请输入您要查询的百科知识:

 

词条 Archangel ivory
释义

  1. Description

  2. References

  3. Further reading

  4. External links

{{infobox artefact
|name = Archangel ivory
|image =
|image_caption = on display in the museum
|material = Ivory
|size = 428 x 143 mm and 9 mm thick
|writing =
|created = AD 525-550
|place = Constantinople
|publisher=
|location = Room 41 of the British Museum
|id =
|registration =
}}

The Archangel ivory is the largest surviving Byzantine ivory panel, now in the British Museum. Dated to the early 6th century, it depicts an archangel holding a sceptre and imperial orb.

Description

The archangel is usually identified as Michael, and the panel is assumed to have formed the right part of a diptych, with the lost left half possibly depicting Emperor Justinian (reigned 527–565),[1] to whom the archangel would be offering the insignia of imperial power. The panel is the largest single piece of carved Byzantine ivory that survives,[1] at 42.9 × 14.3 cm (16 7/8 × 5 5/8 in).[2] It is, along with the Barberini ivory, one of two important surviving 6th-century Byzantine ivories attributed to the imperial workshops of Constantinople under Justinian,[3] although the attribution is mostly assumed due to the size and craftsmanship.[1]

The figure is depicted in a highly classical style, wearing Greek or Roman garb and with a youthful face and proportions conforming to the ideals of classical sculpture. The architectural space, however, is more typically Byzantine in its bending of spatial logic: the archangel's feet are at the top of a staircase that recedes from the base of the columns, but his arms and wings are in front of the columns.[2] The feet are also not firmly planted on the steps.

There is a Greek inscription at the top, translated variously. Translated as "Receive this suppliant, despite his sinfulness", it might be an expression of humility on the part of Justinian.[1] Interpreted as the beginning of an inscription that continues on the lost second panel, it may read, "Receive these gifts, and having learned the cause...".[2]

References

1. ^{{cite book | author = Robin Cormack | title = Oxford History of Art | publisher = Oxford University Press | year = 2000 | isbn = 0-19-284211-0 | pages = 45–47}}
2. ^{{cite book | author = Marilyn Stokstad | title = Medieval Art | publisher = Westview Press | year = 2004 | isbn = 0-8133-4114-0 | pages = 67–68}}
3. ^A. Cutler, "The making of the Justinian diptychs", Byzantion 54 (1984), pp. 75-115.

Further reading

  • Weitzmann, Kurt, ed., Age of spirituality : late antique and early Christian art, third to seventh century, no. 481, 1979, Metropolitan Museum of Art, New York, {{ISBN|9780870991790}}; full text available online from The Metropolitan Museum of Art Libraries.

External links

  • [https://www.britishmuseum.org/explore/highlights/highlight_objects/pe_mla/i/ivory_panel_showing_an_archang.aspx British Museum: Ivory panel showing an archangel]

3 : Byzantine ivory|Greek and Roman objects in the British Museum|6th-century works

随便看

 

开放百科全书收录14589846条英语、德语、日语等多语种百科知识,基本涵盖了大多数领域的百科知识,是一部内容自由、开放的电子版国际百科全书。

 

Copyright © 2023 OENC.NET All Rights Reserved
京ICP备2021023879号 更新时间:2024/11/13 0:12:34