| 释义 |
- Career
- Selected controversies
- Panassié's political bent
- Discography
- Books
- Family
- Notes
- References
{{cleanup reorganize|date=January 2017}}{{Infobox person
| name = Hugues Panassié
| image = Hugues Panassié and Tiny Grimes, New York, N.Y., between 1946 and 1948 (William P. Gottlieb 06711).jpg
| caption = Hugues Panassié, Red Prysock, and Tiny Grimes
New York City (circa 1946–1948)
William P. Gottlieb, photo
}}Hugues Panassié (27 February 1912 in Paris – 8 December 1974 in Montauban)[1] was an influential French critic, record producer, and impresario of traditional jazz.[2][3][4][5][6][7][8][9][10] Career Panassié was born in Paris. When he was fourteen, he was stricken with polio, which limited his extracurricular physical activities. He took up the saxophone and fell in love with jazz in the late 1920s.[11] Panassié was the founding president of the Hot Club de France (1932). During World War II, the Germans occupied the northern half of France beginning June 1940. The Nazis regarded jazz as low music — music from an inferior people. Jacques Demetre, in the 2014 book by Steve Cushing, Pioneers of the Blues Revival, said that people had expected the Germans to ban jazz entirely. But instead, they only banned American jazz and American tunes.[12] Demetre explained that many American standards were in French with alternate titles. Panassié, for example, managed to keep broadcasting American jazz on his radio station submitting to censors obtuse French translations American song titles, and even relabeling records. Panassié's friend, Mezz Mezzrow, describes a particular example in his 1946 autobiography Really the Blues: "[The Nazi censors] were shown a record labeled "La Tristesse de Saint Louis," which translates the "Sadness of Saint Louis," and Panassié offered the explanation that it was a sad song written about poor Louis the Ninth, lousy with that old French tradition. What Cerberus didn't know was that underneath the phony label was a genuine RCA Victor one giving Louis Armstrong as the recording artist and stating the real name of the number: "The Saint Louis Blues."[1] Panassié produced several jazz records by artists that include Sidney Bechet and Tommy Ladnier. Selected controversiesIn a changing world of jazz, Panassié was an ardent exponent of traditional jazz — strictly Dixieland. He harbored a particular love of style similar to that of Louis Armstrong from the 1930s. Panassié criticized West Coast jazz as inauthentic, partly because most musicians were white and also sounded white.[14][15] In his book, The Real Jazz, Panassié ranked Benny Goodman as a detestable clarinetist whose sterile intonation was inferior to black players Jimmy Noone and Omer Simeon. Mezz Mezzrow became Panassié's lone example of a white musician who played jazz authentically.[16] Panassié famously dismissed bebop as "a form of music distinct from jazz."[15][18][19] {{Reduced pull quote|right|As an extremely gifted musician, Parker gradually gave up jazz in favor of bop …|}}{{Reduced pull quote|right|He [Parker] could play fine jazz in his early days|}}{{Reduced pull quote|right|A gifted musician [Miles Davis], but one who by now has entirely deviated from jazz to 'cool' music.|}}{{Reduced pull quote|right|It would be truer to say that he [Thelonious Monk] was an initiator of bop—for whereas his music harmonically resembles bop, rhythmically it is not. He is an eccentric musician who has strayed far from jazz, but has never completely turned his back on it as the bop players have.|Guide to Jazz (1956)}}In 1974, he accused Miles Davis, Archie Shepp, Pharoah Sanders, and other progressives as being "traitors to the cause of true black music," that, according to Panassié, they claimed to support.[20] Some historians opine that Panassié hurt musicians by creating a wedge between blacks and whites by his insistence that black jazz was superior. Some authors ridicule his harsh attacks against progressive jazz critics, who he characterized in his Bulletin du Hot Club de France as being full of "crass ignorance," "thick incompetence," and "triumphant stupidity."[21] His ad hominem attacks included phrases that translate to "repugnant glavioteur," Panassié's political bent In addition to being a strong exponent of Dixieland jazz, and a harsh critic of jazz musicians who strayed from it, Panassié was an arch-conservative — a staunch monarchist, to the far right of the right. And, he contributed articles to Action Française.[16][27] Discography In 1956, RCA Victor published an LP record, Guide to Jazz (LPM 1393), a compilation including 16 recordings by prominent jazz artists with liner notes by Panassiè. Books Books by Panassié[1]- Le Jazz Hot (1934); {{OCLC|906165198}}
- La musique de Jazz et le Swing (1943)
- Les rois du Jazz (1944)
- La véritable musique de Jazz (in French) (1946)
The Real Jazz (English editions) English versions translated by Anne Sorelle Williams,[29] 1st ed.{{space|4}}(in English), Smith & Durrell, Inc. (1942); {{OCLC|892252}}
1st ed.{{space|4}}(in English), Smith & Durrell, Inc., 5th printing (1946); {{OCLC|221703551|562846079}}
Rev. ed.{{space|2}}(in English), A.S. Barnes (1950); {{OCLC|500347906}}
Rev. ed.{{space|2}}(in English), A.S. Barnes (1960); {{OCLC|391887}}
Rev. ed.{{space|2}}(in English), Jazz Book Club (1967); {{OCLC|795423457}}
Rev. ed.{{space|2}}(in English), Greenwood Press (1971); {{OCLC|495542043}}
Rev. ed.{{space|2}}(in English), Greenwood Press (1973); {{OCLC|847383480|701594}}
Rev. ed.{{space|2}}(in English), Greenwood Press (1976); {{OCLC|251717851}}
Rev. ed.{{space|2}}(in English), Gardners Books (2007); {{OCLC|172977814}}
- Douze années de Jazz – Souvenirs (1946)
- Cinq mois à New York (1947)
- Jazz Panorama (1950)
- Quand Mezzrow enregistre (1952)
- Discographie critique des meilleurs disques de Jazz
1st ed.,{{space|4}}Éditions Correa (fr) (1951); {{OCLC|4210366}} New ed.,{{space|2}}Éditions Robert Laffont (1958); {{OCLC|1533884}} - Histoire du vrai Jazz, Éditions Robert Laffont (1959); {{OCLC|489963102}}
- La bataille du Jazz, Éditions Albin Michel (1965); {{OCLC|8638341|164766253}}
- Louis Armstrong, Nouvelles Editions Latines (fr) (1969); {{OCLC|9116291}}
- Louis Armstrong, Scribners (1971) {{ISBN|8429733078}}
- Louis Armstrong (The Roots of Jazz), Da Capo Press (1980) {{ISBN|0306796112}}
- Dictionnaire du Jazz (French editions) by Hugues Panassié and Madeleine Gautier {{ISBN|2226010289}}
- Monsieur Jazz: Entretiens avec Pierre Casalta (Mr. Jazz: Interviews with Pierre Casalta) (fr) (1975) {{ISBN|2234003385}} https://translate.google.com/translate?hl=en&sl=fr&u=http://old.hot-club.asso.fr/docum/livre/panassie.html
Guide to Jazz & Dictionary of Jazz (English editions) English versions by Desmond Flower (1907–1997), Beginning with 1956 English versions, intro by intro by Louis Armstrong1st ed.{{space|4}}(in French), Éditions Robert Laffont (1954); {{OCLC|5761014}}
1st ed.{{space|4}}(in English), Houghton Mifflin (1956); {{OCLC|851152}}
1st ed.{{space|4}}(in English), Cassell (1956); {{OCLC|906361724|555049254}}
1st ed.{{space|4}}(in French), Éditions Robert Laffont (1957); {{OCLC|641969732}}
1st ed.{{space|4}}(in English), Jazz Book Club (1959); {{OCLC|3323412}}
1st ed.{{space|4}}(in English; microfilm), The Riverside Press (1956); {{OCLC|65931946}}
New ed.{{space|2}}(in French), Éditions Albin Michel (1971); {{OCLC|1741566}}
1st ed.{{space|4}}(in English), Greenwood Press (1973); {{OCLC|600959}} {{ISBN|0837167663}}
New ed.{{space|2}}(in French), Éditions Albin Michel (1980); {{OCLC|7652674}}
3rd ed.{{space|4}}(in French), Éditions Albin Michel (1987); {{OCLC|35672666}} {{ref end}} Family Panassié spent five months in New York City in the company of Madeleine Gautier, his assistant. In 1949, they married, returned to France, and settled in Montauban at 65 Faubourg du Moustier. Notes 1. ^ Really the Blues, Mezz Mezzrow and Bernard Wolfe, Random House (1946); {{OCLC|910105}} 2. ^ 1 No.{{space|2}}220,{{space|2}}January 1973, pg. 5 3. ^ 1 No.{{space|4}}89, July–August 1959, pg. 32 4. ^ 1 No.{{space|2}}242, November 1974, pg. 22 5. ^ 1 No.{{space|2}}243, December 1974, pps. 16–18 6. ^ 1 No.{{space|4}}87, April 1959, pg. 39 7. ^ 1 No.{{space|2}}101, October 1960, pps. 6–7 8. ^ 1 No.{{space|2}}234, January 1974, pg. 7 9. ^ 1 2 "Hugues Panassié" (biography), {{url|http://jazzpanassie.nuxit.net}} (retrieved April 13, 2015) 10. ^ 1 "Il y a 30 ans, Hugues Panassié disparaissait" (in French), by Étienne Gautier , La Dépêche du Midi, December 8, 2004 Note: Etienne Gautier is Madeleine Gautier's son
11. ^1 2 The Real Jazz (re-print and English translation of 1946 French original), by Panassié, Greenwood Press (1973); {{OCLC|847383480|701594}}
12. ^1 The New York Times Biographical Service, Vol. 5, Nos. 1–12, New York: Arno Press (1974)
13. ^1 Biographical Dictionary of Jazz, by Charles Eugene Claghorn (1911–2005), Prentice Hall, Englewood Cliffs, NJ (1982); {{OCLC|8626853}}
14. ^1 Biography Index, H.W. Wilson Co.; {{ISSN|0006-3053}}
{{Space|4}}Vol. 10: Sep. 1973–Aug. 1976 (1977); {{OCLC|24559911}}
{{Space|4}}Vol. 11: Sep. 1976–Aug. 1979 (1980); {{OCLC|31441150}}
15. ^1 Baker's Biographical Dictionary of Musicians, Slonimsky (ed.), Macmillan Publishing Co.
{{Space|4}}5th ed., p. 1204 (1958)
{{Space|4}}5th ed. with 1971 Supplement, p. 1204 (1971) {{ISBN|0911320628}}
{{Space|4}}6th ed., p. 1284 (1978) {{OCLC|4426869}} {{ISBN|0028702409}}
{{Space|4}}7th ed., p. 1715 (1984) {{OCLC|10574930}} {{ISBN|0028702700}}
{{Space|4}}"The Concise", p. 942 (1988) {{ISBN|0028724119}} (U.S.)
{{Space|4}}"The Concise", p. 942 (1988) {{ISBN|0671698966}} (U.K.)
{{Space|4}}8th ed., p. 1361 (1992) {{OCLC|24246972}} {{ISBN|0028724151}}
{{Space|4}}8th ed. "The Concise", p. 744 (1994) {{ISBN|002872416X}}
16. ^1 Oxford Companion to Popular Music, Peter Gammond (ed.) (born 1925), Oxford Companions, Oxford University Press (1991); {{OCLC|22382241}}
17. ^1 The Encyclopedia of Jazz in the Seventies, Leonard Feather and Ira Gitler (eds.), New York: Horizon Press (1976); {{OCLC|2698149}}
18. ^1 Contemporary Authors, Detroit: Gale Research; {{ISSN|0360-1536}}
{{Space|4}}Vols. 53–56 (1975); {{OCLC|650232246}}
{{Space|4}}Vols. 97–100 (1981); {{OCLC|34002903}}
19. ^1 "Benny Goodman: Faux Grand Homme du Jazz" (Great Fake Man of Jazz), by Hugues Panassié, Jazz Hot, Second Series, Vol. 8, July–August 1946, pg. 9; {{ISSN|0021-5643}}
20. ^1 The New Grove Dictionary of Jazz
{{Space|4}}1st ed. (2 vols.), Barry Dean Kernfeld, PhD (born 1950) and Stanley Sadie (1930–2005) (eds.) Macmillan Press (1988); {{OCLC|16804283}}
{{Space|4}}1st ed. (combined in 1 vol.), Barry Dean Kernfeld, PhD (born 1950) (ed.), St. Martin's Press (1994); {{OCLC|30516743}}
21. ^1 2 [https://books.google.com/books?id=dcxlWTZPK-AC&pg=PA58 Blowin' Hot and Cool: Jazz and Its Critics,] by John Remo Gennari, PhD (born 1960), University of Chicago Press (2006), pg. 58; {{OCLC|701053921}}
22. ^1 Biography Index, H.W. Wilson Co.; {{ISSN|0006-3053}}
{{Space|4}}Vol. 16: Sep. 1988–Aug. 1990 (1990); {{OCLC|30326352}}
23. ^1 [https://books.google.com/books?id=V1K3AwAAQBAJ&pg=PA243 Pioneers of the Blues Revival,] by Steve Cushing, University of Illinois Press (2014), pg. 243; {{OCLC|883632016}}
24. ^1 [https://books.google.com/books?id=wnDiBwAAQBAJ&pg=PA238 Django: The Life and Music of a Gypsy Legend,] by Michael Dregni, Oxford University Press (2004); {{OCLC|62872303}}
ReferencesInline citations from Bulletin du Hot Club de France; {{ISSN|0755-7272}}{{reflist|group=lower-roman|100em|refs= [2][3][4][5][6][7][8]}} Inline{{Reflist|30em|refs= [9][10][11][12][13][14][15][16][17][18][19][20][21][22][23][24]}}{{Authority control}}{{DEFAULTSORT:Panassie, Hugues}} 6 : 1912 births|1974 deaths|French art critics|French record producers|French male non-fiction writers|People affiliated with Action Française
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