| 词条 | Homan Potterton |
| 释义 |
In his time in the National Gallery of Ireland he oversaw the production of the first ever catalogues of the Gallery's collections. He was also responsible for persuading Sir Alfred and Lady Beit to leave seventeen paintings, the cream of the Beit Collection, to the Gallery.[5] He is an honorary member of the Royal Hibernian Academy.[6] References and sources
1. ^1 2 3 Who Do I Think I Am? A Memoir (2017) 2. ^ [https://www.independent.ie/entertainment/books/the-art-of-looking-backwards-36371448.html The art of looking backwards, Irish Independent] 3. ^ [https://www.independent.ie/entertainment/books/the-art-of-looking-backwards-36371448.html The art of looking backwards, Irish Independent] 4. ^Andrew O'Connor, Sculptor (1974); Irish Church Monuments, 1570-1880 (1975); A Guide to the National Gallery (1976); The National Gallery, London (1976); Reynolds & Gainsborough: Themes & Painters in the National Gallery (1976); Pageant and Panorama: the Elegant World of Canaletto (1978); (jointly) Irish Art and Architecture (1978);Venetian Seventeenth Century Painting (1979); Dutch 17th and 18th Century Paintings in the National Gallery of Ireland: a Complete Catalogue (1986). 5. ^ [https://www.independent.ie/entertainment/books/the-art-of-looking-backwards-36371448.html The art of looking backwards, Irish Independent] 6. ^ Royal Hibernian Academy: Members
Who's Who (A & C Black, London); Peter Somerville Large, 1854-2004: the Story of the National Gallery of Ireland (2004), pp. 398–421; Vera Ryan, Movers and Shapers: Irish Visual Art, 1940-2006 (2006), pp. 173–201. {{authority control}}{{DEFAULTSORT:Potterton, Homan}} 3 : Irish art historians|Living people|1946 births |
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