词条 | Berlin International Film Festival | |||||||||||||||||
释义 |
| name = Berlin International Film Festival | logo = Berlin International Film Festival logo.svg | image_size = 250px | caption = Berlinale Palace, the main venue at Potsdamer Platz | location = Berlin, Germany | awards = Golden Bear, Silver Bear | founded = 1951 | number = 441 (945 screenings) in 2014 | artistic_director = Dieter Kosslick | website = {{url|http://www.berlinale.de/}} }} The Berlin International Film Festival ({{lang-de|Internationale Filmfestspiele Berlin}}), usually called the Berlinale, is a film festival held annually in Berlin, Germany.[1] Founded in West Berlin in 1951,[2] the festival has been held every February since 1978 and is one of the "Big Three" alongside the Venice Film Festival and Cannes Film Festival. With around 300,000 tickets sold and 500,000 admissions each year, it has the largest public attendance of any annual film festival.[3] Up to 400 films are shown in several sections across cinematic genres. Around twenty films compete for the festival's top awards, called the Golden Bear and several Silver Bears. Since 2001 the director of the festival has been Dieter Kosslick.[4] The European Film Market (EFM), a film trade fair held simultaneously to the Berlinale, is a major industry meeting for the international film circuit.[5] The trade fair serves distributors, film buyers, producers, financiers and co-production agents. The Berlinale Talents, a week-long series of lectures and workshops, is a gathering of young filmmakers held in partnership with the festival.[6] The film festival, EFM, and other satellite events are attended by around 20,000 professionals from over 130 countries.[7] More than 4200 journalists produce media coverage in over 110 countries.[8] At some high-profile feature film premieres held during the festival, movie stars and celebrities are present on the red carpet.[9] HistoryThe Berlin International Film Festival was founded in West Berlin in 1951, with film historian Dr. Alfred Bauer as its first director, a position he would hold until 1976.[10] Alfred Hitchcock's Rebecca opened the first festival which ran from June 6-17th. Bauer was succeeded by film journalist Wolf Donner in 1976.[11] After his first Berlinale in June 1977, he successfully negotiated the shift of the festival from the summer to February (February 22 - March 5, 1978), a change which has remained ever since. After only three years in the role, Donner was followed by Moritz de Hadeln who held the position from 1980 [12] until current director Dieter Kosslick took over in 2001.[13] Festival programmeThe festival is composed of seven different film sections.[14] Films are chosen in each category by a section director with the advice of a committee of film experts. Categories include: Competition: comprises feature-length films yet to be released outside their country of origin. Films in the Competition section compete for several prizes, including the top Golden Bear for the best film and a series of Silver Bears for acting, writing and production.[15]Panorama: comprises new independent and arthouse films that deal with "controversial subjects or unconventional aesthetic styles". Films in the category are intended to provoke discussion, and have historically involved themes such as LGBT issues.[16]Forum: comprises experimental and documentary films from around the world with a particular emphasis on screening works by younger filmmakers. There are no format or genre restrictions, and films in the Forum do not compete for awards.[17]Generation: comprises a mixture of short and feature-length films aimed at children and youths. Films in the Generation section compete in two sub-categories: Generation Kplus (aimed at those aged four and above) and Generation 14plus (aimed at those aged fourteen and above). Awards in the section are determined by three separate juries—the Children's Jury, the Youth Jury and an international jury of experts—whose decisions are made independent of one another.[18]Perspektive Deutsches Kino: comprises a wide variety of German films, with an emphasis on highlighting current trends in German cinema. There are few entry requirements, enabling emerging filmmakers to display their work to domestic and international audiences.[19]Berlinale Shorts: comprises domestic and international short films, especially those that demonstrate innovative approaches to filmmaking. Films in the category compete for the Golden Bear for the best short film, as well as a jury-nominated Silver Bear.[20]Retrospective: comprises classic films previously shown at the Berlinale, with films collated from the Competition, Forum, Panorama and Generation categories. Each year, the Retrospective section is dedicated to important themes or filmmakers. The special Homage series similarly examines past cinema, with a focus on honouring the life work of directors and actors.[21]In addition to the seven sections, the Berlinale also contains several linked "curated special series", including the Berlinale Special, Gala Special, Forum 5, Culinary Cinema and the Homage.[14] Since 2002 a 50-second trailer opens the performances in all sections of the festival with the exception of the Retrospective. Awards{{Main|Golden Bear}}The Golden Bear (German: Goldener Bär) is the highest prize awarded for the best film at the Berlin International Film Festival. Golden Bear (Goldener Bär)
Silver Bear (Silberner Bär) {{redirect|Silver Bear}}The Silver Bear was introduced in 1956 as an award for individual achievements in direction and acting, and for best short film.{{citation needed|date=January 2019}} In 1965 a special film award for the runner-up to the Golden Bear was introduced. Although its official name was the Special Jury Prize from 1965 to 1999, and has been the Jury Grand Prix since 2000, it is commonly known as the Silver Bear (just like the awards for individual achievements) as it is regarded as a second place award after the Golden Bear.{{citation needed|date=January 2019}} In 2002 a Silver Bear for best film music, and in 2008 an award for best screenplay.{{citation needed|date=January 2019}}
European Film MarketThe European Film Market (EFM) is one of three largest movie markets in the world.[24] It is the business centre during the time of the Berlinale Film Festival. The EFM is the major venue for film producers, buyers, financiers, sales agents, and distributors. It is a professional trade event, so is open to registered industry insiders. In 2011, 400 companies registered and 6,982 market badges were issued; 1,532 buyers have registered.[25] The trade fair provides exhibition space for companies presenting their current line-up. It organizes over 1000 screenings of new films, which take place at movie theatres around Potsdamer Platz. In 2007, the CinemaxX and CineStar were used to showcase new productions. In 2010, the Astor Film Lounge showed market screenings in three dimensions using digital RealD technology. The Berlinale Co-Production Market is a three-day networking platform for producers and financiers, as well as broadcasting and funding representatives who are participating in international co-productions. At the Berlinale Co-Production Market, producers can introduce selected projects and find co-production partners and/or financiers in one-on-one meetings. Berlinale Talents{{main|Berlinale Talents}}Commencing in 2003, the Berlinale has partnered with the Berlinale Talents (previously Berlinale Talent Campus), which is a winter school for "up-and-coming filmmakers" that takes place at the same time as the festival. The Talent Campus accepts about 250 applicants each year; the attendees come from around the world, and represent all of the filmmaking professions.[26] The event runs six days during the Berlinale and features lectures and panel discussions with well-known professionals addressing issues in filmmaking. Workshops, excursions, personal tutoring, coaching, and training of participants from different fields of work are part of the programme. The proceedings include presentations by distinguished experts,[27] who have included Park Chan-wook, Frances McDormand, Stephen Frears, Dennis Hopper, Jia Zhangke, Walter Murch, Shah Rukh Khan, Joshua Oppenheimer, Anthony Minghella, Charlotte Rampling, Walter Salles, Ridley Scott, Raoul Peck, Tom Tykwer, Mike Leigh, Tilda Swinton, and Wim Wenders.{{citation needed|date=February 2018}} Many of these presentations and lectures are archived, both as video recordings and as transcripts, on the Talent Campus' website. GallerySee also{{Portal|European Union|Germany|Film}}
References{{independent sources|date=February 2018}}1. ^China film wins top Berlin award, BBC News 2. ^{{Cite web |url=http://www.berlinale.de/en/archiv/archiv_biografien/Biografie_Martay.html |title=Oscar Martay |access-date=25 January 2012 |archive-url=https://web.archive.org/web/20150426223115/http://www.berlinale.de/en/archiv/archiv_biografien/Biografie_Martay.html |archive-date=26 April 2015 |dead-url=yes |df=dmy-all }} 3. ^Facts and Figures of the Berlinale, berlinale.com 4. ^Speed Interview with Dieter Kosslick Berlinale Chief, filmfestivalstv.com, 18 February 2008 5. ^Berlin Film Festival a market force, Variety, 13. February 2008 6. ^Berlin Talent campus wins hearts, fest21.com 7. ^2009 Berlinale Press release, berlinale.de, 18. February 2008 8. ^Kosslick zieht positive Berlinale-Bilanz {{webarchive|url=https://web.archive.org/web/20120217034954/http://www.pr-inside.com/de/kosslick-zieht-positive-berlinale-bilanz-r441535.htm |date=17 February 2012 }}(German), PR-inside.com 9. ^{{YouTube|vZkvV6Uu9nY|Madonna at the Berlinale}}, 19. February 2008 10. ^{{cite web|title=Archive 1951: The beginnings|url=https://www.berlinale.de/en/archiv/jahresarchive/1951/01_jahresblatt_1951/01_Jahresblatt_1951.html|website=berlinale.de|publisher=Berlinale Press Office|accessdate=25 February 2018}} 11. ^{{cite web|title=Archive 1977: A promising start for Wolf Donner|url=https://www.berlinale.de/en/archiv/jahresarchive/1977/01_jahresblatt_1977/01_Jahresblatt_1977.html|website=berlinale.de|publisher=Berlinale Press Office|accessdate=25 February 2018}} 12. ^{{cite web|title=Archive 1980: Moritz de Hadeln's first year: Consequent Renewal|url=https://www.berlinale.de/en/archiv/jahresarchive/1980/01_jahresblatt_1980/01_Jahresblatt_1980.html|website=berlinale.de|publisher=Berlinale Press Office|accessdate=25 February 2018}} 13. ^{{cite web|title=Archive 2002: All remains new|url=https://www.berlinale.de/en/archiv/jahresarchive/2002/01_jahresblatt_2002/01_Jahresblatt_2002.html|website=berlinale.de|publisher=Berlinale Press Office|accessdate=25 February 2018}} 14. ^1 {{cite web|url=http://www.berlinale.de/en/das_festival/festival-sektionen/ueberblick_sektionen/index.html|title=The Festival Sections: An Overview|author=Berlinale.de|year=2010|accessdate=7 February 2010|archive-url=https://web.archive.org/web/20100208060420/http://www.berlinale.de/en/das_festival/festival-sektionen/ueberblick_sektionen/index.html|archive-date=8 February 2010|dead-url=yes|df=dmy-all}} 15. ^{{cite web|url=http://www.berlinale.de/en/service/_filmanmeldung/richtlinien_wettbewerb/index.html|title=Competition|author=Berlinale.de|year=2010|accessdate=7 February 2010|archive-url=https://web.archive.org/web/20100212153111/http://www.berlinale.de/en/service/_filmanmeldung/richtlinien_wettbewerb/index.html|archive-date=12 February 2010|dead-url=yes|df=dmy-all}} 16. ^{{cite web|url=http://www.berlinale.de/en/das_festival/festival-sektionen/panorama/index.html|title=Panorama|author=Berlinale.de|year=2010|accessdate=7 February 2010|archive-url=https://web.archive.org/web/20100208232103/http://www.berlinale.de/en/das_festival/festival-sektionen/panorama/index.html|archive-date=8 February 2010|dead-url=yes|df=dmy-all}} 17. ^{{cite web |url=http://www.berlinale.de/en/das_festival/festival-sektionen/forum/index.html|title=Forum|author=Berlinale.de|year=2010 |accessdate=7 February 2010}} 18. ^{{cite web |url=http://www.berlinale.de/en/das_festival/festival-sektionen/generation/index.html|title=Generation|author=Berlinale.de|year=2010 |accessdate=7 February 2010}} 19. ^{{cite web |url=http://www.berlinale.de/en/service/_filmanmeldung/richtlinien_perspektive_dt_kino/index.html|title=Perspektive Deutsches Kino|author=Berlinale.de|year=2010 |accessdate=7 February 2010}} 20. ^{{cite web |url=http://www.berlinale.de/en/service/_filmanmeldung/richtlinien_kurzfilme/index.html|title=Berlinale Shorts|author=Berlinale.de|year=2010 |accessdate=7 February 2010}} 21. ^{{cite web |url=http://www.berlinale.de/en/das_festival/festival-sektionen/retrospektive/index.html|title=Retrospective & Homage|author=Berlinale.de|year=2010 |accessdate=7 February 2010}} 22. ^Prizes of the International Jury Last accessed 20130116 23. ^1 [https://www.berlinale.de/en/archiv/jahresarchive/1956/03_preistr_ger_1956/03_Preistraeger_1956.html Berlinale. Archive. Prize winners 1956]. Retrieved 27 January 2019 24. ^Kodak Cinema&Television Press Release, www.kodak.com 25. ^EFM Facts and Figures, 14. November 2011 26. ^Berlinale Talents, berlinale-talentcampus 27. ^Talent Campus adds to lineup, Variety External links{{Commons|Berlinale}}
9 : Berlin International Film Festival|1951 establishments in Germany|Annual events in Berlin|February events|Film festivals established in 1951|Film festivals in Berlin|Film markets|Recurring events established in 1951|Winter events in Germany |
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