1. Plot

2. Cast

3. Production
    Title 

4. Reception

5. Feud between Belmondo and Delon

6. Trivia

7. References

8. External links

In 2009 Empire magazine named it #19 in a poll of "The 20 Greatest Gangster Movies You've Never Seen… Probably".

A sequel, Borsalino & Co., was released in 1974 with Alain Delon in the leading role.

Plot

In 1930, in Marseille, a gangster named Siffredi is released from prison and searches for his former girlfriend, Lola. He finds her with Capella, another gangster. The two men fight over her but become friendly and form a partnership, fixing horseraces and prizefights

They are then contacted by Rinaldi, a lawyer who works for Marello and Poli, the gangsters who control crime in Marseille. Rinaldi suggests that Siffredi and Capella seize control of Marello's hold on the fish market business. They succeed in doing this but become ambitious and try to control Poli's meat market operations too. Poli tries to have them killed but they succeed in killing him.

Another gangster, The Dancer, kills Rinaldi. Capella and Siffredi dispose of his body and establish themselves as the rulers of the Marseille crime world. Capella decides to leave Marseille but is killed by an assassin. Siffredi then decides to leave Marseille himself.

Cast

• Jean-Paul Belmondo – François Capella
• Alain Delon – Roch Siffredi
• Arnoldo Foà – Marello
• Catherine Rouvel – Lola
• Françoise Christophe – Simone Escarguel
• Corinne Marchand – Mme Rinaldi
• Laura Adani – Mme Siffredi, la mère de Roch
• Nicole Calfan – Ginette
• Hélène Rémy – Lydia
• Odette Piquet – La chanteuse
• Mario David – Mario
• Lionel Vitrant – Fernand
• Dennis Berry – Nono
• Jean Aron – Martial Roger, le compatible
• André Bollet – Poli
• Pierre Koulak – Spada

Production

The film is based on real life gangsters Paul Carbone and François Spirito, who joined the Carlingue that collaborated with the Germans during World War Two (though this is not mentioned in the film).^[4]

It was produced by Alain Delon, who had been looking for a vehicle for him to co-star with Belmondo. He found the story in a book he was reading about French gangsters from 1900 to 1970.^[5]

Under the terms of their contracts, each actor had to have the same number of close-ups. Delon dyed his hair black for his role.^[4]

It was one of the most expensive French movies ever made. Finance mostly came from Paramount Picture.^[5]

Title

The movie was originally going to be called Carbone and Spirito but there were objections and it was decided to fictionalise the characters.^[6]

The title Borsalino comes from the name of the hat company that made the men's hats that appear in the film. The Borsalino Company made fedora style hats from the late 19th century to the 20th century: the golden age was in the 1920s, 1930s and 1940s, when sales went through the roof.

Alain Delon said he wanted a title like Vera Cruz which did not have to be translated all around the world.^[4]

Reception

The film was a large success at the French box office, breaking records throughout the country. It had admissions in France of 4 710 381.^[7] This made it the fourth most watched film of the year, after The Gendarme Takes Off, Atlantic Wall, and Rider on the Rain. It was followed by The Red Circle, MASH, Once Upon a Time in the West, Things of Life, Butch Cassidy and the Sundance Kid, Donkey Skin and The Damned.^[8]

The film was also very popular elsewhere in Europe but did not break through in the US the way the filmmakers hoped.^[4] While it was released the Markovic Affair was still being heavily publicised, adding to the film's notoriety.^[4]

The movie saw a revival in the popularity of Borsalino hats.^[9]

Feud between Belmondo and Delon

Jean Paul Belmondo later sued Delon over the matter of billing – the words "an Alain Delon Production" appeared before Belmondo's name in the credits, resulting in Belmondo taking Delon to court. Delon said when promoting the film in the US:

We are still what you in America call pals or buddies. But we are not friends. There is a difference. He was my guest in the film but still he complained. I like him as an actor but as a person, he's a bit different. I think his reaction was a stupid reaction... almost like a female reaction. But I don't want to talk about him anymore.^[10]

Delon's associate producer, Pierre Caro, later claimed at the same time:

If you ask me, I think Belmondo was afraid from the first to make a picture with Alain. He demanded the same number of close ups. Alain had to cancel a lot of his best scenes because they made him look better than Belmondo. My own feeling is that they will never work together again. Alain says they will but he lies.^[10]

Director Jacques Deray reflected, "All through production Delon was impeccable, never interfered. But when the film was completed Delon the producer stepped in and took it over."^[5]

Trivia

The film was aired in the early morning hours of August 31, 1997 in the United Kingdom on BBC One, where it was interrupted at 1:45am, 45 minutes into the film, to bring the first news report of the car crash in Paris involving Diana, Princess of Wales which ultimately claimed her life. BBC newsreader Martyn Lewis gave a short update about the crash, and then BBC One went back to airing the rest of the film. They would interrupt the film one more time in the following hour to bring more news on the car crash.^{[11][12][13][14]}

References

External links

• {{IMDb title|id=0065486|title=Borsalino}}
• Borsalino at Le Film Guide
• [https://www.nytimes.com/movie/review?res=9E00E2D61638E336A05757C1A96E9C946190D6CF Review of film] at The New York Times
• Borsalino at TCMDB

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