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词条 Barbara Astman
释义

  1. Early life

  2. Artistic career

  3. Early career

  4. Mid career

  5. Awards

  6. Public collections

  7. Corporate collections

  8. Critical reception

  9. References

  10. External links

{{Infobox artist
| name = Barbara Astman
| image =
| caption = Barbara Astman in her studio
| birth_date = {{Birth date and age|1950|07|12}}
| birth_name = Barbara Anne Astman
| birth_place = Rochester, New York, U.S.
| training = RIT (School for American Craftsmen), OCA
| awards = Ontario Arts Council, Canada Council
| website = {{URL|www.barbaraastman.com}}
}}Barbara Astman, RCA, is a Canadian artist who specializes in a hybrid of photography and new media;[1] often using her own body as object and subject, merging art and technology.[2]

Early life

Astman was born in Rochester, New York, the second of three children of Bertha (née Meisel, a homemaker) and George Astman (an auto mechanic and salesman.) She received her Associate degree at the Rochester Institute of Technology's School for American Craftsmen. In 1970, she moved to Toronto, Ontario, Canada to study at the Ontario College of Art (now OCAD University,) and graduated with an Associate degree (A.O.C.A.).

Artistic career

Astman's practice is partly composed of public art installations in Canada and abroad, including an installation at the Calgary Winter Olympics in 1987. Recently, she completed a project for the new Canadian Embassy in Berlin, Germany[3] consisting of a fritted glass tower wall. She joined the faculty of OCAD in 1975 and is a Professor in the Faculty of Art. Her work is in both in both public and private collections; she is represented by the Corkin Gallery, Toronto.

Early career

In the 1970s, she began exploring Polaroid technology and Xerography as a vehicle for art making. Her first successful solo show was held in 1973, at Toronto's Baldwin Street Gallery of Photography. Two years later, the Still Photography Division of the National Film Board of Canada now called the Canadian Museum of Contemporary Photography, Ottawa hosted her first museum show. Astman began the Colour Xerox Artist's Program at Visual Arts Ontario in 1977. She sat on the Board of Directors at the Art Gallery at Harbourfront (now called The Power Plant) from 1983-85. Since then, other board positions have included: the City of Toronto, Public Art Commission; the Curatorial Team for the International WaterWorks Exhibition in 1988. Her initial commercial venture was the creation of the album cover for the first Loverboy record for CBS Records.

Mid career

Liz Wylie curated Astman's mid-career retrospective, Barbara Astman: Person/Persona A 20 Year Survey Exhibition in 1995. It opened at the Art Gallery of Hamilton, and then toured three other Canadian museums. The Art Gallery of Ontario reopened in 2008, after a year's redevelopment by architect Frank Gehry. Astman and AGO Assistant Curator Georgiana Uhlyarik were chosen to co-curate an exhibit focusing on Joyce Weiland and early feminist practice.[4]

Awards

Astman has received grants from the Ontario Arts Council (OAC) and the Canada Council (CC)[5] in support of her art practice since 1974 and has also adjudicated numerous OAC and CC applications. In 2000 she was elected to the Royal Canadian Academy.[6]

Public collections

Astman's work is held in the following permanent collections:

  • Agnes Etherington Art Centre, Queen's University, Kingston, ON{{Citation needed|date=September 2016}}
  • Art Gallery of Hamilton, Hamilton, ON[7]
  • Art Gallery of Peterborough, Peterborough, ON{{Citation needed|date=September 2016}}
  • Art Gallery of Ontario, Toronto, ON[8]
  • Bibliothèque Nationale, Paris{{Citation needed|date=September 2016}}
  • Canada Council Art Bank, Ottawa{{Citation needed|date=September 2016}}
  • Canadian Museum of Contemporary Photography, Ottawa{{Citation needed|date=September 2016}}
  • Confederation Centre of the Arts, Charlottetown, P.E.I.{{Citation needed|date=September 2016}}
  • Cornell University, Andrew White Museum, Ithaca, New York{{Citation needed|date=September 2016}}
  • Department of Foreign Affairs, Ottawa{{Citation needed|date=September 2016}}
  • The Edmonton Art Gallery, Edmonton, AB{{Citation needed|date=September 2016}}
  • Gallery Stratford, Stratford, ON{{Citation needed|date=September 2016}}
  • The Government of Ontario Collection, Toronto{{Citation needed|date=September 2016}}
  • The Robert McLaughlin Gallery, Oshawa, ON{{Citation needed|date=September 2016}}
  • International Museum of Photography, George Eastman House, Rochester, New York[9]
  • Kitchener-Waterloo Art Gallery, Kitchener, ON{{Citation needed|date=September 2016}}
  • Kamloops Art Gallery, Kamloops, BC{{Citation needed|date=September 2016}}
  • Kelowna Art Gallery, Kelowna, BC{{Citation needed|date=September 2016}}
  • Laurentian University Museum and Arts Centre, Sudbury, ON{{Citation needed|date=September 2016}}
  • MacKenzie Art Gallery, Regina, Saskatchewan{{Citation needed|date=September 2016}}
  • McIntosh Gallery, University of Western Ontario, London, ON{{Citation needed|date=September 2016}}
  • Nickle Arts Museum, Calgary, AB{{Citation needed|date=September 2016}}
  • Victoria and Albert Museum, London{{Citation needed|date=September 2016}}
  • Winnipeg Art Gallery, Winnipeg, MB{{Citation needed|date=September 2016}}

Corporate collections

  • C.I.L. Corporation, Toronto{{Citation needed|date=September 2016}}
  • Connor, Clark & Lunn, Toronto{{Citation needed|date=September 2016}}
  • Connor, Clark & Lunn, Vancouver{{Citation needed|date=September 2016}}
  • Epson Canada, Toronto, ON{{Citation needed|date=September 2016}}
  • Hewlett-Packard Canada, Ltd., Toronto{{Citation needed|date=September 2016}}
  • John Labatt Limited Collection, London, Toronto{{Citation needed|date=September 2016}}
  • McMillan Binch, Toronto{{Citation needed|date=September 2016}}
  • Nova Corporation, Calgary, AB{{Citation needed|date=September 2016}}
  • Osler, Hoskin & Harcourt, Toronto{{Citation needed|date=September 2016}}
  • Polysar Limited{{Citation needed|date=September 2016}}
  • Sherman & Sterling, Toronto{{Citation needed|date=September 2016}}
  • UBS, Switzerland{{Citation needed|date=September 2016}}

Critical reception

The Clementine Suite

"...a celebration of the human spirit."[10]

Dancing With Che

"...echoes across more than a century of technological innovation and evolution of the medium".[11]

"Audacious, humorous, improbable." [12]

Wonderland

"Intimate, personal, and quietly enthralling."[13]

References

1. ^Holubizky, Ihor; The Canadian Encyclopedia http://ccca.finearts.yorku.ca/c/writing/h/holubizky/hol004t.html{{dead link|date=October 2016 |bot=InternetArchiveBot |fix-attempted=yes }}
2. ^Enright, Robert. Border Crossings Issue #90, Vol. 23, No.1, May 2004, pp. 43-50
3. ^Government of Canada http://www.canadainternational.gc.ca/germany-allemagne/offices-bureaux/embassy_art_ambassade.aspx?lang=eng
4. ^Murray, Joan; Canadian Art in the Twentieth Century, Dundurn Press, 1999, pp168-170
5. ^Canadian Who's Who 1997 http://www.utpress.utoronto.ca/cgi-bin/cw2w3.cgi?p=arndt&t=82805&d=2162{{dead link|date=July 2017 |bot=InternetArchiveBot |fix-attempted=yes }}
6. ^The Royal Canadian Academy of Arts {{cite web |url=http://www.rca-arc.ca/en/about_members/results.asp |title=Archived copy |accessdate=2010-01-16 |deadurl=yes |archiveurl=https://web.archive.org/web/20100804051014/http://www.rca-arc.ca/en/about_members/results.asp |archivedate=2010-08-04 |df= }}
7. ^{{Cite web|url=https://www.artgalleryofhamilton.com/collections/contemporary-collection/|title=Contemporary Collection|website=Art Gallery of Hamilton|language=en-US|access-date=2019-03-04}}
8. ^{{Cite web|url=https://ago.ca/collection/browse?related_artists%5B26322%5D=26322|title=The Collection {{!}} Art Gallery of Ontario|website=Art Gallery of Ontario|language=en|access-date=2018-03-08}}
9. ^{{Cite web|url=https://collections.eastman.org/search/barbara%20astman|title=Eastman Museum Collections|last=|first=|date=|website=|archive-url=|archive-date=|dead-url=|access-date=4 March 2019}}
10. ^Dault, Julia; National Post, Jan. 12, 2006
11. ^Liss, David and Rubenstein, Bonnie, Exhibition Curators, Still Revolution: Suspended in Time, the Museum for Contemporary Canadian Art, May, 2009
12. ^Wylie, Liz; Canadian Art, Fall 2003, Volume 20, No. 3, p. 139
13. ^Whyte, Murray, Toronto Star, Wonderland Nov. 16, 2009. http://thestar.blogs.com/untitled/2009/11/barbara-astmans-wonderland-at-jane-corkin.html {{Webarchive|url=https://web.archive.org/web/20110725135946/http://thestar.blogs.com/untitled/2009/11/barbara-astmans-wonderland-at-jane-corkin.html |date=2011-07-25 }}.

External links

  • {{YouTube|N9Up5neUneU|Interview}}
  • The Corkin Gallery
  • CCCA Artist Database
  • Finding aid to Barbara Astman archives at Art Gallery of Ontario
{{Authority control}}{{DEFAULTSORT:Astman, Barbara}}

11 : 1950 births|Artists from Rochester, New York|Canadian mixed media artists|Artists from Toronto|Canadian contemporary artists|Canadian multimedia artists|Canadian photographers|Members of the Royal Canadian Academy of Arts|Living people|OCAD University alumni|20th-century Canadian women artists

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