| 词条 | Jean-Louis Comolli |
| 释义 |
| name = Jean-Louis Comolli | image = | image_size = | caption = | birth_date = {{Birth date|df=yes|1941|7|30}} | birth_place = Philippeville, Algeria | death_date = | death_place = | education = | occupation = film critic, director, screenwriter | spouse = | parents = | children = }} Jean-Louis Comolli (born 30 July 1941) is a French writer, editor, and film director. He was editor in chief of Cahiers du cinéma from 1966 to 1978,[1] during which period he wrote the influential essays "Machines of the Visible" (1971) and "Technique and Ideology: Camera, Perspective, Depth of Field" (1971-2), both of which have been translated in English anthologies of film and media studies. This work was important in the discussion on apparatus theory, an attempt to rethink cinema as a site for the production and maintenance of dominant state ideology in the wake of May 1968. After his tenure at Cahiers, Comolli continued his work as a director and has since published numerous works on film theory, documentary, and jazz. He currently teaches film theory at the Universities of Paris VIII, Barcelona, Strasburg and Genève.[1] In the spring of 2008, Comolli was invited to the Visions du réel documentary film festival in Nyon, Switzerland, where he developed his theory of documentary cinema.[2] Select Filmography
Select bibliography
External links
References1. ^1 http://www.vivofilm.it/?p=944&lang=en {{Authority control}}{{DEFAULTSORT:Comolli, Jean-Louis}}2. ^Cahier du Monde Sunday 4/Monday 5 May 2008, n° 19680 7 : 1941 births|Living people|French film directors|French male screenwriters|French screenwriters|French film critics|French male non-fiction writers |
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