请输入您要查询的百科知识:

 

词条 Alessandro Polonini
释义

  1. Career

  2. Eutimio Polonini

  3. References

  4. External links

Alessandro Polonini (1844, Crema – 1920, Crema) was an Italian bass-baritone. He created the roles of Benoît and Alcindoro in Puccini's opera La bohème, as well as Geronte de Ravoir in his Manon Lescaut. Polonini also created the role of the surgeon in Verdi's La forza del destino.

Career

During his career Polonini sang throughout Italy, and also appeared in Barcelona (Gran Teatre del Liceu), Saint Petersburg (Bolshoi Kamenny Theatre), Buenos Aires (Teatro Colón) and Montevideo (Teatro Solis). In 1881, he sang at the Teatro Costanzi in Rome in the theatre's first performances of Rossini's The Barber of Seville (Figaro), Bellini's La sonnambula (Count Rodolfo), and Verdi's La forza del destino (Fra Melitone). He returned there in 1894 for the Costanzi's first performance of Manon Lescaut (Geronte). Polonini appeared frequently at the Teatro Regio di Torino. In addition to his performances there in the world premieres of Manon Lescaut (1893) and La bohème (1896), he sang in the world premieres of two now forgotten Italian operas – Antonio Cagnoni's Francesca da Rimini (1878) and Gaetano Luporini's I dispetti amorosi (1894). Polonini was also Beckmesser in the Teatro Regio's first performance of Wagner's Die Meistersinger von Nürnberg (1893).

Eutimio Polonini

Alessandro Polonini's father, Eutimio Polonini (or Entimio P., born circa 1820), was also an opera singer (bass) who sang in Italy, Paris, Saint Petersburg and London. In Italy, Eutimio Polonini sang in the premieres of Saverio Mercadante's Il bravo, ossia La veneziana, (La Scala, 1839) and Otto Nicolai's Il templario (Teatro Regio di Torino, 1840). He made his London debut in 1847 and for 21 years sang with the Royal Italian Opera. In April 1855 he appeared there in Beethoven's Fidelio in the presence of Queen Victoria and Napoleon III, as part of the French emperor's state visit to Britain. Eutimio Polonini also performed in other cities in Britain and Ireland with impresario Thomas Willert Beale's touring opera company.

References

{{No footnotes|date=December 2008}}
  • {{Almanacco|match=Polonini|label=Polonini}}. Accessed 17 November 2008.
  • De Angelis, Alberto (1922) L'Italia musicale d'oggi: dizionario dei musicisti, Ausonia, p. 391.
  • Golicz, Roman (2007) The English Life of Louis-Napoleon Bonaparte, Chapter 8{{Dead link|date=October 2018 |bot=InternetArchiveBot |fix-attempted=yes }}, Don Namor Press. Accessed 17 November 2008.
  • Gregorio, Mariano (1910) Historia del teatro en Buenos Aires, El Comercio.
  • Grove, George (1883) "Polonini, Entimio" in [https://archive.org/stream/musicians03grovuoft#page/n23/mode/2up A Dictionary of Music and Musicians (A.D. 1450–1880)], p. 11, volume 3, Macmillan and Co. Accessed 17 November 2008.
  • Salgado, Susana (2003) [https://books.google.com/books?id=lXag39roRosC The Teatro Solís: 150 Years of Opera, Concert, and Ballet in Montevideo], Wesleyan University Press. {{ISBN|0-8195-6594-6}}

External links

  • Maynard, Walter (aka Thomas Willert Beale), [https://books.google.com/books?id=ajcCAAAAQAAJ The Enterprising Impresario], London: Bradbury, Evans and Co. 1867 (full text). This book of Thomas Willert Beale's memoirs contains several anecdotes about Eutimio Polonini, Alessandro Polonini's father.
{{Portal bar|Opera}}{{authority control}}{{DEFAULTSORT:Polonini, Alessandro}}

7 : Italian opera singers|Operatic bass-baritones|1844 births|1920 deaths|People from Crema, Lombardy|19th-century Italian singers|19th-century male singers

随便看

 

开放百科全书收录14589846条英语、德语、日语等多语种百科知识,基本涵盖了大多数领域的百科知识,是一部内容自由、开放的电子版国际百科全书。

 

Copyright © 2023 OENC.NET All Rights Reserved
京ICP备2021023879号 更新时间:2024/9/21 2:42:00