| 词条 | Jemima Stehli |
| 释义 |
| name = Jemima Stehli | image = | image_size = | caption = | birth_name = | birth_date = 1961 | birth_place = London | death_date = | death_place = | death_cause = | residence = | other_names = | known_for = | education = | employer = | occupation = | title = | salary = | networth = | height = | weight = | term = | predecessor = | successor = | party = | boards = | religion = | spouse = | partner = | children = | parents = | relatives = | signature = | website = | footnotes = | nationality = United Kingdom }}Jemima Stehli (born 1961 in London) is a British feminist artist, who has made photographic naked self-portraits.[1] Stehli lives and works in London. BiographyShe received a BA Honours Fine Art at Goldsmith’s College in 1983, and her MA Fine Arts from Goldsmith’s in 1991. She now lectures in Postgraduate Studies in Art Practice at Goldsmith's.[2] Art practiceStehli has explored themes of sexuality and the gaze throughout her practice. Most of her photographs are set in her studio. Her naked self-portraits explore perfomativity and complicity in the representation of the female nude.[3] Throughout her practice she has investigated the role and position of the viewer in relation to the image. Stehli has also created photographs in which she inserts herself into well-known artworks by male artists. 1990sIn 1998 she pastiched Allen Jones's iconic 1960s sculpture Table I. Stehli said about this work, "I wanted not only to show woman as a sexual object, but to show myself, the artist, becoming an object."[4] Stehli also appropriated the photography of Helmut Newton in Here They Come (1999).[5] Rebecca Fortnum included Stehli in her 2006 anthology Contemporary British Women Artists: In Their Own Words.[6]2000sThe Strip series (2000) represented Stehli undressing in front of seated male art world figures. Amongst the curators, critics artists and art dealers represented were Adrian Searle, Matthew Higgs and Matthew Collings.[7] Stehli stated that ‘there is a very real power in situations with that kind of looking. I’m always trying to figure out what is interesting about looking at something. It’s a very powerful act.’ (2017)[8] Collaboration with If Lucy FellStehli's 2014 exhibition Endears me, yet remains resulted from a collaboration with the Lisbon-based band If Lucy Fell. The exhibition consisted of footage Stehli had filmed of the band while they travelled. Stehli stated that 'they had enjoyed being taken out of the rock venue and into the white space of the gallery and I wanted to be in their world, not thinking but feeling the energy of the performing moment'. (2014)[9] Exhibitions
Awards
References1. ^Searle, Adrian. [https://www.theguardian.com/books/2000/jul/15/books.guardianreview4 Adrian Searle, "Why do I feel naked?"], The Guardian, 15 July 2000. Retrieved 15 March 2010. {{authority control}}{{DEFAULTSORT:Stehli, Jemima}}{{UK-artist-stub}}2. ^{{Cite news|url=https://www.gold.ac.uk/art/staff/stehli-jemima/|title=Jemima Stehli|work=Goldsmiths, University of London|access-date=2018-11-24|language=en}} 3. ^{{Cite web|url=https://www.lissongallery.com/exhibitions/jemima-stehli|title=Jemima Stehli {{!}} Exhibitions {{!}} Lisson Gallery|website=www.lissongallery.com|language=en|access-date=2018-11-24}} 4. ^Windsor, John. [https://www.independent.co.uk/life-style/turning-the-tables-on-mr-jones-1150885.html "Turning the tables on Mr Jones"], The Independent, 18 March 1998. Retrieved 15 March 2010. 5. ^{{Cite book|title=Renegotiating the Body: Feminist Art in 1970s London|last=Battista|first=Kathy|publisher=I.B.Tauris|year=2013|isbn=1848859619|location=London|pages=144}} 6. ^Campbell-Johnston, Rachel. "Now we're free to make what we like", The Times, 20 December 2006. Retrieved 15 March 2010. 7. ^{{Cite web|url=https://www.theguardian.com/books/2000/jul/15/books.guardianreview4|title=Why do I feel naked?|last=Searle|first=Adrian|date=2000-07-14|website=the Guardian|language=en|access-date=2018-11-24}} 8. ^{{Cite news|url=http://museemagazine.com/culture/art-2/features/jemima-stehli-friends-with-benefits|title=Jemima Stehli: Friends with Benefits|work=Musée Magazine|access-date=2018-11-24|language=en-US}} 9. ^{{Cite web|url=http://www.fpg.org.uk/exhibition/endears-me-yet-remains/|title=Focal Point Gallery — Endears me, yet remains|website=www.fpg.org.uk|access-date=2018-11-24}} 10. ^{{Cite web|url=http://www.fpg.org.uk/exhibition/endears-me-yet-remains/|title=Focal Point Gallery — Endears me, yet remains|website=www.fpg.org.uk|access-date=2018-11-24}} 11. ^1 2 3 {{Cite web|url=http://prod-images.exhibit-e.com/www_lissongallery_com/928ed9da.pdf|title=Jemima Stehli|last=|first=|date=|website=Lisson Gallery|archive-url=|archive-date=|dead-url=|access-date=24 November 2018}} 12. ^{{Cite news|url=https://www.contemporaryartgallery.ca/exhibitions/jemima-stehli-mmstudio/|title=Jemima Stehli {{!}} mm/Studio - Contemporary Art Gallery, Vancouver|work=Contemporary Art Gallery, Vancouver|access-date=2018-11-24|language=en-US}} 13. ^{{Cite news|url=https://chisenhale.org.uk/exhibition/jemima-stehli/|title=Jemima Stehli {{!}} Chisenhale Gallery|work=Chisenhale Gallery|access-date=2018-11-24|language=en-GB}} 7 : British artists|British photographers|British contemporary artists|Living people|1961 births|Women photographers|Alumni of Goldsmiths, University of London |
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