| 词条 | Anne Cromwell's Virginal Book |
| 释义 |
Anne Cromwell's Virginal Book is a manuscript keyboard compilation dated 1638. Whilst the importance of the music it contains is not high, it reveals the sort of keyboard music that was being played in the home at this time. The manuscriptThe upright quarto book originally contained 51 pages, five of which have been torn out. It retains its original calf binding with gold tooling, and the initials A.C. are stamped on both back and front covers. The verso of the title page bears a table of note values and four lines of verse: Fouer moodes in musicke you shall find to beeBut two you only use which heare you see Devided from the sembreefe to the quaver Which you with ease may larne if you endevour Each of the following 33 pages bears eight sets of six-line ruled staves on which are fifty short pieces of music, written in at least two hands. The remaining pages are blank apart from the last, on the verso of which is written: This Book was my Grandmothers Ann Daughter and Coheiresse of Henry Cromwell Esqr. of Upwood in Count. Huntingdon & was dated 1638 But somebody has torn out ye Leaf.The book is currently in Museum of London The authorAnne Cromwell was born in 1618, the youngest child of Henry Cromwell († 1630) of Upwood, now in Cambridgeshire. Henry was the brother of Robert Cromwell (c. 1570-1617), the father of Oliver Cromwell, making Ann a first cousin of the Lord Protector. Anne later married John Neale of Dean, Bedfordshire. Her Coheiresse (above) was her sister Elizabeth Cromwell (born 1616) who with Anne may have had a hand in the writing of the manuscript. ContentsThe pieces contained in the manuscript are relatively simple, and written for the amateur performer. Most are anonymous, and consist of songs, dances, psalms and symphonies (masque music). Only nine pieces are attributed, of which six are to Simon Ives (1600-1662), one to John Ward, one to Bulstrode Whitelocke and one to (possibly) Thomas Holmes († 1638). However composers of some of the other pieces can be identified from other sources, and include John Bull, John Dowland and Henry Lawes. The contents (maintaining the original spelling) are as follows:
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Further reading
7 : Renaissance music|Books on English music|Compositions for harpsichord|Compositions for keyboard|Renaissance music manuscript sources|1638 compositions|1638 books |
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