| 词条 | Fantasmagorie (1908 film) |
| 释义 |
| name = Fantasmagorie | image = Fantasmagorie (Cohl).GIF | image_size = | caption = A still from the film | director = Émile Cohl | producer = Émile Cohl | writer = | starring = | cinematography = | editing = | distributor = Société des Etablissements L. Gaumont | released = {{Film date|1908|08|17|df=y}} | runtime = Approx. 1 minute, 20 seconds | country = France | language = None / Silent film | budget = | gross = }}Fantasmagorie is a 1908 French animated film by Émile Cohl. It is one of the earliest examples of traditional (hand-drawn) animation, and considered by film historians to be the first animated cartoon.[1] DescriptionThe film largely consists of a stick man moving about and encountering all manner of morphing objects, such as a wine bottle that transforms into a flower which becomes an elephant. There are also sections of live action where the animator's hands enter the scene. The main character is drawn by the artist's hand on camera, and the main characters are a clown and a gentleman. Other characters include a woman in a film theater wearing a large hat with gigantic feathers. The film, in all of its wild transformations, is a direct tribute to the by-then forgotten Incoherent movement. The title is a reference to the fantasmograph, a mid-Nineteenth Century variant of the magic lantern that projected ghostly images that floated across the walls. HistoryCohl worked on Fantasmagorie from February to either May or June 1908. Despite the short running time, the piece was packed with material devised in a stream of consciousness style. The film was released on August 17, 1908. ProductionThe film was created by drawing each frame on paper and then shooting each frame onto negative film, which gave the picture a blackboard look. It was made up of 700 drawings, each of which was exposed twice (animated "on twos"), leading to a running time of almost two minutes. It borrowed from J. Stuart Blackton, the chalk-line effect; filming black lines on white paper, then reversing the negative to make it look like white chalk on a black chalkboard. Blackton and Cohl also borrowed some techniques from Georges Méliès, such as the stop trick. See also
References1. ^{{cite book|last=Beckerman|first=Howard|title=Animation: the whole story|url=https://books.google.com/books?id=EjW6cCE4v1QC&pg=PA17|accessdate=16 August 2011|date=2003-09-01|publisher=Skyhorse Publishing Inc.|isbn=978-1-58115-301-9|page=17}} External links{{commons category}}
9 : 1900s animated short films|1908 films|French black-and-white films|French animated short films|Films directed by Émile Cohl|French short films|French films|Articles containing video clips|French silent short films |
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