请输入您要查询的百科知识:

 

词条 David Garrick as Richard III
释义

  1. References

  2. Sources

{{short description|1745 painting by William Hogarth}}{{Infobox Artwork
| image_file=William Hogarth - David Garrick as Richard III - Google Art Project.jpg
| backcolor=
| painting_alignment=
| image_size=300px
| title= David Garrick as Richard III
| artist= William Hogarth
| year= 1745
| medium=Oil on canvas
| height_metric= 190.5
| width_metric= 250.8
| height_imperial=
| width_imperial=
| metric_unit=cm
| imperial_unit=in
| city= Liverpool
| museum= Walker Art Gallery
}}

David Garrick as Richard III is a painting dating from 1745 by the English artist William Hogarth.

The painting shows the actor and stage manager David Garrick in the role of Richard III in Shakespeare's play Richard III. It depicts a dramatic moment in the play on the eve of the Battle of Bosworth. The king, who had been asleep in his tent on the battlefield, has just woken from a dream in which he has seen the ghosts of the opponents he had previously murdered.{{sfn|Perry|1999|p=124}} Hogarth was a friend of Garrick, who had gained a degree of fame through his portrayal of Richard III at the Drury Lane Theatre in London. The painting shows the actor with fear and concern, one arm raised and with a shocked expression on his face.{{sfn|Perry|1999|p=124}}

Hogarth, best remembered for his satirical prints on social themes, was also a skilled painter and portraitist. This painting, much more than just a portrait, shows the subject at a key time in history, and also in theatrical pose. It falls between the commonly accepted genres of portraiture and historical painting. The pose used by Hogarth was similar to other that used for other portraits of actors, especially those by Zoffany. Having compared Hogarth's painting with those of Garrick by Reynolds, Gill Parry concludes that Hogarth had helped to establish a new subgenre within portraiture, that of the theatrical portrait.{{sfn|Perry|1999|pp=124–139}} The pose adopted by the actor was described by Hogarth as "the serpentine line"; he saw it as "being composed of two curves contrasted". In his 1753 treatise The Analysis of Beauty he suggests that this is a particularly beautiful shape which "gives play to the imagination and delights the eye".{{sfn|Perry|1999|p=160}}

The painting is in oil on canvas and measures {{convert|190.5|cm|in|1}} by {{convert|250.8|cm|in|1}}. It is owned by the Walker Art Gallery in Liverpool, Merseyside, England, and was purchased by the gallery in 1956 with help from the National Art Collections Fund.{{sfn|Walker Art Gallery|1994|p=47}}

References

Sources

{{refbegin}}
  • {{cite book |last=Perry|first=Gill |editor1-first=Gill |editor1-last=Perry |editor2-first=Colin |editor2-last=Cunningham |title=Academies, Museums and Canons of Art |series=Art and its Histories |year=1999 |publisher=Yale University Press |location=New Haven and London |isbn=0-300-07743-2 |chapter='Mere Face Painters'? Hogarth, Reynolds and ideas of academic art in eighteenth-century Britain |ref=harv}}
  • {{cite book |year=1994 |title=The Walker Art Gallery |author=Walker Art Gallery |location=London |publisher=Scala |isbn=1-85759-037-6 |ref={{harvid|Walker Art Gallery|1994}}}}
{{refend}}{{William Hogarth}}{{Shakespeare tetralogy}}

7 : Paintings by William Hogarth|1745 paintings|Paintings of the Walker Art Gallery Liverpool|Works based on Richard III (play)|Paintings based on works by William Shakespeare|Portraits of actors|David Garrick

随便看

 

开放百科全书收录14589846条英语、德语、日语等多语种百科知识,基本涵盖了大多数领域的百科知识,是一部内容自由、开放的电子版国际百科全书。

 

Copyright © 2023 OENC.NET All Rights Reserved
京ICP备2021023879号 更新时间:2024/11/16 0:09:11