| 词条 | Horace Pippin | |||
| 释义 |
| name = Horace Pippin | image = Horace Pippin.jpg | imagesize = | caption = | birth_date = {{birth date |1888|2|22|}} | birth_place = West Chester, Pennsylvania | death_date = {{death date and age |1946|7|6|1888|2|22|}} | death_place = | nationality = American | field = Painting | training = | movement = | works = | patrons = | influenced by = | influenced = | awards = }} Horace Pippin (February 22, 1888 – July 6, 1946) was a self-taught African-American painter. The injustice of slavery and American segregation figure prominently in many of his works. A Pennsylvania State historical Marker was placed at 327 Gay Street, West Chester, Pennsylvania, to commemorate his accomplishments and mark his home where he lived at the time of his death.[1] Early lifeHe was born in West Chester, Pennsylvania, and grew up in Goshen, New York. There he attended segregated schools until he was 15, when he went to work to support his ailing mother.[2] As a boy, Horace responded to an art supply company's advertising contest and won his first set of crayons and a box of watercolors. As a youngster, Pippin made drawings of racehorses and jockeys from Goshen's celebrated racetrack. Prior to 1917, Pippin variously toiled in a coal yard, in an iron foundry, as a hotel porter and as a used-clothing peddler.[3] He was a member of St. John's African Union Methodist Protestant Church.[4] In World War IPippin served in K Company, 3rd Battalion of the 369th infantry, the famous Harlem Hellfighters, in Europe during World War I, where he lost the use of his right arm after being shot by a sniper. He said of his combat experience: I did not care what or where I went. I asked God to help me, and he did so. And that is the way I came through that terrible and Hellish place. For the whole entire battlefield was hell, so it was no place for any human being to be.[5] While in the trenches, Pippin kept an illustrated journal which gave an account of his military service.[6][7] ArtistPippin initially took up art in the 1920s to strengthen his wounded right arm. His activity as a painter began in earnest around 1930, when he completed his first oil painting, The End of the War: Starting Home. By the late 1930s, critic Christian Brinton, artists N. C. Wyeth and John McCoy, collector Albert C. Barnes, dealer Robert Carlen and curators Dorothy Miller and Holger Cahill championed Pippin's distinctive paintings that captured his childhood memories and war experiences, scenes of everyday life, landscapes, portraits, biblical subjects, and American historical events. Pippin enrolled in art classes at the Barnes Foundation during autumn 1939 and spring 1940 semesters.[3] One of his best-known paintings, his Self-portrait of 1941, shows him seated in front of an easel, cradling his brush in his right hand (he used his left arm to guide his injured right arm when painting). His painting of John Brown Going to his Hanging (1942) is in the collection of the Pennsylvania Academy of the Fine Arts in Philadelphia. Pippin explained his creative process: "The pictures which I have already painted come to me in my mind, and if to me it is a worth while picture, I paint it."[8] Among Pippin's work there are many genre paintings, such as the Domino Players (1943), in the Phillips Collection, Washington D.C., and several versions of Cabin in the Cotton. His portraits include a depiction of the contralto Marian Anderson singing, painted in 1941. He also painted landscapes and religious subjects. In the eight years between his national debut in the Museum of Modern Art's traveling exhibition “Masters of Popular Painting” (1938) and his death at the age of fifty-eight, Pippin's recognition increased on the east and west coasts. During this period, he had three solo exhibitions (1940, 1941, and 1943) at the Carlen Gallery, Philadelphia, PA and solo exhibitions at the Arts Club of Chicago (1941), and San Francisco Museum of Modern Art (1942), while private collections and museums such as the Barnes Foundation, the Philadelphia Museum of Art and the Whitney Museum of American Art, acquired his works. His paintings were featured in national surveys held at the Art Institute of Chicago, Chicago, IL; Carnegie Institute, Pittsburgh, PA; Corcoran Gallery of Art, Washington, D.C.; Dayton Art Institute, OH; National Gallery of Art, Washington, D.C.; Newark Museum, Newark, NJ; Pennsylvania Academy of the Fine Arts, Philadelphia, PA. and Tate Gallery, London, UK.[3] The last painting Pippin did before he died in 1946 was called Man on a Bench. In describing the work, Romare Bearden said: "the man, I think, symbolizes Pippin himself, who, having completed his journey and his mission, sits wistfully, in the autumn of the year, all alone on a park bench."[9] In 1947 critic Alain Locke described Pippin as "a real and rare genius, combining folk quality with artistic maturity so uniquely as almost to defy classification." Collections and retrospective exhibitionsAlthough he painted only about 140 works, concentrations of his work can be found in the Metropolitan Museum of Art, New York, N.Y.; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Philadelphia Museum of Art, Philadelphia, PA; the Brandywine River Museum, Chadds Ford, Pennsylvania; the Phillips Collection, Washington, D.C.; Baltimore Museum of Art, Baltimore, MD; and San Francisco Museum of Modern Art, San Francisco, CA. Pippin has been the subject of three major retrospective exhibitions and catalogues since his death:
Notes1. ^{{cite web|title=Horace Pippin - Pennsylvania Historical Markers on Waymarking.com|url=http://www.waymarking.com/waymarks/WMM4F_Horace_Pippin|website=www.waymarking.com|accessdate=October 2, 2016}} 2. ^Forgey, 1977, p. 74. 3. ^1 2 Judith Stein. I Tell My Heart: The Art of Horace Pippin. New York, 1993. 4. ^{{cite web|url=http://www.oprhp.state.ny.us/hpimaging/hp_view.asp?GroupView=103261|title=National Register of Historic Places Registration: Olivet Chapel|date=December 2009|accessdate=November 21, 2010 |author=William E. Krattinger|publisher=New York State Office of Parks, Recreation and Historic Preservation}} 5. ^"Pippin, Horace." Grolier Encyclopedia of Knowledge, volume 15, copyright 1991. 6. ^Horace Pippin Notebook and Letters Online at the Smithsonian's Archives of American Art 7. ^{{cite web|title=Detailed description of the Horace Pippin notebooks and letters, circa 1920, 1943 - Digitized Collection {{!}} Archives of American Art, Smithsonian Institution|url=http://www.aaa.si.edu/collectionsonline/pipphora/|website=www.aaa.si.edu|accessdate=October 2, 2016}} 8. ^{{Cite book|title=American folk painters of three centuries|date=1980|publisher=Hudson Hills Press|others=Lipman, Jean; Armstrong, Tom; Whitney Museum of American Art|isbn=0933920059}} 9. ^{{Cite book|title=Horace Pippin|last=Bearden|first=Romare|publisher=The Phillips Collection|year=1977|isbn=|location=Washington, D.C|pages=}} Sources
Further reading
External links
|float=left |width=600px |image1= 9 paintings, Metropolitan Museum of Art |image2= Interior, 1944, National Gallery of Art |image3= 2015 exhibition of Horace Pippin's works, Brandywine Museum |image4= Gallery of Horace Pippin Artwork }}{{Authority control}}{{DEFAULTSORT:Pippin, Horace}} 11 : 20th-century American painters|American male painters|Naïve painters|1888 births|1946 deaths|African-American artists|American people with disabilities|People from West Chester, Pennsylvania|People from Goshen, New York|Social realist artists|African-American painters |
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