词条 | Chicho Ibáñez |
释义 |
Ibáñez was the first trovador that we know of to specialize in the son and also on guaguancós and afrocuban rhythms from the abakuá. He played the Cuban tres rather than the Spanish guitar, and developed his own technique for this Cuban guitar. During his extremely long career, Chicho sang and played the son in streets, plazas, cafés, nightclubs and other venues throughout Cuba. In the 1920s, when the sextetos became popular, he was forced to sell his compositions to these larger groups and their composers in order to survive. His compositions include Tóma mamá que te manda tía, Evaristo, No te metas Caridad, Ojalá (sones); Yo era dichoso, Al fin mujer (bolero-sones); Qué más me pides, La saya de Oyá (guaguancos). He worked throughout Cuba, and latterly a short film was made of him. References1. ^now Pedro Betancourt 2. ^date of death from the program of LatinBeat 2003, Film Society of the Lincoln Center, New York. Orovio, Helio 2004. Cuban music from A to Z. Revised by Sue Steward. p112 gives 1987 as the date of death; earlier date here preferred on grounds of probability. 3. ^Giro, Radamés 2007. Diccionario encyclopédico de la música en Cuba. vol 2, La Havana. p250
5 : 1875 births|1981 deaths|Cuban male singer-songwriters|Cuban guitarists|Male guitarists |
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