“Antoine Masson”的意思、由来-开放百科全书

He learned engraving as an armorer's apprentice and had no other teaching.^[3] He was received (reçu) by the Académie Royale de Peinture et de Sculpture in 1679 and exhibited at the Paris Salon of 1699.^[4]

He engraved 68 plates,^[5] mostly portraits, of which the most celebrated are those of Henri de Lorraine, count of Harcourt, known as the "Cadet à la Perle,"^[3] Gaspard Charrier,^[3] and Olivier d'Ormesson.^[6]

His most famous subject is "The Pilgrims of Emmaus," after Titian, known as "The Tablecloth", because of the extreme care with which Masson has rendered the texture of linen.^[3]

Among his few surviving drawings are pastels of Charles II, King of England (Musée Magnin) and Pierre Dupuis (Louvre). His work shows extraordinary facility and great talent for color, but it is often marred by mannerisms, such as in his engraved portrait of Guy Patin, in which the nose was formed from one spiral cut.^[4]

His daughter, Madeleine Masson (1666–1713), married the engraver Nicolas Habert.^[2]^[7]^[8]

Notes

1. ^{{cite web|url=https://books.google.com/books?id=Q75CAAAAYAAJ&pg=PA103|title=Le peintre-graveur français: ou Catalogue raisonné des estampes gravées par les peintres et les dessinateurs de l'école française. Ouvrage faisant suite au Peintre-graveur de M. Bartsch|first1=A. P. F.|last1=Robert-Dumesnil|first2=Georges|last2=Duplessis|date=1 January 2019|publisher=G. Warée|via=Google Books}}
2. ^¹²Herluison 1863.
3. ^¹²³⁴Gilman et al. 1905.
4. ^¹Meyer.
5. ^Robert-Dumesnil 1836, [https://books.google.com/books?id=Q75CAAAAYAAJ&pg=PA139 p. 139].
6. ^Bryan 1816.
7. ^{{cite web|url=https://catalogue.bnf.fr/ark:/12148/cb14962293c.public|title=Habert|publisher=|via=BnF Catalogue général (http://catalogue.bnf.fr)}}
8. ^{{cite web|url=http://www.getty.edu/vow/ULANFullDisplay?find=&role=&nation=&subjectid=500073869|title=ULAN Full Record Display (Getty Research)|website=www.getty.edu}}

Bibliography

Bryan, Michael (1816). [https://books.google.com/books?id=PH5OAAAAYAAJ&pg=PA31 "Masson, Anthony"] in A Biographical and Critical Dictionary of Painters and Engravers, 2 volumes. London: Carpenter; J. Booker; Whittingham and Arliss. Volumes [https://books.google.com/books?id=V5pFAQAAMAAJ&pg=PR1 1] and [https://books.google.com/books?id=PH5OAAAAYAAJ&pg=PP7 2] at Google Books.

Gilman et al., editors (1905). [https://archive.org/stream/newinternational13gilm#page/169/mode/1up "Masson, Antoine"] in New International Encyclopedia, [https://archive.org/stream/newinternational13gilm#page/n6/mode/1up volume 13] at the Internet Archive.

Herluison, Henri (1863). [https://archive.org/stream/bub_gb_BXgOAAAAYAAJ#page/n38/mode/1up Masson (Antoine)], pp. 38–39 in Artistes orléanais. Orléans: H. Herluison.

Meyer, Véronique. "Masson, Antoine". Grove Art Online. Oxford Art Online. Oxford University Press, accessed 11 January 2015, subscription required.

Robert-Dumesnil, A. P. F. (1836). [https://books.google.com/books?id=Q75CAAAAYAAJ&pg=PA98 "Antoine Masson"], vol. 2, pp. 98–139, in Le Peintre-graveur français. Paris: Warée; Huzard. [https://books.google.com/books?id=Q75CAAAAYAAJ&pg=PP11 Copy] at Google Books.

Notes

Bibliography

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