词条 | Hot Wax Records |
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HistoryUntil 1967, Holland, Dozier, and Holland were the top composers and producers for Motown, establishing acts like the Supremes and Four Tops with many major hits in the mid-1960s. Looking for more control and greater rewards, they left Motown in 1968 to launch Hot Wax Records, along with Invictus Records. Hot Wax Records Inc was incorporated with Eddie Holland registered as both the company President and sole shareholder. The company's administrative offices were situated in Cadillac Tower, a 40-story office block at the corner of Cadillac Square and Bates, one block east of Woodward and two blocks north of the Coleman A. Young Municipal Center, (known then as the City-County Building). The original Detroit Historical Museum opened November 19, 1928 on the 23rd floor of the Cadillac Tower (then known as the Barlum Tower) and was referred to as the "highest Museum in the world". Holland Dozier Holland's own studio was a converted movie theatre, The Town Theater on Grand River Avenue. The Hot Wax label, distributed by Buddah Records, was in full operation for about four years, racking up a series of successful records, such as million-sellers Honey Cone's "Want Ads" and the follow-up, "Stick Up" (the former was a number 1 hit in 1971 on the Billboard Hot 100 and both were number 1 hits on the Billboard R&B Singles charts) and "One Monkey Don't Stop No Show". Other hits included 100 Proof (Aged In Soul)'s "Somebody's Been Sleeping" (the label's third gold record in 1970); "Westbound Number 9" by Flaming Ember; and "Rip Off" by Laura Lee. Then towards the mid-1970s, like sister label Invictus, Hot Wax was distributed by CBS Records. For contractual reasons, the names Holland/Dozier/Holland were not used on releases until 1970, (songs were initially credited to "(Ronald) Dunbar and (Edythe) Wayne"). Other writers/producers for the label included Greg Perry, William Weatherspoon, Angelo Bond, and General Johnson, who was also lead singer with the Invictus group, Chairmen of the Board. The first Hot Wax label was black and white with flames coming out of the record at the top. The second Hot Wax label was white with orange swirling flames and black print. In 1973, when Hot Wax finally folded due to cash flow problems, Holland, Dozier and Holland moved their remaining artists to the Invictus Records label.[2] Hot Wax was briefly revived and distributed by CBS Records between 1976 and 1977 when it, along with Invictus, folded and reorganized as HDH Records. Dozier and the Holland brothers still own the catalogue, which is managed by HDH Records. LP Discography
References1. ^{{cite book| first=Charlie | last=Gillett | year= 1996| title= The Sound of the City: The Rise of Rock and Roll| edition= (2nd Ed.)| publisher= Da Capo Press| location=New York, N.Y.| pages= 218, 323| isbn= 0-306-80683-5}} 2. ^{{cite web |url = http://www.iconnect.net/home/bsnpubs/buddah/hotwax.html |title = Hot Wax Album Discography |publisher = |accessdate = 2006-12-11 |deadurl = yes |archiveurl = https://web.archive.org/web/20060701204328/http://www.iconnect.net/home/bsnpubs/buddah/hotwax.html |archivedate = 2006-07-01 |df = }} External links
9 : American record labels|Soul music record labels|Pop record labels|Rhythm and blues record labels|Culture of Detroit|Record labels based in Michigan|Record labels established in 1968|Record labels disestablished in 1973|1968 establishments in Michigan |
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