| 词条 | Alexander Laszlo (composer) |
| 释义 |
| name = Alexander Laszlo | image = | caption = | image_size = | background =non_performing_personnel | alias = | birth_name = Sandor ("San") Totis | birth_date = {{birth date|1895|11|22}} | origin = Budapest, Hungary | death_place = | death_date = {{death date and age|1970|11|17|1895|11|12|mf=y}} | Genere = film score | occupation = Composer | years_active = | label = | associated_acts = }} Alexander Laszlo (November 22, 1895 Budapest (Hungary) - November 17, 1970 Los Angeles, California) was a Hungarian-American pianist, musical composer, arranger and inventor.[1] He was born Sandor ("San") Totis, but used the professional name of Alexander Laszlo as a composer and music publisher. Lazlo studied piano at the Franz Liszt Academy of Music, and started as a pianist at the Blüthner Orchestra in Berlin in 1915. He gave piano recitals in Germany and Europe in the 1920s,[2] and was a music director and professor of film music in Berlin. According to the studies of the psychologist Georg Anschütz, the mentor of the synaesthesia research of this time, László developed an apparatus for the combination of colored light, slides, moving amorphous and geometrical forms. The first demonstration of it took place under the name "Sonchromatoskop" in 1924. Although this sonicism was developed by music, it should neither serve the intensification of the musical life, nor should individual keys be illustrated by clearly related colors. Rather, it was a new art genre in which abstract images and sound do not behave supplementarily, but enter into an original and inviolable unity. László built a professional Sonchromatoskop and it was controlled by the pianist. In 1925 Laszlo wrote a text called Color-Light-Music, and toured Europe with a color organ. He also participated in many Jewish lead charities. In the late 1930s he came to the United States, starting in Chicago as music professor at the IIT Institute of Design. In the 1940s he was music director at NBC Radio.[3] In the late 1940s and the 1950s he wrote the music for several films such as The Great Flamarion (1945), The Amazing Mr. X (1949), Tarzan's Magic Fountain (1948), Night of the Blood Beast (1958), Attack of the Giant Leeches (1959), Beast from Haunted Cave (1959) and The Atomic Submarine (1959), and television series including Rocky Jones, Space Ranger and My Little Margie. He established a publishing company to collect ASCAP royalties under the name "Alexander Publications." References1. ^Malte Hagener (2007). Moving forward, looking back: the European avant-garde and the invention of film culture, 1919-1939. Amsterdam University Press, p.155. {{Authority control}}{{main other|2. ^John Gage (1999). Color and culture: practice and meaning from antiquity to abstraction. University of California Press. p.245. 3. ^{{IMDb name|id=0489967|name=Alexander Laszlo}} }}{{DEFAULTSORT:Laszlo, Alexander}}{{US-composer-19thC-stub}} 12 : 1895 births|1970 deaths|American film score composers|American music arrangers|Hungarian emigrants to the United States|Musicians from Budapest|Franz Liszt Academy of Music alumni|Hungarian classical pianists|Male pianists|Illinois Institute of Technology faculty|20th-century composers|Male film score composers |
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