| 词条 | Aung Soe |
| 释义 |
| bgcolour = #6495ED | name = Bagyi Aung Soe {{my|ဗဂျီ အောင်စိုး}} | image = Bagyi Aung Soe.jpg | imagesize = | alt = | caption = | birth_name = | birth_date = 1924 | birth_place = Rangoon, British Burma | death_date = {{d-da|1990|1924}} | death_place = Yangon, Myanmar | nationality = Burmese | field = Painting | training = | movement = Modernist (abstract-figurative)Painting | works = | patrons = | influenced by = Hla Baw, Ba Nyan, Ba Kyi, Ba Gyan, Nandalal Bose, Affandi, a wide range of European modernist painters such as Picasso and Matisse, Traditional Burmese Painting | influenced = Nann Wai, Aung Myint | awards = | elected = | website = }}{{burmese characters}}Bagyi Aung Soe ({{lang-my|ဗဂျီ အောင်စိုး}} {{IPA-my|bədʑì ʔàʊɴ só|}}; 1924–1990) was a Burmese painter renowned for his modernistic, semi-abstract art, which caused such a shock in Burma when it appeared that many called it "psychopathic art".[1] The name "Bagyi" is his phonetic spelling of the word "pangyi", meaning "painting", which he first added to his name in 1955.[2] Santiniketan and Early Life in BurmaThe Indian government offered him a scholarship in 1951 to study art at Santiniketan, founded by Nobel laureate Rabindranath Tagore, but he chose to return to Burma after only a year. He traveled throughout Burma studying its handicrafts, classical art and architecture, especially that of Bagan.[3] In early 1953 one of Aung Soe's abstract paintings was published in Shumawa magazine, causing considerable controversy. Some said that the artist was mad.[4] Trip to Peshawar, Afghanistan and RussiaIn the winter of 1953 he was able to visit Peshawar, Afghanistan and Moscow for art studies. It has been alleged that in Russia he saw the works of modern European masters such as Picasso, Matisse and Kandinsky, but this can hardly be true because the work of the European modern masters was in deep storage in Russia and unavailable to public view during the Stainist period and for many years afterwards. However, it is clear that Aung Soe was influenced by European painters such as Picasso and Matisse, probably Japanese painting (one work shows influence of sumi-e), and the work of painters at Santiniketan, both contemporary and deceased, whose works were in the Santiniketan Museum.[5] During his time at Santiniketan, Aung Soe met the Indonesian expressionist painter Affandi, who also influenced him.[5] In addition to these foreign influences, Aung Soe was deeply influenced by the long history of Burmese Traditional painting, stretching back to the time of Bagan, which can still be seen on the walls of temples of the old city there.[5] Later life in BurmaAfter this, he had to depend on the Rangoon University library for art books as a source of inspiration. An eccentric, at times drunken and emotional, he had few friends in the artistic community, and few who shared his views on art. He worked alone, but did show his work in informal underground exhibitions, introducing concepts such as Cubism and Surrealism.[3] To earn money, Bagyi Aung Soe painted for magazines and book covers until the end of his career. At times his family was so poor that his wife had to sell mohinga, a noodle soup, to support them.[9] Bagyi Aung Soe suffered poverty and isolation and never found success during his life. He died in 1990, going deaf and blind.[1][5] WorkAung Soe thought deeply about the relevance of art in 20th-century Burma. According to Yin Ker, "He aspired for his paintings to be visual translations of Buddhist truths, not mere illustrations of episodes from the Buddha's previous lives or pretty pictures of pagodas and monks". In his later years, in poverty and with failing health, he became increasingly obsessed with creating an artistic idiom that reflected the Buddhist laws of impermanence.[3] His biographer has said "he transposed his spiritual aspirations and experiences into his artistic mission statement and applied their practical methods to the act of creation".[13] Though Aung Soe's talent was unrecognized during his life, he is now among the most admired and most famous of Burmese modern artists.[9][15] Less than ten years after his death, his paintings fetched thousands of dollars in Indonesian art galleries.[9] The organizer of a 2009 exhibition in his honor said "almost two decades after his death, his art continues to fascinate and stimulate". Museum Collections
See also
Notes1. ^1 {{cite journal |title=Modern Burmese Painting According to Bagyi Aung Soe |author=Yin Ker |journal=Journal of Burma Studies|volume=10 |pages=84–87 |year=2005 |location=DeKalb |publisher=Center for Southeast Asian Studies, Northern Illinois University |format=PDF |url=http://burmalibrary.org./docs6/JBS2006-Ker.pdf}} [1][2][3][4][5][6][7][8]2. ^1 {{cite web |url=http://pansuriya.wordpress.com/2009/12/06/bagyi-aung-soe-and-others/ |title=OM : BAGYI AUNG SOE & OTHERS |date=6 December 2009 |work=PANSURIYA |accessdate=2010-11-17}} 3. ^1 2 3 {{cite web |url=http://www.irrawaddymedia.com/print_article.php?art_id=2354 |title=Mentor and Tormentor |author=SAN SAN TIN |date=Aug 2001 |work=The Irrawaddy |accessdate=2010-11-17}} 4. ^1 {{cite book |url=https://books.google.ca/books?id=htrJvrCw0Y0C&pg=PA50&lpg=PA50 |page=50 |title=Myanmar in Pictures |author=Thomas Streissguth |publisher=Twenty-First Century Books |year=2007 |ISBN=0-8225-7146-3}} 5. ^1 2 3 {{cite web |url=http://irrawaddy.org/article.php?art_id=970 |title=Creation in Isolation: The Life and Career of Bagyi Aung Soe |author=Yin Ker |date=May 2004 |work=The Irrawaddy |accessdate=2010-11-17| archiveurl= https://web.archive.org/web/20101116120901/http://www.irrawaddy.org/article.php?art_id=970| archivedate= 16 November 2010 | deadurl= no}} 6. ^1 {{cite web |url=http://www.ari.nus.edu.sg/showfile.asp?eventfileid=304 |title=Findings from Bagyi Aung Soe’s Late Works: An Unwonted Union of the Sacred and the Avant-garde? |author=Yin Ker |date=13–15 July 2006 |publisher=The Asia Research Institute |accessdate=2010-11-17}} 7. ^1 2 3 4 {{cite book|pages=240–253|title=Burmese Painting: A Linear and Lateral History|author=Andrew Ranard|publisher=Silkworm Books|year=2009|ISBN=978-974-9511-76-3}} 8. ^1 2 {{cite book|title=On Burmese Painters, Sculptors, and Architects, Vol. 2|author=Nyan Shein|chapter=Bagyi Ang Soe (1924-1990)|pages=177–185|publisher=Sarpay Beikman|year=1998|language=Burmese}} }} Further reading
|url=http://bagyiaungsoe.com/The_Legacy_of_Bagyi_Aung_Soe-20th_Anniversary.pdf |title=The Legacy of Bagyi Aung Soe - 20th Anniversary |date=July 2010 |language=Burmese |accessdate=2010-11-16}} External links
5 : 1924 births|1990 deaths|Burmese artists|People from Yangon|20th-century Burmese painters |
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