes Martin review – beauty and steeliness |author=Cooke, Rachel |publisher=The Guardian |date=June 7, 2015 |accessdate=October 6, 2015}} 39. ^{{cite web |author=Holland Cotter |date=December 17, 2004 |url=https://www.nytimes.com/2004/12/17/arts/design/17martin.html |title=Agnes Martin, Abstract Painter, Dies at 92 |work=The New York Times |accessdate=March 23, 2014}} 40. ^Carol Vogel (September 23, 1994), [https://www.nytimes.com/1994/09/23/arts/inside-art.html The Agnes Martin Wing] The New York Times. 41. ^{{cite web |url=http://www.harwoodmuseum.org/exhibitions/view/59 |title=Agnes Martin Gallery, The Harwood Museum of Art, University of New Mexico |location=Taos, NM |publisher=HarwoodMuseum.org |accessdate=March 28, 2011}} 42. ^{{cite web |url=http://harwoodmuseum.org/about/faqs |title=Can you help me understand the Agnes Martin Gallery? |publisher=Harwood Museum of Art |location=Taos, NM |accessdate=March 23, 2014}} 43. ^{{cite web |url=http://www.kellsandcraig.com/Projects_Base.html |title=Harwood Museum |accessdate=March 23, 2014 |work=Kells + Craig Projects}} 44. ^{{cite web |url=http://www.sikart.ch/kuenstlerinnen.aspx?id=4001147 |author=Luechinger, Thomas |language=German |publisher=Swiss Institute for Art Research |date=2001 |title=Video Installation about Agnes Martin |accessdate=January 31, 2016 }} 45. ^{{cite web |url=http://www.newdealfilms.com/documentaries/agnes-martin-with-my-back-to-the-world |publisher=New Deal Films |title=Agnes Martin: With My Back to the World |author=Lance, Mary |isbn=1-878917-10-2 |year=2002 |accessdate=January 31, 2016}} 46. ^{{cite web |url=http://www.leon-davigdor.com/agnes-martin_between_the_lines.html |title=Agnes Martin: Between the Lines |year=2002 |author=d'Avigdor, Leon |isbn=978-3-00-052261-1 | accessdate=January 31, 2016 |quote=Screening: Parts of a roughcut of the movie are screened until March 6, 2016, at Kunstsammlung NRW Duesseldorf (Germany) as part of the accompanying program of the exhibition.}} 47. ^{{cite news |first1=Katya |last1=Kazakina |first2=James |last2=Tarmy |date=May 15, 2015 |url=https://www.bloomberg.com/news/articles/2015-05-15/art-market-reaches-new-milestone-with-2-7-billion-sales-frenzy |title=Art Market Reaches New Milestone With $2.7 Billion Sales Frenzy |newspaper=Bloomberg Business |accessdate=July 22, 2018}} 48. ^{{cite web |title=The Canadian roots and turbulent life of abstract painter Agnes Martin |url=https://www.theglobeandmail.com/arts/art-and-architecture/article-the-canadian-roots-and-turbulent-life-of-abstract-painter-agnes-martin/ |website=www.theglobeandmail.com |accessdate=22 July 2018 |date=6 July 2018}} 49. ^Tzadik catalogue 50. ^{{Cite book |title = Sister Wendy's American Masterpieces |last=Beckett |first= Wendy |publisher=DK |edition=1st American |year=2000 |isbn=978-0789459589 |location=Mishawaka, Indiana, U.S.A.|page= }} 51. ^{{cite journal |last1=Behm-Steinberg |first1=Hugh |year=2008 |title=Three Poems |journal=EOAGH: A Journal of the Arts |volume= |issue=4 |pages= |publisher=Charles Alexander |doi= |url=http://chax.org/eoagh/issuefour/behm-steinberg.html |accessdate=March 23, 2011 }} 52. ^{{cite news |title=Agnes Martin: To celebrate the great painter, Google Doodle offers meditative muted beauty |url=https://www.washingtonpost.com/news/comic-riffs/wp/2014/03/22/agnes-martin-to-celebrate-the-great-painter-google-doodle-offers-meditative-muted-beauty/ |author=Michael Cavna |newspaper=The Washington Post |date=March 22, 2014 |accessdate=March 25, 2014}} External links{{Wikiquote}}
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