| 词条 | Fancy Free (ballet) |
| 释义 |
Fancy Free is a ballet by Jerome Robbins, subsequently ballet master of New York City Ballet, made on Ballet Theatre, predecessor of American Ballet Theatre, to a score by Leonard Bernstein, with scenery by Oliver Smith, costumes by Kermit Love and lighting by Ronald Bates. The premiere took place on Tuesday, 18 April 1944 at the old Metropolitan Opera House, New York. The NYCB premiere took place Thursday, 31 January 1980. Fancy Free was the inspiration for a successful musical, On the Town, and a portion of the score was also used in the opening scenes of Alfred Hitchcock's Rear Window. SynopsisThe scene is a bar and the outside sidewalk in New York City, in wartime. Three sailors on liberty boisterously arrive, have a drink (two of their number conning the third into paying), and head outside looking for female companionship. A beautiful girl passes by and the three sailors vie for her attention. She demurs and escapes, pursued by two of the sailors. The Third, having been left in the dust, encounters another beautiful passer-by, and invites her to have a drink with him. He impresses her with a pantomime of his military exploits, and they dance a passionate pas de deux. The other two sailors arrive with the first girl, who recognizes the second girl as a friend. The sailors realize their predicament: three men, but only two girls. The couples dance and change partners, with one always left dancing alone. Finally, it is decided that the three sailors will hold a contest and the loser will go dateless. Each sailor performs a solo variation (a galop, a waltz, and a danzon), but they're so equally matched that the girls can't decide and the boys come to blows. In the mist of the fistfight, the girls flee in terror. Seeing their dates vanish, the sailors pick themselves up, have another drink and head outside again. Another beautiful girl passes by, and the three sailors take off in hot pursuit. CastOriginal{{col-begin}} {{col-1-of-2}}
Musical inspirationA small portion of Fancy Free was apparently recycled from "Riobamba", a theme song Bernstein had written for a short-lived New York City nightclub of the same name.[1] NYCB revivals2008 Spring – Jerome Robbins celebration{{col-begin}} {{col-1-of-2}}
Fancy Free (1946 album){{Infobox album| name = Fancy Free | type = soundtrack | artist = Leonard Bernstein | cover = FancyFreeAlbum.jpg | alt = | released = 1946 | recorded = June 2, 1944, & March 13, 1946 | venue = | studio = | genre = Ballet / Jazz | length = | label = Decca Records Decca DA-406 | producer = | prev_title = | prev_year = | next_title = | next_year = }} In 1946, Decca Records released an album of the score for Fancy Free (Decca DA-406), conducted by Leonard Bernstein . Before the introduction of the LP, this was initially released in the original 78rpm album format, in which four 78rpm records were bound together in a photo album style book, with a booklet included. Each of the seven movements of the ballet, plus the introductory vocal number Big Stuff, comprised one side of a 78. The sides were sequenced with the last number backing the first, the second-last the second, and so on, so that all four discs could be stacked and played in sequence, then flipped en masse to complete the album.[2] The album was rereleased in 1953 in the new 10" LP format (DL 6023). The music was recorded by the Ballet Theatre Orchestra on June 2, 1944, and conducted by Bernstein himself, except for the song Big Stuff. Big Stuff was performed by Billie Holiday, who was also signed to Decca, along with a band composed of Joe Guy (trumpet), Joe Springer (piano), Tiny Grimes (guitar), Billy Taylor (bass), and Kelly Martin (drums).[3] Bernstein had composed the song with Holiday in mind, to be played as a recording in the theatre before the ballet proper began. He knew Holiday from her Cafe Society days, but at the beginning of his career did not believe he was in a position to have her record his song, so originally in 1944 the song heard in the ballet was a recording made by his own sister, Shirley. But Holiday heard and liked the tune, and recorded it several times, with this recording made March 13, 1946.[4]
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References1. ^{{cite news|title=On E. 57th Street|url=https://www.newspapers.com/clip/3592157/on_e_57th_street_the_salt_lake/|accessdate=9 November 2015|publisher=The Salt Lake Tribune|date=29 August 1949|location=Salt Lake City, Utah|page=19|via = Newspapers.com}} {{open access}} 2. ^[https://books.google.ca/books?id=ARoEAAAAMBAJ&pg=PT28&lpg=PT28&dq=%22Decca+DA-406%22&source=bl&ots=LxLY9pRzkR&sig=TImwe_wW_UE_MWZk8F4aKEU9-4w&hl=en&sa=X&ved=0ahUKEwie0fGNtpvMAhVKx4MKHft-D4YQ6AEIGzAA#v=onepage&q=%22Decca%20DA-406%22&f=false Billboard], Oct 5 1946, pg 29 3. ^Billie Holiday sessionography, the Jazz Discography Project, accessed May 1, 2016, 4. ^[https://books.google.ca/books?id=o44dBAAAQBAJ&printsec=frontcover&dq=Bernstein+Meets+Broadway:+Collaborative+Art+in+a+Time+of+War&hl=en&sa=X&redir_esc=y#v=onepage&q=Bernstein%20Meets%20Broadway%3A%20Collaborative%20Art%20in%20a%20Time%20of%20War&f=false^ Bernstein Meets Broadway: Collaborative Art in a Time of War], Carol J. Oja, 2014
7 : Ballets by Jerome Robbins|Ballets by Leonard Bernstein|Ballets designed by Oliver Smith|Ballets designed by Kermit Love|Ballets designed by Ronald Bates|1944 ballet premieres|New York City Ballet repertory |
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