| 词条 | Clement Power |
| 释义 |
Clement Power (born 20 August 1980 in London) is a British conductor. EducationAfter studies of piano, violin and composition, Power read music at Gonville and Caius College, Cambridge, and conducting at the Royal College of Music, London. CareerAfter a season (2005–06) as assistant conductor to the London Philharmonic Orchestra, Power was named assistant conductor (2006–08) of the Ensemble Intercontemporain, Paris, where he worked with Pierre Boulez and Susanna Mälkki. Known for his interpretations of the major works of the twentieth and twenty-first centuries,[1] Power frequently collaborates with leading new-music ensembles including Klangforum Wien[2][3][4][5][6] and MusikFabrik.[7][8] He has conducted orchestras including the Philharmonia,[9][10] the London Philharmonic Orchestra,[11][12][13][14] BBC Scottish Symphony Orchestra,[15] NHK Symphony Orchestra, RSO Stuttgart,[16][17][18] Lucerne Festival Academy Orchestra,[19] Orchestre Philharmonique du Luxembourg, Orchestre de Bretagne, Ensemble Intercontemporain,[20][21] Ensemble Contrechamps,[22] Avanti! Chamber Orchestra,[23] Ictus Ensemble,[24] Ensemble Modern, Birmingham Contemporary Music Group,[25][26] and the Munich Chamber Orchestra. He has been the guest of festivals including Lucerne Festival,[27][28] Salzburg Biennale,[29] Darmstadt,[30] Wien Modern,[31][32][33][34] IRCAM Agora,[35] amongst many others. Power has given over two hundred world premieres, including works by Georg Friedrich Haas,[36] Péter Eötvös, Benedict Mason, and new operas by Hèctor Parra (Hypermusic Prologue, Ensemble Intercontemporain / Liceu),[37][38] Wolfgang Mitterer (Marta, Opéra de Lille),[39][40][41][42] and Liza Lim (Tree of Codes, Cologne Opera).[43][44] DiscographyHèctor Parra, Hypermusic Prologue – Ensemble intercontemporain – KAIROS 0013042KAI, 2010[45]Gerald Resch, Collection Serti — Klangforum Wien – KAIROS 0013282KAI, 2012 Marko Nikodijevic, dark/rooms — Ensemble musikFabrik – Col Legno 40408, 2013[46][47] Agata Zubel, Not I — Klangforum Wien — KAIROS 0013362KAI, 2014 [48] References1. ^https://www.telegraph.co.uk/culture/music/classicalmusic/9071299/Clement-Power-new-face.html 2. ^"Under Power’s direction, [Klangforum Wien] could go from serious to whimsical in a heartbeat; on both sides of the podium, the control was masterful" http://pragueculture.blogspot.com/2010/11/contempuls_14.html 3. ^http://derstandard.at/1317019754180/Grazer-Musikprotokoll-Sound-der-Schneeflocken 4. ^{{cite web |url=http://winter.kleinezeitung.at/nachrichten/kultur/2849978/grenzen-freiheit.story |title=Archived copy |accessdate=2011-10-11 |deadurl=yes |archiveurl=https://web.archive.org/web/20120425061219/http://winter.kleinezeitung.at/nachrichten/kultur/2849978/grenzen-freiheit.story |archivedate=25 April 2012 |df=dmy-all }} 5. ^http://www.balkaninsight.com/en/article/contemporary-music-festival-in-belgrade 6. ^http://www.kleinezeitung.at/nachrichten/kultur/3136199/crescendo-unter-lupe.story 7. ^http://www.openpr.de/news/868816/Aussergewoehnliches-Instrumentarium-des-Komponisten-Harry-Partch-im-WDR-Funkhaus-Musikfabrik-im-WDR-11-10-16.html 8. ^http://www.ksta.de/kultur/urauffuehrung-in-koelner-oper-liza-lims--tree-of-codes--ueberwaeltigt-die-zuschauer-23863048 9. ^https://www.telegraph.co.uk/culture/music/classicalconcertreviews/7749592/Philharmonia-Orchestra-Festival-Hall-review.html 10. ^http://www.classicalsource.com/db_control/db_concert_review.php?id=9071 11. ^https://www.telegraph.co.uk/culture/music/classicalconcertreviews/10889579/London-Philharmonic-Orchestra-Debut-Sounds-Queen-Elizabeth-Hall-review-brilliantly-performed.html 12. ^"All four pieces benefitted from evidently sympathetic performances under the perceptive direction of Clement Power" http://www.classicalsource.com/db_control/db_concert_review.php?id=10254 13. ^http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/classical/article7129887.ece 14. ^http://www.classicalsource.com/db_control/db_concert_review.php?id=5802 15. ^http://living.scotsman.com/music/Still-in-tune--Nigel.4530745.jp 16. ^http://www.stuttgarter-nachrichten.de/inhalt.lachenmann-perspektiven-wie-die-zeit-vergeht.f42e93a8-3db5-4a35-8459-827522cf3a49.html 17. ^http://www.stuttgarter-zeitung.de/inhalt.helmut-lachenmann-der-komponist-der-das-hoeren-befreite.262724b1-4992-4d57-b770-938c9365f43a.html 18. ^http://www.swp.de/ulm/nachrichten/kultur/Zaubergarten-der-Geraeusche;art4308,3523524 19. ^"...Angefangen mit der quirligen neoklassizistischen Musik, die vom Ensemble under Leitung von Clement Power höchst akkurat und farbenreich gespielt wird..." Sigfried Schibli, Basler Zeitung, 3 September 2012 20. ^http://www.anaclase.com/chroniques/solistes-de-l%E2%80%99ensemble-intercontemporain 21. ^"...the Ensemble Intercontemporain, conducted by an inspired Clement Power" http://elperiodico.com/default.asp?idpublicacio_PK=46&idioma=CAS&idnoticia_PK=666031&idseccio_PK=1013&h= César López Rosell, El Periódico, 29 November 2009 22. ^http://www.swr.de/swr2/festivals/donaueschingen/programme/ensemble-contrechamps/-/id=2136962/did=17055954/nid=2136962/1kalcyi/index.html 23. ^http://www.hs.fi/kulttuuri/konsertti/artikkeli/Harveyn+s%C3%A4velfantasia++on+maagista+ja+v%C3%A4rik%C3%A4st%C3%A4/HS20120701SI1KU04bzr 24. ^http://www.olyrix.com/articles/production/346/marta-nous-fait-devenir-voyant-a-lopera-de-lille 25. ^"Conductor Clement Power shaped its huge, Mahlerian paragraphs with unerring judgment and a touching reverence" https://www.telegraph.co.uk/culture/music/classicalconcertreviews/9066408/Birmingham-Contemporary-Music-Group-CBSO-centre-Birmingham-review.html Ivan Hewett, The Telegraph, 8 February 2012 26. ^"This rare performance of a Gérard Grisey masterpiece instantly evoked the composer's expressive power" https://www.theguardian.com/music/2012/feb/05/bcmg-power-review?newsfeed=true Andrew Clements, The Guardian, 5 February 2012 27. ^"An seine Stelle trat mit Clement Power ein 32-jähriger Engländer, der nicht nur anspruchsvollste Werke von Jonathan Harvey und Philippe Manoury in aller Präzision meisterte, sondern auch, und trotz sehr kurzfristiger Übernahme des Mandats, die heikle "Erwartung" von Arnold Schönberg mit Deborah Polaski bewältigte. Da hat einer seine Chance erkannt.", Peter Hagmann, Neue Zürcher Zeitung, 14 September 2012 http://www.nzz.ch/aktuell/feuilleton/uebersicht/sechs-wochen-musik-mit-akzenten-und-perspektiven-1.17608299 28. ^"...le jeune Clement Power, a certes reçu en héritage un geste clair, une grande sûreté dans l’art de détailler les plans sonores, une réelle aisance à se mouvoir dans des partitions saturées de pièges et de complexités, une forme de perfection « objective » dans ses conceptions interprétatives." http://www.forumopera.com/index.php?mact=News,cntnt01,detail,0&cntnt01articleid=4112&cntnt01detailtemplate=gabarit_detail_breves&cntnt01dateformat=%25d-%25m-%25Y&cntnt01lang=fr_FR&cntnt01returnid=64 Clément Taillia, Forum Opera, 9 September 2012 29. ^http://www.drehpunktkultur.at/index.php/musik/meldungen-kritiken/6519-lichtmusik-im-dunkeln 30. ^https://bachtrack.com/kritik-eroeffnung-darmstaedter-ferienkurse-musikfabrik-stockhausen-august-2014 31. ^http://kurier.at/kultur/buehne/kloing-klaus-klatsch-bei-wien-modern/824.967 32. ^http://www.european-cultural-news.com/wien-modern-eroffnungsabend-es-darf-gelacht-werden/6222/ 33. ^http://diepresse.com/home/kultur/klassik/1304660/Mensch-gegen-Maschine_Eroeffnung-von-Wien-Modern?_vl_backlink=/home/kultur/klassik/index.do 34. ^http://derstandard.at/1350259171730/Wien-Modern-und-Musikverein-Verzerrung-und-Vergangenheitssattheit 35. ^http://www.anaclase.com/chroniques/cr%C3%A9ation-d%E2%80%99ius-lucis-de-valerio-sannicandro 36. ^"Mit seinen die weichen, fliehenden Klang unterstützenden Bewegungen erweiterte Clement Power die Musik wunderbar um ein optisches Pendant." http://terz.cc/magazin.php?z=1&id=380 37. ^"A final word for conductor Clement Power – meticulous, brilliant" http://www.elpais.com/articulo/cataluna/dimension/oculta/opera/elpepiespcat/20091128elpcat_22/Tes Agustí Fancelli, "La dimensión oculta de la ópera", El País, 28 November 2009 38. ^http://ccaa.elpais.com/ccaa/2013/11/14/catalunya/1384457996_058524.html 39. ^http://www.la-croix.com/Culture/Musique/Marta-subjugue-l-Opera-de-Lille-2016-03-15-1200746780 40. ^http://www.lavoixdunord.fr/region/lille-marta-opera-onirique-d-une-eternelle-ia19b0n3386231 41. ^http://www.forumopera.com/marta-lille-un-roi-sans-divertissement 42. ^http://www.diapasonmag.fr/actualites/critiques/marta-le-nouvel-enfant-prodige-de-mitterer-a-l-opera-de-lille 43. ^http://www.limelightmagazine.com.au/live-reviews/review-tree-codes-musikfabrik 44. ^http://www.die-deutsche-buehne.de/Kritiken/Musiktheater/Liza+Lim/Tree+of+Codes/Open+Space 45. ^"The performance is consummately elegant, each detail finely etched, while never losing sight of the whole acoustic spectrum", Fabrice Fitch, Gramophone, September 2010 46. ^http://magazin.klassik.com/reviews/reviews.cfm?task=record&RECID=24966&REID=14570 47. ^http://derstandard.at/1358305674570/Siemens-Foerderpreis-fuer-Hefti-Moussa-und-Nikodijevic 48. ^"Notable Performances and Recordings of 2014", http://www.newyorker.com/culture/cultural-comment/ten-notable-performances-recordings-2014 Alex Ross, The New Yorker, 12 December 2014 External links
9 : British conductors (music)|British male conductors (music)|1980 births|Alumni of the Royal College of Music|Living people|Musicians from London|Alumni of Gonville and Caius College, Cambridge|21st-century conductors (music)|21st-century male musicians |
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