词条 | Gisbert Steenwick |
释义 |
Today Steenwick is known for a few keyboard pieces contained in a manuscript he compiled before 1674 for a pupil, Anna Maria van Eyl, daughter of an Arnhem patrician. The manuscript contains 33 pieces of music, including dances and arrangements of, and variations on, folksongs. Only nine compositions are signed by Steenwick, but more can be attributed to him on stylistic grounds. Among the securely attributed works are arrangements of popular songs such as More Palatino, Puer natus in Bethleem, and Heiligh saligh Bethlehem, and dances (sarabandes, allemandes) with variations. Opinions differ on the quality of Steenwick's writing: while some scholars have noted a sophisticated variation technique,[1][2] others have dismissed it as quite ordinary.[3] Some pieces of the collection (which also includes works by the otherwise unknown Georg Berff)[3] display North German influence.[4] Notes1. ^1 Tollefsen, Ten Bokum, Grove. 2. ^Noske, MGG. 3. ^1 Apel 1972, 767. 4. ^Noske 1961. References
9 : 1642 births|1679 deaths|Dutch Baroque composers|Dutch male classical composers|Dutch classical composers|Dutch classical organists|Male organists|People from Arnhem|17th-century classical composers |
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