词条 | Akira Iwasaki |
释义 |
After Japan's defeat in World War II, Iwasaki was active in criticizing those who participated in the war effort. He joined Nihon Eigasha (Nichiei), primarily a documentary film company, and helped produce two important, but ill-fated documentaries: The Effects of the Atomic Bomb on Hiroshima and Nagasaki, which was confiscated by Occupation authorities,[6][7] and A Japanese Tragedy, directed by Fumio Kamei, which was banned for its critical depiction of Emperor Hirohito.[8] While continuing to work as a film critic from the 1950s on, including pursuing a vigorous debate on the nature of cinematic realism with Taihei Imamura, Iwasaki helped produce some of the independent films made by Tadashi Imai and Satsuo Yamamoto after many left-wingers were expelled from the major studios in the Red Purge. In 1974, he was a member of the jury at the 24th Berlin International Film Festival.[9] References1. ^Gerow, pp. 100–101. 2. ^Iwasaki Akira chosho, Japanese Wikipedia 3. ^Nornes, Japanese Documentary Film, pp. 19–47. 4. ^Nornes, Japanese Documentary Film, pp. 125–130. 5. ^Iwamoto, Kenji. "Film Criticism and The Study of Cinema In Japan: A Historical Survey (PDF) {{Webarchive|url=https://web.archive.org/web/20110813151222/http://ci.nii.ac.jp/Detail/detail.do?LOCALID=ART0008702382&lang=en |date=2011-08-13 }}". Iconics vol. 1 (1987), p. 134. Accessed 28 November 2009. 6. ^Nornes, Abé Mark. "Production Materials from The Effects of the Atomic Bomb on Hiroshima and Nagasaki {{Webarchive|url=https://web.archive.org/web/20100503121025/http://www.umich.edu/~iinet/cjs/publications/cjsfaculty/filmgenbaku.html |date=2010-05-03 }}". Center for Japanese Studies, University of Michigan. Accessed 28 November 2009. 7. ^Mitchell, Greg. "The Great Atomic Film Coverup." Huffington Post. 10 November 2009. Accessed 28 November 2009 8. ^Hirano, pp. 104–145. 9. ^{{cite web |url=http://www.berlinale.de/en/archiv/jahresarchive/1974/04_jury_1974/04_Jury_1974.html |title=Berlinale 1974: Juries |accessdate=2010-07-02 |work=berlinale.de| archiveurl= https://web.archive.org/web/20100706015647/http://www.berlinale.de/en/archiv/jahresarchive/1974/04_jury_1974/04_Jury_1974.html| archivedate= 6 July 2010 | deadurl= no}} Bibliography
| last = Cazdyn | first = Eric | year = 2002 | title = The Flash of Capital: Film and Geopolitics in Japan | publisher = Duke University Press | isbn = 0-8223-2912-3 }}
| last = Gerow | first = Aaron | year = 2008 | title = A Page of Madness: Cinema and Modernity in 1920s Japan | publisher = Center for Japanese Studies, University of Michigan | isbn = 978-1-929280-51-3 }}
| last = Nornes | first = Abé Mark | coauthors = | year = 2003 | title = Japanese Documentary Film: The Meiji Era through Hiroshima | publisher = University of Minnesota Press | location = Minneapolis | isbn = 0-8166-4045-9 }}
6 : Japanese film critics|Japanese film producers|1903 births|1981 deaths|Japanese documentary filmmakers|Asian film producers |
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