| 词条 | Bobby Nunn (R&B musician) |
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| name = Bobby Nunn | image = Berry Gordy, Bobby Nunn.jpg | caption = Berry Gordy, Bobby Nunn 1984 | image_size = | background = solo_singer | instrument = Vocals, keyboards | genre = R&B, pop, funk | occupation = Singer-songwriter Record producer | years_active = 1970s–1980s–present | label = Motown, Gordy, Columbia, MCA, Sony, Death Row, Interscope, Daptone, A&M, Word, Virgin, Tommy Boy, RCA, So So Def, CCEG, MoDo, BRANJi Music. | associated_acts = The Jets, Philip Bailey, Earth, Wind & Fire, Rick James, The Temptations, Snoop Dogg, Charlie Wilson, Boys Club, Bob & Gene, Stetsasonic, Splendor | website = }} Bobby Nunn is an American R&B producer, songwriter and vocalist, best known for his Top 15 US Billboard R&B chart hit single, "She's Just a Groupie." Life and careerNunn's big opportunity came through his association with Rick James. Nunn played keyboards and sang background on some of James's early Motown recordings. As a solo artist,[1] Bobby Nunn co-produced his 1982 debut Motown album, Second to Nunn, with Winston Monseque. He wrote or co-wrote all but one of the tracks.[2] The album was successful, hitting #14 on the R&B charts. The lead single, "She's Just A Groupie", hit #15 on Billboard′s R&B singles chart.[3] The chorus from "She's Just A Groupie" was used as the chorus on "Snoop Doggs" song "Groupie" from his double platinum album, "Tha Doggfather". It was sung by Charlie Wilson.[4] Bobby performed on American Bandstand, Soul Train, Thicke of the Night and other shows during the time.[5] Nunn's 1983 follow-up album, Private Party, despite some favorable reviews, failed to equal the success of his first release.[6] His single release, "Don't Knock It (Until You Try It)", peaked at #65 in the UK Singles Chart in February 1984.[7] The album also spawned a club favorite, "Hangin' Out at the Mall," which featured Tata Vega. Bobby also wrote and produced the 1988 Grammy nominated top 5 hit song "Rocket 2U" for The Jets.
Early yearsAs a teenager, Nunn honed his writing, producing, singing, musician, and engineering skills at MoDo Records. The MoDo studio was located in the basement of the Nunn family home in Buffalo, New York. Bobby with childhood friend Gene Coplin, was half of the MoDo duo known as Bob & Gene. Along with Bob and Gene's, the many records that came out of Modo have been rediscovered by classic record collectors around the world. In 2001, collector and soul music enthusiast David Griffiths came across a 45 from Bob & Gene, a cover of Marvin Gaye's "If This World Were Mine." Intrigued by what he heard, he contacted MoDo's founder William Nunn Sr, who then gave Griffiths all of Bob & Gene's old tapes. Believing there was possibility in the collection, Griffiths encouraged the family to allow him to get them released. Daptone Records, a label that specializes in funk and soul, took interest in what Griffiths presented them and 40 years after they were recorded, released the full-length If This World Were Mine... in 2007, shortly after the elder Nunn's death. Bob and Gene's songs have since been featured in movies like, Tyler Perry's Why Did I Get Married Too, Our Family Wedding, and Diverso da Chi?. In 2011, Bob and Gene were inducted into the Buffalo Music Hall of Fame. The 1970sIn 1977, a mutual friend introduced Bobby to Rick James who had returned to Buffalo from Toronto Canada and was beginning work on a bunch of new songs he'd recently written. At the time, Bobby was writing and producing songs at Cross-Eyed Bear Studio located in a converted barn outside of Buffalo in the rural town of Clarence, NY. Bobby was familiar with Rick from his song "Get up and Dance" that was playing on Buffalo Radio stations. Nunn said, "When I met Rick my first thought was, 'this guy ain't from around here.' You could tell he had traveled out of Buffalo a lot. He had a certain sophistication and confidence about him that demanded attention. All in all, he was a really nice guy". James was set to record in a studio in downtown Buffalo when Bobby suggested he check out the spot where he was recording. A few days later he drove Rick out there to see it. He loved the vibe and seclusion of the studio and decided to record there instead of downtown using Bobby's band and some other musicians he'd handpicked, to back him up. They rehearsed for two weeks before they began recording in Clarence. Those recording sessions included the single, "You and I" and a bunch of other songs that later became the bulk of Rick's "Come Get It!" and "Bustin' Out of L Seven" albums. "Rick was a master at getting the best from the musicians and singers he worked with. He could be extremely tough and demanding when necessary or encouraging and humble. Whatever it took to get there. I learned a lot working with him" said Nunn. The 1980sAfter working with Rick James in the late-1970s on songs that would become most of James's first two Motown albums, "Come Get It!" and "Bustin' Out of L Seven", Nunn moved to Los Angeles to work with Earth, Wind & Fire's, Philip Bailey on the Splendor album. It featured him, his brother Billy Nunn, who co-wrote "Mary Jane" with Rick and bandmates Splendor for Columbia records. The members also played and sang background vocals on the Rick James project. The album also featured members of Earth,Wind and Fire and other amazing musicians like Nate Watts from Stevie Wonders band on bass and Dianne Reeves singing background vocals. It all started a year earlier when Billy recognized and introduced himself to Bailey in a music store in Los Angeles. Billy was on his way back from touring in Japan and gave him a tape of Bobby's demos. A few days later, Philip actually called Bobby and expressed interest in what he'd heard. He even went to Nunn's house after an EWF concert in Buffalo to hear the band in person. Bobby says, "Can you imagine?, I picked Philip up in back of the old Memorial Auditorium in my old Mustang, drove him to my place and we played for him. It was probably 2 o'clock in the morning. How cool was that? He was totally down to earth. When I first moved to LA, he used to let me use his home studio to work on songs while he went to the studio to work on Earth, Wind and Fire. I remember he came in from the studio one night very excited. He said, "We got another hit, you gotta hear this". He proceeded to play an unfinished version of "Let's Groove". We were just noding our heads, smiling and partying. He's still a good friend after all these years". The group was signed to Columbia records by A&R legend Gerry Griffith who later discovered Whitney Houston. Although the Splendor album was not commercially successful, it also has a devoted cult following. It was recently re-released in Japan. In 1981, Bobby was recording demos for his band on which he played and sang virtually everything on them. Motown's Iris Gordy, who had earlier brought Rick James to the label, and her then husband Winston Monseque, who later became Nunn's manager, convinced him to go solo keeping the same basic sound of the demos. They soon signed him to Motown Records. Bobby recorded three albums for Motown. Second to Nunn followed by Private Party. The third one Fresh was never released. It's currently "in the can". After leaving Motown, Nunn spent time working as a writer/producer for many artists and labels. Among them were "Long Distant Love" and "Welcome to the Club", produced by Nile Rodgers for Philip Bailey's "Inside Out" album. He also wrote the hit single "Thank You" for Bailey's Grammy winning "Triumph" album. Bobby also worked on the Temptation's "Reunion" album.
References1. ^{{cite web |url=http://www.allmusic.com/artist/bobby-nunn-p5050|title= Bobby Nunn - Biography|author=Bueche, Rick A. |publisher= All Music Guide |location= United States |year= |accessdate=2011-01-06}} {{Authority control}}{{DEFAULTSORT:Nunn, Bobby}}2. ^{{cite AV media notes |title=Second To Nunn |titlelink= |others=Bobby Nunn |year=1982 |chapter= |url= |first= |last= |authorlink= |coauthors= |page= |pages= |type= |publisher=Motown Records |id= |location= |ref= }} 3. ^{{cite web |url=http://www.allmusic.com/artist/bobby-nunn-p5050/charts-awards|title= Bobby Nunn - Charts & Awards|author= |publisher= All Music Guide |location= United States |year= |accessdate=2011-01-06}} 4. ^{{cite web |url=http://www.whosampled.com/Snoop-Dogg/Groupie/|title= Groupie by Snoop Dogg |author= |publisher= Who Sampled |location= United States |year= |accessdate=2009-08-17}} 5. ^{{cite web |url=https://www.imdb.com/name/nm5447373/?ref_=fn_al_nm_1|title= IMDB - Bobby Nunn|author= |publisher= IMDB |location= United States |year= |quote= |accessdate=}} 6. ^{{cite web |url=http://www.allmusic.com/album/private-party-r14302|title= Private Party - Bobby Nunn|author=Bueche, Rick A. |publisher= All Music Guide |location= United States |year= |quote=A heavy emphasis on computerized instrumentals makes an interesting set. |accessdate=2011-01-06}} 7. ^{{cite book| first= David| last= Roberts| year= 2006| title= British Hit Singles & Albums| edition= 19th| publisher= Guinness World Records Limited| location= London| isbn= 1-904994-10-5| page= 399}} 19 : Year of birth missing (living people)|Living people|African-American musicians|American pop pianists|American male pianists|American record producers|American soul musicians|American male singers|Motown artists|American pop keyboardists|American rhythm and blues keyboardists|American funk keyboardists|American soul keyboardists|American funk musicians|American funk singers|American soul singers|American rhythm and blues singers|21st-century American pianists|21st-century male musicians |
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