| 词条 | Kenjiro Okazaki |
| 释义 |
CareerMany of Okazaki's visual works have been featured in public collections throughout Japan and in various exhibitions around the world. In 2002, Okazaki participated in the Venice Biennale as the director of the Japanese pavilion of the 8th International Architecture Exhibition. His recent works include a collaborative dance performance "I love my robots" with the choreographer Trisha Brown which premiered in early 2007.[1][2] He is active as a theoretician and critic and is the author or co-author of several books, including Renaissance: Condition of Experience (Chikuma, 2001), featuring his analysis of Filippo Brunelleschi; Ready for Painting! (Asahi Press, 2005), a dialogue with the artist Hisao Matsuura; and Articulation of Arts: technological analyses (FilmArt, 2007). He has also created picture books in collaboration with Japanese poets, including Little Lellolello with Kyong-Mi Park (Shogakukan Inc. 2004),[3] and Popahpe Popipappu with Shuntaro Tanikawa (Crayon House, 2004).{{citation needed|date=February 2016}} Okazaki has also designed robots for studies into topics such as natural computing and perception.[4][5] References1. ^{{cite web|url=https://www.nytimes.com/2007/01/20/arts/dance/20brow.html |title=They May Be Automatons, but They Sure Have Heart |work=The New York Times |date=2007-01-20 |first=Jennifer |last=Dunning |accessdate=2016-02-05}} 2. ^{{cite web|url=http://www.broadwayworld.com/bwwdance/article/Trisha-Brown-Retrospective-to-Dance-Into-UW-World-Series-24-6-20160203 |title=Trisha Brown Retrospective Dances Into UW World Series This Weekend |work=Broadway World |date=2016-02-04 |accessdate=2016-02-05}} 3. ^{{cite web|url=https://www.nytimes.com/2009/12/05/arts/dance/05barnard.html |title=Where College Performers Meet Seasoned Choreographers |work=The New York Times |date=2009-12-04 |first=Gia |last=Kourlas |accessdate=2016-02-05}} 4. ^{{cite book|author1=Yasuhiro Suzuki|author2=Masami Hagiya|editor=Yasuhiro Suzuki, Masami Hagiya|title=Recent Advances in Natural Computing: Selected Results from the IWNC 8 Symposium|url=https://books.google.com/books?id=NNxJCgAAQBAJ&pg=PA81|accessdate=5 February 2016|date=31 July 2015|publisher=Springer|isbn=978-4-431-55429-5|pages=77–81|chapter=Drawing as the Relative Movement Between Subject and Medium: Using a Robot to Show the Subjectivity in Dynamic Flows of Consciousness|oclc=886383286}} 5. ^{{cite book|editor1=Julie A. Weast-Knapp |editor2=Mary Lauren Malone |editor3=Drew H. Abney |title=Studies in Perception and Action XIII: Eighteenth International Conference on Perception and Action|url=https://books.google.com/books?id=dNgsCgAAQBAJ&pg=PR6|accessdate=5 February 2016|date=16 July 2015|publisher=Psychology Press|isbn=978-1-317-32900-8|pages=77–80|chapter=Identifying Individual Traits with a Medium Perception Robot|oclc=914136868}} Texts by Kenjiro OkazakiA Place to Bury Names(about Isamu Noguchi and Shirai Seiichi) LIVING BETWEEN DIVERSITY OF TIME(about OWN WORKS) The lucid, unclouded fog―the movement of bright and swinging water particles.(about FUJIKO NAKAYA) Abstract Art as Impact(HTML/PDF) External links
3 : Japanese artists|1955 births|Living people |
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