| 词条 | Glenn Schellenberg |
| 释义 |
Early life and educationSchellenberg studied psychology at Cornell University, graduating in 1994. CareerSchellenberg played keyboard in the synth-pop band TBA in the 1980s,[2] along with Paul Hackney, Steven Bock and Andrew Zealley.[2] He also played in the bands Dish and Everglade.[3] Schellenberg composed music for three films directed by John Greyson.[4] For one of these films, Zero Patience, Schellenberg was nominated, along with Greyson, for a Genie Award for Best Original Song for the song "Just Like Scheherazade".[5] Schellenberg joined the faculty of the University of Windsor as an assistant professor in 1993, and conducted research into the psychology of music.[6] He worked as an associate professor at Dalhousie University, beginning in 1997. He subsequently pursued doctoral work in psychology, specializing in the role of music in human cognition.[7][8][9] Schellenberg then became a professor of psychology at the University of Toronto Mississauga, and has published a number of research papers about the evolution of pop music; his study indicating that pop songs have become increasingly melancholy over time has been widely reported.[10][11] References1. ^[https://scholar.google.ca/citations?user=ix6CbfwAAAAJ&hl=en "E Glenn Schellenberg"]. Google Scholar report. 2. ^1 "TBA: No-Strings Band". The Body Politic, February 1981. 3. ^[https://nowtoronto.com/news/bygone-beverley/ "Bygone Beverley"]. NOW Toronto, Steven Davey, December 18, 2003 4. ^Thomas Waugh. [https://books.google.com/books?id=pbhsPYZvY58C&pg=PA292 Romance of Transgression in Canada: Queering Sexualities, Nations, Cinemas]. McGill-Queen's Press - MQUP; 2006. {{ISBN|978-0-7735-7680-3}}. p. 292. 5. ^{{cite web|url=http://www.academy.ca/hist/history.cfm?categid=17&shownum=15&winonly=0&awards=1&rtype=5&curstep=4|title=Award Category and Show: 15th Genies: Best Original Song|work=Canada's Awards Database|publisher=Academy of Canadian Cinema & Television|accessdate=2009-01-08|archiveurl=https://www.webcitation.org/5dg8tBn3k?url=http://www.academy.ca/hist/history.cfm?categid%3D17%26shownum%3D15%26winonly%3D0%26awards%3D1%26rtype%3D5%26curstep%3D4|archivedate=2009-01-08|deadurl=yes|df=}} 6. ^Robert Fink. [https://books.google.com/books?id=Em-VJoURT9sC&pg=PA45 Neanderthal Flute: Oldest Musical Instrument : Matches Notes of Do, Re, Mi Scale : Musicological Analysis]. Robert Martin Fink; 1997. {{ISBN|978-0-912424-12-5}}. p. 45. 7. ^David Brian Huron. [https://books.google.com/books?id=uyI_Cb8olkMC&pg=PA94 Sweet Anticipation: Music and the Psychology of Expectation]. MIT Press; 2006. {{ISBN|978-0-262-08345-4}}. p. 94. 8. ^Silvia Bencivelli. [https://books.google.com/books?id=F95gU39CbLYC&pg=PA167 Why We Like Music: Ear, Emotion, Evolution]. Music Word Media Group; 2011. {{ISBN|978-1-937330-01-9}}. p. 86, 167. 9. ^[https://issuu.com/furstmedia/docs/beat1336 "Pop Getting More Depressing?"]. Beat Magazine, #1336, Sep 3, 2012 10. ^[https://www.theguardian.com/music/shortcuts/2012/jun/04/longer-slower-sadder-pop-songs "Longer, slower and sadder: how pop songs have changed"]. The Guardian, Priya Elan, Mon 4 Jun 2012 11. ^[https://www.npr.org/2012/09/04/160548025/why-were-happy-being-sad-pops-emotional-evolution "Why We're Happy Being Sad: Pop's Emotional Evolution"]. NPR, September 4, 2012. Alex Spiegel. External links
11 : Canadian film score composers|Male film score composers|Living people|Year of birth missing (living people)|Place of birth missing (living people)|LGBT musicians from Canada|Gay musicians|Canadian psychologists|University of Toronto faculty|Canadian new wave musicians|Cornell University alumni |
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