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词条 Anne Acheson
释义

  1. Career

     Wartime services 

  2. Commemoration

  3. Works

  4. Further reading

  5. References

{{Infobox artist
| name = Anne Crawford Acheson
| image = Photo_of_Anne_Acheson.jpg
| imagesize =
| caption = Anne Crawford Acheson
| birth_name =
| birth_date = {{birth date|1882|8|5|df=y}}
| birth_place = Portadown, Ireland
| death_date = {{death date and age|1962|3|13|1882|8|5|df=y}}
| death_place = Lisburn, Northern Ireland, UK
| nationality = British
Irish
| education = Belfast School of Art, Royal College of Art
| field = Sculpture
}}Anne Crawford Acheson {{Post-nominals|post-noms=CBE FRBC}}[1] (5 August 1882 – 13 March 1962) was a British-Irish sculptor. She was educated at Victoria College, Belfast, Belfast School of Art and the Royal College of Art, London.[2] She studied sculpture under Édouard Lantéri and exhibited at the Royal Academy and internationally. She was awarded the CBE in 1919. During the First World War she worked for the Surgical Requisites Association at Mulberry Walk in Chelsea, London.[3] Acheson received the Gleichen Memorial Award in 1938.[4] She divided her time between London and Glenavy, County Antrim, Northern Ireland.[5][6]

Career

Acheson first exhibited her artwork at the Royal Academy in 1913, when her sculpture 'The Pixie' was accepted. Over the next four decades, 30 of her sculptures were featured in 22 exhibitions.[6] Acheson's work included statuettes, portrait heads, and garden figurines. While her early works were sculpted from wood, her later sculptures were largely done in metal, stone, or concrete.

Achesons lived at 51 Carrickblacker Rd Portadown Co Armagh. Her parents are on 1901 census at that address.

Wartime services

During the First World War she volunteered with the Surgical Requisites Association. Witnessing soldiers returning from the front with broken limbs held together with only wooden splints and basic bandages, Acheson suggested taking a plaster cast of the limb and when the cast had hardened, wrapping papier-mache over it, and placing it over the broken limb to support it whilst healing. This was inspired by the plaster of Paris she used in her sculptural work. The anatomically correct papier-mache splint reduced the healing time while properly supporting the broken limb. The idea of using plaster of Paris was adopted and refined over the years and is still in use today by the medical profession.[7]

Acheson retrained as a precision engineer and draftswoman during the Second World War to enable her to carry out further voluntary work. She also worked for the Red Cross during the conflict.[8]

Commemoration

A blue plaque commemorating her achievements was unveiled at First Presbyterian Church, Bridge Street, Portadown on 27th September 2018 by her great nephew, Rev John Glasgow Faris.[7][8]

Works

Dates for works refer to when they were first exhibited.

  • The Pixie (1910)
  • The Leprechaun (1914)
  • Echo Mocking (1914)
  • Sally (circa 1923)
  • The Imp (1924)
  • Trio (1924 presumed)
  • Lead Mask for Garden Decoration (1924 presumed)
  • The Gossamer Thread (1924 presumed)
  • Tangle (Pewter Statuette) (1926)
  • Mischief (1927)
  • Flora M'Flimsy (1927)
  • Gertrude Bell (bust for Gertrude Bell Memorial) (circa 1926-1929)
  • Harriet Emily (Lead Garden Figure) (1930)
  • Harriet Glasgow Acheson, Bronze Medallion (1934)
  • Barbara (Glazed Pottery) (1936)
  • Saint Brigit (Glazed Pottery) (1936)
  • Mother and Child (Glazed Pottery) (1936)
  • Harriet Emily (1938)
  • Fountain figure (circa 1944)
  • The Sacred Bull (1948)
  • Virginia (1949)
  • Squirrel (1950, presumed)
  • River Nymph (Walnut Wood) (1950)[3]

Further reading

  • The First Lady of Mulberry Walk: The Life and Times of Irish Sculptress Anne Acheson David Llewellyn, Troubador Publishing Ltd, 2010 {{ISBN|1848764057}}

References

1. ^{{cite news|url=http://www.britishnewspaperarchive.co.uk/viewer/bl/0000577/19380624/059/0006|title=Personal Paragraphs|date=24 June 1938|work=Aberdeen Journal|publisher=British Newspaper Archive|accessdate=27 June 2014|subscription=yes}}
2. ^"Miss Anne Acheson" Times [London, England] 16 Mar. 1962: 15. The Times Digital Archive. Web. 21 Apr. 2018.
3. ^{{cite web|title=Anne Crawford Acheson CBE, ARBSA|work=Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951| url= http://sculpture.gla.ac.uk/view/person.php?id=msib7_1205418483|accessdate=4 March 2011}}
4. ^{{cite book|author=Frances Spalding|publisher=Antique Collectors' Club|year=1990|title=20th Century Painters and Sculptors|ISBN=1 85149 106 6}}
5. ^{{cite web|title=Anne Acheson profile|work=Ashtead Pottery|url=http://www.ashteadpottery.com/models.htm|accessdate=6 July 2009}}
6. ^{{Cite web|url=http://www.newulsterbiography.co.uk/index.php/home/viewPerson/4|title='Anne Crawford Acheson (1882-1962): Sculptor' in The Dictionary of Ulster Biography|last=Devlin|first=Patrick|date=|website=www.newulsterbiography.co.uk|access-date=21 April 2018}}
7. ^{{Cite news|url=https://www.belfasttelegraph.co.uk/archive/portadown-honours-anne-acheson-who-invented-plaster-cast-for-bones-37350819.html|title=Portadown honours Anne Acheson who invented plaster cast for bones|work=BelfastTelegraph.co.uk|access-date=28 September 2018|issn=0307-1235}}
8. ^{{Cite news|url=https://www.portadowntimes.co.uk/news/anne-acheson-remembered-with-blue-plaque-unveilled-at-church-1-8647817|title=Anne Acheson remembered with Blue Plaque unveilled at church|access-date=28 September 2018}}
{{Authority control}}{{DEFAULTSORT:Acheson, Anne}}

19 : 1882 births|1962 deaths|20th-century Irish sculptors|20th-century British sculptors|20th-century women artists|Alumni of Belfast School of Art|Alumni of the Royal College of Art|Commanders of the Order of the British Empire|British sculptors|British women artists|British women engineers|Disease-related deaths in Northern Ireland|People from Portadown|Sculptors from Northern Ireland|Irish engineers|Women engineers|20th-century British engineers|20th-century Irish engineers|20th-century women engineers

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