词条 | House Dance International |
释义 |
House Dance International (“HDI”) is an annual street dance festival based in New York City that highlights the art forms of House dance, Vogue, Hustle, Waacking and Experimental, all of which are performed to house music or derivatives of electronic dance music.[1] The three-day festival consists of a group choreography contest, freestyle competitions (i.e., "battles"), film screenings, seminars, workshops and parties. Established in 2007, HDI was the only event of its kind that exclusively focuses on the dance forms associated with house music culture[2] (as compared to hip-hop dance forms such as b-boying, popping, locking, krumping, etc.). MissionHDI represents a New York-based mission to bring together the various individuals and organizations that have played a role in the creation and development of house dance culture. Dating back to the 1970s in New York City and Chicago, the culture grew out of the clubs and social networks of the black and Latino gay community. Noteworthy clubs in Chicago included the Warehouse, Riviera, Music Box, and Medusa's. Landmark New York clubs where House dance developed included Paradise Garage, The Loft, and Sound Factory Bar. With the invention of house music in 1983, house dance culture began to flourish in a cross-section of urban society, attracting dancers from all walks of life, ethnic backgrounds, socioeconomic classes and sexual orientations. The culture became a melting pot and repository for all types of dance styles: tap, jazz, modern, capoeira, salsa, b-boying, hip-hop that eventually morphed into its own distinctive style.[3] The contribution of the various styles was fostered by the open-minded nature of the culture, which thrives on themes of liberation, unity and mutual passion for the music.[4] Until the establishment of HDI, however, there had not been a formal recognition of the primary styles that had come to define the culture, specifically, House dance, Vogue, Waacking, Hustle, and Experimental. HDI brought the culture into focus and differentiated it from hip-hop culture, which many had mistakenly viewed as the precursor to House Dance. Event HistoryThe idea to host an annual NYC-based event dedicated to the various forms of house dance culture was conceived by Dancer and Event Producer Conrad Rochester in September 2006. As a legendary dancer of New York City's underground Club scene of the early 1980s, Conrad set out to produce the world’s most comprehensive festival dedicated to the art form of dancing to house music. Enlisting the help of his rolodex of industry contacts Conrad launched the first HDI event in July 2007. HDI[5] was held at Sullivan Room, Alvin Ailey Studios and Club Shelter. Judges in 2007 included Archie Burnett, Conrad Rochester, Junious Brickhouse, Marjory Smarth, and James “Cricket” Colter. The co-founders sought house dance pioneer Ejoe Wilson to be the Host / MC of the event.[6] AttendeesThe HDI event has been attended by thousands of dancers, DJs, house music enthusiasts and spectators from around the globe, including from South Africa, Japan, Korea, London, Paris, Sweden, Montreal, Belgium and Taiwan. Surveys conducted by the HDI organizers indicate that 25% of the attendees are from Japan, 23% from New York, 23% from out-of-state, 18% percent from Europe, and 6% from Canada, with the remaining 5% from other regions of Asia. As house dance culture begins to proliferate worldwide, attendance is expected to increase exponentially. Freestyle Competition FormatHDI features five specific categories of freestyle competitions: House dance, Vogue, Experimental, Hustle, and Waacking.
All contestants must qualify for final rounds by auditioning at preliminary rounds. Each contestant receives approx. 2 minutes to dance in a solo exhibition to music selected by the DJ. A panel of judges scores each contestant on the basis of four criteria: (1) musicality/rhythm; (2) technique/vocabulary; (3) charisma/free spirit and (4). The top contestants with the highest mathematical scores in each category advance to the final rounds. Group Choreography ContestIn addition to the freestyle competitions, HDI also hosted a group choreography contest that showcased the talents of groups within the house dance community. The Group Choreography Contest has now been replaced with the House 5x5 Group Battle Competition. WorkshopsHDI hosts its entire event exclusively at Jamaica Performing Arts Center in Jamaica, NY. HDI instructors have included Brian “Footwork” Greene, Ejoe Wilson, Marjory Smarth, Archie Burnett, Akim Funk Buddha, Tyrone Proctor, Sergia Anderson, David Padilla, FootworKingz, Yugson, Aus Ninja, Cesar Valentino, and Kim D. Holmes. Film ScreeningsConsistent with its theme of advancing House Dance culture, HDI has screened various films that address the subject matter of House Dance. Past films screenings have included:
Host / MCHDI is hosted by Jamal "Nemesis" Warren. Nemesis is a prolific dancer, having won various dance competitions globally and teaching on a regular basis. Nemesis has brought a fresh voice to HDI. As a successful dancer and producer of events such as Chicken and Beer, More than Enough NYC and UDEF Tour, Nemesis has solidified his position in today's Urban Dance Community. His heavy involvement in domestic and international Dance Community functions and competitions alike makes him a staple in today's dance scene and a force to be reckoned with. Organizers
DJsHouse Dance International has featured some of the world’s most prestigious house music DJs including DJ Spinna, the Martinez Brothers, Quentin Harris, Filsonik, DJ Sabine, Brian Coxx, Chip-Chop Ninja, Pang-Lo, Don Barbarino (Oasis, Montreal), Pat Boogie (Oasis, Montreal), Crash (Düsseldorf), DJ G Do Brazil and Liquid Agents. World Championship Results
House Dance (Shuho Chiba) Vogue (Javier Ninja) Hustle (Sergia Anderson & Raul Santiago) Experimental (Future)
House Dance (Shuho Chiba) Vogue (Javier Ninja) Hustle (Sergia Anderson & Raul Santiago) Experimental (Future) Waacking (Aus Ninja)
House Dance (Cebo) Vogue (Javier Ninja / Dashaun Simmons) Hustle (Sergia Anderson & Raul Santiago) Experimental (Erika Jimbo)
Experimental (Future) Judges
Notes1. See Selah, Makkada B., “Powder Burns: House Dancing Finally Gets Its Day (Four, Actually) in New York City”, Village Voice, June 26, 2007. http://www.villagevoice.com/2007-06-26/music/powder-burns/ 3. In European countries and Asia, House Dance was introduced by a series of New York-based dancers who had gravitated to house dance from hip-hop culture in the early 1990s. As a result, house dance has been viewed as an extension or derivative of hip-hop culture when it in fact developed on its own trajectory in nightclubs throughout the 1980s, independent of what was happening in hip-hop culture. See Reeves, Marcus, “Celebrating an Unsung Body Revolution”, New York Press, July 5, 2007. http://www.nypress.com/20/28/abouttown/about2.cfm. 4. See Sagolla, Lisa Jo, “Breaking into House”, Backstage, November 16, 2007. http://www.backstage.com/bso/advice-columns/actors-craft/voice-movement/article_display.jsp?vnu_content_id=1003673874 References1. ^http://www.flawlesshustle.com/house/house-dance-international-2008/ 2. ^Selah, Makkada B., “Powder Burns: House Dancing Finally Gets Its Day (Four, Actually) in New York City”, Village Voice, June 26, 2007. 3. ^Freeman, Santiago, “House Dance Hits the Concert Stage”, Dance Spirit Magazine, February 2007. 4. ^Id 5. ^http://housedanceinternational.com 6. ^http://housedanceinternational.com 1. Selah, Makkada B., “Powder Burns: House Dancing Finally Gets Its Day (Four, Actually) in New York City”, Village Voice, June 26, 2007. http://www.villagevoice.com/2007-06-26/music/powder-burns/ 2. Thomas, Andy, “Shelter NYC: Gimme Shelter”, Straight No Chaser (UK), September 2007. http://www.straightnochaser.co.uk/featuredetail.php?id=122 3. Reeves, Marcus, “Celebrating an Unsung Body Revolution”, New York Press, July 5, 2007. http://www.nypress.com/20/28/abouttown/about2.cfm 4. Sagolla, Lisa Jo, “Breaking into House”, Backstage, November 16, 2007. http://www.backstage.com/bso/advice-columns/actors-craft/voice-movement/article_display.jsp?vnu_content_id=1003673874 5. Bennett, Leah V., “Determining the Best in House”, NJ Ledger, July 12, 2007. http://blog.nj.com/ledgerentertainment/2007/07/determining_the_best_in_the_ho.html#more 6. Sommer, Sally R., "C'Mon to My House: Underground House Dancing." Dance Research Journal, Vol. 33, No. 2, pp. 72–86 (2004). External links
5 : Street dance|Culture of New York City|Breakdance|Capoeira|House music |
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