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词条 Jasia Reichardt
释义

  1. Career

  2. Bibliography

  3. See also

  4. References

  5. External links

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| birth_place = Warsaw, Poland
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| occupation = art critic, curator, writer
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| nationality = British
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| notableworks = Cybernetic serendipity: the computer and the arts
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Jasia Reichardt (born 1933) is a British art critic, curator, and writer.

Career

Jasia Reichardt was born in Warsaw, Poland, in 1933. In the 1950s she was assistant editor of Art News and Review, a weekly arts magazine.[1] From 1963 to 1971 she was assistant director of the Institute of Contemporary Arts in London.[2] In 1968 she curated the Cybernetic Serendipity and Fluorescent Chrysanthemum exhibition at the ICA,[2] and was editor of Cybernetic serendipity: the computer and the arts, a special edition of Studio International magazine, which was published at the same time.[3] From 1974 to 1976 Reichardt was a director of the Whitechapel Art Gallery.[4] Since 1990, with Nick Waldley. She has taught at the Architectural Association and other colleges. She has organised and catalogued the Themerson Archive.

Bibliography

  • The Computer in Art 1971
  • Cybernetics, art, and ideas[7] 1971
  • Robots: Fact, Fiction, and Prediction[8] 1978

See also

  • Algorithmic art
  • Computer art
  • Electronic Art
  • Generative art
  • New Media Art
  • Virtual art
  • Post-conceptual

References

1. ^{{cite news|url=http://www.hamhigh.co.uk/etcetera/art/persecution-and-survival-one-family-three-cities-six-years-of-war-1-4924077/|title=Persecution and survival: One family, three cities, six years of war|date=9 March 2017 |work=Ham & High|accessdate=18 June 2018}}
2. ^Charlie Gere, ‘Minicomputer Experimentalism in the United Kingdom from the 1950s to 1980’ in Hannah Higgins, & Douglas Kahn (Eds.), Mainframe experimentalism: Early digital computing in the experimental arts. Berkeley, CA: University of California Press (2012), p. 119
3. ^Jasia Reichardt (ed) (November 1968). Cybernetic Serendipity, the computer and the arts. Studio International Special Issue 905.
4. ^Jasia Reichardt archive of concrete and sound poetry, 1959-1977. Getty Research Institute. Accessed January 2014.
5. ^{{cite book|last=Reichardt|first=Jasia|title=Cybernetics, art, and ideas|url=https://books.google.com/books?id=DXBQAAAAMAAJ|year=1971|publisher=New York Graphic Society}}
6. ^{{cite book|last=Reichardt|first=Jasia|title=Robots: Fact, Fiction, and Prediction|url=https://books.google.com/books?id=qq0gAQAAMAAJ|year=1978|publisher=Penguin Books|isbn=978-0-14-004938-1}}
[5][6]
}}

External links

  • {{cite journal|first=Maria |last=Fernandex |title=Detached from history: Jasia Reichardt and Cybernetic Serendipity |date=Fall 2008 |journal=Art Journal |url=http://www.collegeart.org/artjournal/past.html |format=PDF |deadurl=yes |archiveurl=https://web.archive.org/web/20090204173418/http://www.collegeart.org/artjournal/past.html |archivedate= 4 February 2009 |df= }} (requires membership)
  • {{cite journal | first=Rainer |last=Usselmann|title=The Dilemma of Media Art: Cybernetic Serendipity at the ICA London|date=October 2003 |journal=Leonardo | volume = 36 |issue = 5|pages= 389–396|url=http://muse.jhu.edu/login?uri=/journals/leonardo/v036/36.5usselmann.pdf |doi=10.1162/002409403771048191}} (requires membership)
  • {{cite book | first=Brent |last=MacGregor|title=Cybernetic Serendipity Revisited|date=October 2002 |journal=Proceedings of the 4th Conference on Creativity & Cognition | doi=10.1145/581710.581713 | pages=11–13|isbn=978-1581134650}} (requires membership)
  • {{cite web | url = http://marynowsky.wordpress.com/2006/07/26/cybernetic-serendipity-london-1968/ | title = Cybernetic Serendipity | accessdate = 8 October 2008| date = 2006-07-26 }}
  • Jasia Reichardt archive of concrete and sound poetry, 1958-1975 at the Getty Research Institute
  • Jasia Reichardt correspondence, 1956-1987 at the Getty Research Institute
{{Authority control}}{{DEFAULTSORT:Reichardt, Jasia}}

14 : 1933 births|Polish Jews|British people of Polish-Jewish descent|British Jews|British digital artists|Women digital artists|New media artists|Living people|British critics|People from Warsaw|Postmodernists|Media theorists|Cultural historians|21st-century women artists

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