词条 | Hieronimo Custodis | ||||
释义 |
A native of Antwerp, Custodis was one of many Flemish artists of the Tudor court who had fled to England to avoid the persecution of Protestants in the Spanish Netherlands.[2] He is thought to have arrived in England sometime after the fall of Antwerp to the forces of the Duke of Parma in 1585.[1] Three English portraits by Custodis signed and dated 1589 firmly establish him as resident in London by that year. Sir Roy Strong attributes a portrait of Sir Henry Bromley dated 1587 to Custodis, suggesting an earlier arrival, and has verified the recent attribution of a portrait of the young Edward Talbot dated 1586 to Custodis.[3] In 1591, he was living in the parish of St Bodolph-without-Aldgate where "Jacobus the son of Ieronyme Custodis A Paynter" was baptised on 2 March.[4] He is assumed to have died in 1593, as all of his known works are dated between 1589 and 1593, and his widow remarried that year.[1][4] Custodis's unsigned but dated works are identified by "palaeographical peculiarities"[5] in the inscriptions which can be closely matched to those in his signed portraits.[1] {{-}}GalleryNotes1. ^1 2 3 Strong 1969, p. 195 2. ^Brown, Christopher. "British Painting and the Low Countries 1530–1630". In Hearn 1995, p. 27. 3. ^Weiss Gallery 2011, p. 20 4. ^1 Hearn 1995, p. 114 5. ^Strong 1963 6. ^Attribution by Roy Strong, 1969. A portrait of Haringon's wife, Mary Rogers in the Tate, formerly attributed to Custodis by Strong, is now attributed to Marcus Gheeraerts the Younger . Portrait of Mary Rogers. References
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7 : People of the Tudor period|English art|Renaissance painters|1593 deaths|Flemish Renaissance painters|Year of birth unknown|16th-century Flemish painters |
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