词条 | Guilhem de Montanhagol |
释义 |
The meaning of Guilhem's name has been debated. "Montanhagol" means "from Montanhac", but it is not known which of the several places named Montanhac that could be.[4] For a long time it was thought that the correct form of the troubadour's name was simply "Guilhem Montanhagol", since the "de" (of) would be redundant.[5] Contemporary documents, however, clearly use "de".[5] He was of humble birth.[2] According to his vida he was from Provence, though some modern scholars suspect he was a Toulousain.[2][4] His vida records that he was "a good inventor (trobaire) of poetry, and a great lover."[4] His lover was a lady named Jauseranda from Lunel, the lord of which castle, Raymond Gaucelm V, Guilhem probably knew.[4] His cansos are awkward, and he emulated the earlier troubadours, praising mezura (moderation) among all the virtues.[2] He stated that "from love proceeds chastity" (d'amor mou castitatz), which may mean no more than that love is necessary for fidelity.[3][6] He has been viewed, most ardently by Cesare de Lollis, as a precursor of the Dolce Stil Novo and as an important link between Occitan and Italian literature through his work with Sordello.[6][7] He has been credited with an innovative picture of courtly love blended with Christian morality,[6] and indeed he refers to noel dig de maestria ("a new saying of mastery"), though this is probably not an indication of any conscious reformation.[8] Guilhem's political sirventes concern Toulousain and Spanish politics.[2] Writing in the aftermath of the Albigensian Crusade which devastated Languedoc, Guilhem was an opponent of the Papal Inquisition, though not of the Church itself.[2] He encouraged the gentle correction of the Cathars, but not their violent suppression by means of war.[3] Guilhem was grieved in a planh written by his brother-in-law Pons Santolh.[3] Works
References1. ^Other spellings include Guillem and Guilhèm (Mistralian norm), and for his surname Montaignagol or the corrupted Montaigacot. 2. ^1 2 3 4 5 6 Gaunt and Kay, appendix. 3. ^1 2 3 4 5 Paden, "Guilhem de Montanhagol". 4. ^1 2 3 Egan, 57. 5. ^1 Riquer. 6. ^1 2 Topsfield, 127. 7. ^Boase, 33, credits Montanhagol with inventing the term dolce stil novo. 8. ^Spiers, "Vita Nuova and Dolce Stil Nuovo", 39. Further reading{{Refbegin}}
External links
4 : Troubadours|13th-century French people|French male poets|Male composers |
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