| 词条 | Carlo Bernari |
| 释义 |
Life and careerHe had no formal education after grade seven, when he was expelled, but read widely in philosophy and art. At an early point he became interested in avant-garde art and experimentalism. He also became close to leftist intellectuals and artists His first novel, Tre Operai (Three Workers), concerned workers issues in Naples.[2] The book may have been a precursor to neo-realism and reportedly angered Benito Mussolini who felt there was Communism in it.[3] AwardsIn 1950, he shared the Viareggio Prize with Francesco Jovine. In 1962, he was nominated for an Academy Award for Best Original Screenplay for his work on the screenplay of The Four Days of Naples. Selected filmography
References1. ^Dictionary of Literary Biography, Volume 177: Italian Novelists since World War II, Thomson Gale (Detroit, MI), 1997. {{Viareggio Prize}}{{Authority control}}{{DEFAULTSORT:Bernari, Carlo}}{{Italy-writer-stub}}2. ^[https://books.google.com/books?id=69ey6Z-05fMC&pg=PA183 Encyclopedia of Italian literary studies By Gaetana Marrone, Paolo Puppa, Luca Somigli; pgs 183-185] 3. ^[https://books.google.com/books?id=EJSrVdbAHwQC&pg=PA113&as_brr=3#PPA113,M1 Censorship and literature in fascist Italy By Guido Bonsaver, pg 113] 9 : Italian screenwriters|1909 births|1992 deaths|People from Naples|20th-century Italian novelists|20th-century Italian male writers|Viareggio Prize winners|Italian male novelists|Italian male screenwriters |
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