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词条 List of post-1950 jazz standards
释义

  1. 1950–54

  2. 1955–59

  3. 1960–64

  4. 1965–69

  5. 1970s

  6. Notes

  7. Bibliography

     Reference works  Fake books 
{{dynamic list}}{{Jazz standards}}

Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in or after the 1950s that are considered standards by at least one major fake book publication or reference work.

Modal jazz recordings, such as Miles Davis's Kind of Blue, became popular in the late 1950s. Popular modal standards include Davis's "All Blues" and "So What" (both 1959), John Coltrane's "Impressions" (1963) and Herbie Hancock's "Maiden Voyage" (1965). Later, Davis's "second great quintet", which included saxophonist Wayne Shorter and pianist Herbie Hancock, recorded a series of highly acclaimed albums in the mid-to-late 1960s. Standards from these sessions include Shorter's "Footprints" (1966) and Eddie Harris's "Freedom Jazz Dance" (1966).

In Brazil, a new style of music called bossa nova evolved in the late 1950s. Based on Brazilian samba as well as jazz, bossa nova was championed by João Gilberto, Antonio Carlos Jobim and Luiz Bonfá. Gilberto and Stan Getz started a bossa nova craze in the United States with their 1963 album Getz/Gilberto. Among the genre's songs that are now considered standards are Bonfá's "Manhã de Carnaval" (1959), Marcos Valle's "Summer Samba" (1966), and numerous Jobim songs, including "Desafinado" (1959), "The Girl from Ipanema" (1962) and "Corcovado" (1962).

The jazz fusion movement fused jazz with other musical styles, most famously funk and rock. Its golden age was from the late 1960s to the mid-1970s. Top fusion artists, such as Weather Report, Return to Forever, Herbie Hancock and the Mahavishnu Orchestra, achieved cross-over popularity, although public interest in the genre faded at the turn of the 1980s. Fusion's biggest hits, Hancock's "Chameleon" (1973) and Joe Zawinul's "Birdland" (1977), have been covered numerous times thereafter and are sometimes considered modern jazz standards.

1950–54

  • 1950 – "If I Were a Bell".[1][2][1][2] Written by Frank Loesser.
  • 1951 – "Au Privave".[5][3][4] – Bebop composition by Charlie Parker.
  • 1951 – "Blues for Alice".[5][5][6] Composed by Charlie Parker.
  • 1951 – "Night Train".[7][8] Composed by Jimmy Forrest, Lewis P. Simpkins and Oscar Washington.
  • 1951 – "Straight, No Chaser".[9][10] Composed by Thelonious Monk
  • 1952 – "Bags' Groove".[11][12] Composed by Milt Jackson.
  • 1952 – "Lullaby of Birdland".[2][5][13][14] Composed by George Shearing with lyrics by George David Weiss.
  • 1952 – "My One and Only Love"[2][15][16] Composed by Guy Wood with lyrics by Robert Mellin.
  • 1952 – "That's All".[17][18] Written by Bob Haymes and Alan Brandt.
  • 1952 – "When I Fall in Love".[2][5][19][20] Composed by Victor Young with lyrics by Edward Heyman.
  • 1953 – "Here's That Rainy Day".[1][2][5][21][22] Composed by Jimmy Van Heusen with lyrics by Johnny Burke.
  • 1953 – "Jordu".[5][23][24][25] Composed by Duke Jordan.
  • 1953 – "Minority".[26] Composed by Gigi Gryce.
  • 1953 – "Satin Doll".[1][2][5][27][28] Composed by Duke Ellington and Billy Strayhorn with lyrics by Johnny Mercer.
  • 1954 – "Airegin".[29][30][31][32] Composed by Sonny Rollins.
  • 1954 – "All of You".[2][30][33][34] Written by Cole Porter.
  • 1954 – "Blue Monk".[35][36] Composed by Thelonious Monk.
  • 1954 – Django".[37][38] Composed by John Lewis.
  • 1954 – "Doxy".[2][39][40] Composed by Sonny Rollins.
  • 1954 – "Fly Me to the Moon" (a.k.a. "In Other Words").[2][30][41][42][43] Written by Bart Howard.
  • 1954 – "Four".[29][30][44][45] Composed by Miles Davis.
  • 1954 – "Joy Spring".[46][47] Composed by Clifford Brown with lyrics by Jon Hendricks.
  • 1954 – "Misty".[29][2][48][49] Composed by Erroll Garner with lyrics by Johnny Burke.
  • 1954 – "Oleo".[29][30][50][51] Composed by Sonny Rollins.
  • 1954 – "Solar".[29][52][53] Composed by Miles Davis.

1955–59

  • 1956 – "Canadian Sunset".[54] Composed by Eddie Heywood with lyrics by Norman Gimbel.
  • 1956 – "Con Alma".[55][56] Composed by Dizzy Gillespie.
  • 1956 – "Nica's Dream".[57][58][59] Composed by Horace Silver.
  • 1956 – "St. Thomas".[29][30][60][61] Composed by Sonny Rollins.
  • 1956 – "Waltz for Debby".[29][62][63] Composed by Bill Evans with lyrics by Gene Lees.
  • 1956 – "Whisper Not".[64][65][66] Composed by Benny Golson with lyrics by Leonard Feather.
  • 1957 – "Blue Train".[67] – Jazz blues composition by John Coltrane from his album Blue Train.
  • 1957 – "I Remember Clifford".[30][68][69] Composed by Benny Golson with lyrics by Jon Hendricks.
  • 1957 – "Soul Eyes".[70] Composed by Mal Waldron, who added lyrics.
  • 1958 – "Chega de Saudade" (a.k.a. "No More Blues").[29][71][72] Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Jon Hendricks and Jessie Cavanaugh (English).
  • 1958 – "Milestones".[73][74] Composed by Miles Davis.
  • 1958 – "Moanin'".[75] Composed by Bobby Timmons with lyrics by Jon Hendricks.
  • 1959 – "Afro Blue".[76][77] Composed by Mongo Santamaría.
  • 1959 – "All Blues".[78][79] Composed by Miles Davis.
  • 1959 – "The Best Is Yet to Come".[80] Composed by Cy Coleman with lyrics by Carolyn Leigh.
  • 1959 – "Blue in Green".[81][82] – Modal jazz composition from Miles Davis's album Kind of Blue. Credited solely to Davis on Kind of Blue and to Davis and Bill Evans on Evans's Portrait in Jazz, the songs authorship is disputed; Evans and Earl Zindars claim that Evans alone composed the tune.[83][84]
  • 1959 – "Desafinado" (a.k.a. "Slightly Out of Tune", also "Off Key").[29][71][30][85][86] Composed by Antonio Carlos Jobim with lyrics by Newton Mendonça (Portuguese), and Jon Hendricks and Jessie Cavanaugh (English).
  • 1959 – "Freddie Freeloader".[87] Composed by Miles Davis.
  • 1959 – "Giant Steps".[30][88][89][90] Composed by John Coltrane.
  • 1959 – "Goodbye Pork Pie Hat".[91] Composed by Charles Mingus.
  • 1959 – "Goodbye Tristesse" (a.k.a. "A Felicidade").[92] Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Hal Shaper (English).
  • 1959 – "Killer Joe".[71][30][93][94][95] Composed by Benny Golson.
  • 1959 – "Manhã de Carnaval" (a.k.a. "A Day in the Life of a Fool", also "Black Orpheus").[71][96] Written by Luiz Bonfá and Antônio Maria with English lyrics by Carl Sigman.
  • 1959 – "Mr. P.C.".[30][97] Composed by John Coltrane.
  • 1959 – "My Favorite Things".[71][98][99] Composed by Richard Rodgers with lyrics by Oscar Hammerstein II.
  • 1959 – "Naima" (a.k.a. "Niema").[100][101][102] Composed by John Coltrane.
  • 1959 – "Nostalgia in Times Square".[103] Written by Charles Mingus.
  • 1959 – "The Sidewinder".[104][105] Composed by Lee Morgan.
  • 1959 – "So What".[106][107] Composed by Miles Davis.
  • 1959 – "Take Five".[71][108][109] Composed by Paul Desmond.

1960–64

  • 1960 – "Jeannine".[110] Composed by Duke Pearson
  • 1961 – "Impressions".[111][112][113] Composed by John Coltrane.
  • 1961 – "Once I Loved" (a.k.a. "Amor em Paz", also "Love in Peace").[29][71][114][115] Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Ray Gilbert (English).
  • 1961 – "One Note Samba" (a.k.a. "Samba de Uma Nota Só").[71][116][117] Composed by Antonio Carlos Jobim with lyrics by Newton Mendonça (Portuguese) and Antonio Carlos Jobim (English).
  • 1961 – "Stolen Moments".[30][118][119] Composed by Oliver Nelson.
  • 1962 – "Corcovado" (a.k.a. "Quiet Nights of Quiet Stars").[71][120][121] Composed by Antonio Carlos Jobim with lyrics by Antonio Carlos Jobim (Portuguese) and Gene Lees (English).
  • 1962 – "Days of Wine and Roses".[30][122] Composed by Henry Mancini with lyrics by Johnny Mercer.
  • 1962 – "Meditation" (a.k.a. "Meditação").[71][123][124] Composed by Antonio Carlos Jobim Newton Mendonça (Portuguese) Norman Gimbel (English).
  • 1962 – "Up Jumped Spring".[29][125] Composed by Freddie Hubbard.
  • 1963 – "Blue Bossa".[29][30][126] Composed by Kenny Dorham.
  • 1963 – "Bluesette".[71][30][127] Composed by Jean Thielemans with lyrics by Norman Gimbel.
  • 1963 – "The Girl from Ipanema" (a.k.a. "Garota de Ipanema").[71][128][129] Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Norman Gimbel (English).
  • 1963 – "How Insensitive" (a.k.a. "Insensatez").[71][130][131] Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Norman Gimbel (English).
  • 1963 – "If You Never Come to Me" (a.k.a. "Inútil Paisagem").[29][132] Composed by Antonio Carlos Jobim with lyrics by Aloysio de Oliveira (Portuguese) and Ray Gilbert (English).
  • 1963 – "Oye Como Va".[133] Written by Tito Puente.
  • 1963 – "Recorda Me".[134] Composed by Joe Henderson.
  • 1963 – "Só Danço Samba" (a.k.a. "Jazz 'N' Samba").[135] Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Norman Gimbel (English).
  • 1963 – "Water to Drink" (a.k.a. "Água de Beber").[71][136] Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Norman Gimbel (English).
  • 1963 – "Watermelon Man".[30][137][138] Composed by Herbie Hancock.
  • 1964 – "Cantaloupe Island".[139] Composed by Herbie Hancock.
  • 1964 – "Inner Urge".[140][141] Composed by Joe Henderson.
  • 1964 – "JuJu".[142] Composed by Wayne Shorter.
  • 1964 – "Mahjong".[143][144] Composed by Wayne Shorter.
  • 1964 – "Song for My Father".[145][146] Composed by Horace Silver.
  • 1964 – "Linus and Lucy". Composed by Vince Guaraldi

1965–69

  • 1965 – "Ceora".[147][148] Written by Lee Morgan.
  • 1965 – "Dindi".[29][149][150] Composed by Antonio Carlos Jobim with lyrics by Aloysio de Oliveira (Portuguese) Ray Gilbert (English).
  • 1965 – "Dolphin Dance".[151][152][153] Composed by Herbie Hancock.
  • 1965 – "E.S.P.".[154] Composed by Wayne Shorter.
  • 1965 – "The Gentle Rain" (a.k.a. "Chuva Delicada").[155] Written by Luiz Bonfá with English lyrics by Matt Dubey.
  • 1965 – "The Gift!" (a.k.a. "Recado Bossa Nova").[71][156] Composed by Djalma Ferreira, with lyrics by Luiz Antônio (Portuguese) Paul Francis Webster (English).
  • 1965 – "Maiden Voyage".[157][158] Modal jazz composition by Herbie Hancock from his album Maiden Voyage. It was used in a Fabergé commercial and originally called "TV Jingle".[159]
  • 1965 – "Speak No Evil".[29][160] Wayne Shorter.
  • 1966 – "Footprints".[29][161][162] Composed by Wayne Shorter.
  • 1966 – "Litha".[163][164] Composed by Chick Corea (1st recording appears on Tones for Joan's Bones)
  • 1966 – "Mercy, Mercy, Mercy".[29][165] Composed by Joe Zawinul (with various lyrics added later).
  • 1966 – "Summer Samba" (a.k.a. "Samba de Verão", also "So Nice").[71][30][166] Composed by Marcos Valle with lyrics by Paulo Sérgio Valle (Portuguese) Norman Gimbel (English).
  • 1967 – "Freedom Jazz Dance".[167][168] Composed by Eddie Harris.
  • 1967 – "Triste".[29][169][170] Written by Antonio Carlos Jobim.
  • 1967 – "Wave" (a.k.a. "Vou Te Contar").[29][71][171] Written by Antonio Carlos Jobim.
  • 1968 – "Windows".[172][173] Written by Chick Corea. First recorded Laws' Cause by Hubert Laws in 1968.

1970s

  • 1971 – "La Fiesta".[30][174] Composed by Chick Corea (1st recording appears on Merry-Go-Round by Elvin Jones)
  • 1971 – "Spain".[175]
  • 1971 - "Crystal Silence".[30][176] Composed by Chick Corea (1st recording appears on Return to Forever by the composer, also recorded with Gary Burton later in the same year)
  • 1972 – "Little Sunflower".[29][177] Composed by Freddie Hubbard with lyrics by Al Jarreau.
  • 1972 – "Red Clay".[178] Jazz fusion composition by Freddie Hubbard.
  • 1973 – "Chameleon".[179] Jazz-funk composition by Herbie Hancock, Paul Jackson, Harvey Mason and Bennie Maupin, from Hancock's album Head Hunters.
  • 1973 – "Mr. Magic".[180] Written by Ralph MacDonald and William Salter.
  • 1973 – "Send in the Clowns".[181] Song by Stephen Sondheim from the musical A Little Night Music.
  • 1974 – "Beauty and the Beast".[182][183] Jazz fusion composition by Wayne Shorter, from the album Native Dancer.
  • 1975 – "The Peacocks".[184] Composed by Jimmy Rowles.
  • 1977 – "Birdland".[71][30][185] Jazz fusion composition by Joe Zawinul. Originally released on Heavy Weather by Weather Report, it is instantly recognizable by bassist Jaco Pastorius' introduction using artificial harmonics, and notes sung by him by the end of the song. The tune was one of the biggest hits of the jazz fusion movement.[186]

Notes

{{Portal|Jazz}}
1. ^If I Were a Bell at jazzstandards.com - retrieved on April 29, 2009
2. ^The Real Book, Volume II, p. 194
3. ^Au Privave at jazzstandards.com - retrieved on April 29, 2009
4. ^The Real Book, Volume I, p. 37
5. ^The Real Book, Volume I, p. 55
6. ^The New Real Book, Volume II, p. 26
7. ^Night Train at jazzstandards.com - retrieved on February 20, 2009
8. ^The Real Book, Volume I, p. 304
9. ^Straight No Chaser at jazzstandards.com - retrieved on April 24, 2009
10. ^The Real Book, Volume I, p. 386
11. ^Bag's Groove at jazzstandards.com - retrieved on February 20, 2009
12. ^The Real Book, Volume II, p. 30
13. ^Lullaby of Birdland at jazzstandards.com - retrieved on April 29, 2009
14. ^The Real Book, Volume I, p. 256
15. ^My One and Only Love at jazzstandards.com - retrieved on February 20, 2009
16. ^The Real Book, Volume I, p. 288
17. ^That's All at jazzstandards.com - retrieved on February 20, 2009
18. ^The New Real Book, Volume II, p. 363
19. ^When I Fall in Love at jazzstandards.com - retrieved on April 29, 2009
20. ^The Real Book, Volume I, p. 439
21. ^Here's That Rainy Day at jazzstandards.com - retrieved on February 20, 2009
22. ^The Real Book, Volume I, p. 175
23. ^Jordu at jazzstandards.com - retrieved on February 20, 2009
24. ^The Real Book, Volume I, p. 227
25. ^The New Real Book, Volume II, p. 175
26. ^{{cite book|title=The Real Book|year=2004|publisher=Hal Leonard Pub. Corp.|location=Milwaukee, WI|isbn=978-0634060380|pages=273|edition=6th}}
27. ^Satin Doll at jazzstandards.com - retrieved on February 20, 2009
28. ^The Real Book, Volume I, p. 349
29. ^1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 Listed in New Real Book, Volume I
30. ^1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 Listed in The Real Jazz Book
31. ^Airegin at jazzstandards.com - retrieved on February 20, 2009
32. ^The Real Book, Volume I, p. 13
33. ^All of You at jazzstandards.com - retrieved on May 7, 2009
34. ^The Real Book, Volume I, p. 21
35. ^Blue Monk at jazzstandards.com - retrieved on February 20, 2009
36. ^The Real Book, Volume I, p. 52
37. ^Django at jazzstandards.com - retrieved on September 7, 2018
38. ^The Real Book, Volume I, p. 120
39. ^Doxy at jazzstandards.com - retrieved on February 20, 2009
40. ^The Real Book, Volume II, p. 111
41. ^Fly Me to the Moon (in Other Words) at jazzstandards.com - retrieved on February 20, 2009
42. ^The Real Book, Volume II, p. 135
43. ^The New Real Book, Volume II, p. 106
44. ^Four at jazzstandards.com - retrieved on April 29, 2009
45. ^The Real Book, Volume I, p. 149
46. ^Joy Spring at jazzstandards.com - retrieved on April 29, 2009
47. ^The Real Book, Volume I, p. 229
48. ^Misty at jazzstandards.com - retrieved on February 20, 2009
49. ^The Real Book, Volume I, p. 277
50. ^Oleo at jazzstandards.com - retrieved on February 20, 2009
51. ^The Real Book, Volume I, p. 309
52. ^Solar at jazzstandards.com - retrieved on February 20, 2009
53. ^The Real Book, Volume I, p. 363
54. ^Canadian Sunset at jazzstandards.com - retrieved on February 20, 2009
55. ^Con Alma at jazzstandards.com - retrieved on February 20, 2009
56. ^The Real Book, Volume I, p. 84
57. ^Nica's Dream at jazzstandards.com - retrieved on April 29, 2009
58. ^The Real Book, Volume I, p. 299
59. ^The New Real Book, Volume II, p. 255
60. ^St. Thomas at jazzstandards.com - retrieved on February 20, 2009
61. ^The Real Book, Volume II, p. 339
62. ^Waltz for Debby at jazzstandards.com - retrieved on April 29, 2009
63. ^The Real Book, Volume I, p. 432
64. ^The New Real Book, Volume II
65. ^Whisper Not at jazzstandards.com - retrieved on August 31, 2018
66. ^The Real Book, Volume II
67. ^The Real Book, Volume I, p. 54
68. ^I Remember Clifford at jazzstandards.com - retrieved on February 20, 2009
69. ^The Real Book, Volume I, p. 192
70. ^Ratliff, Ben (December 06, 2002) "Mal Waldron, 77, Composer Of the Jazz Ballad 'Soul Eyes'" [https://www.nytimes.com/2002/12/06/arts/mal-waldron-77-composer-of-the-jazz-ballad-soul-eyes.html New York Times]
71. ^1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Listed in The Real Vocal Book
72. ^The Real Book, Volume I, p. 74
73. ^Milestones at jazzstandards.com - retrieved on February 20, 2009
74. ^The Real Book, Volume III, p. 277
75. ^Morrison, Nick (October 13, 2009) "Art Blakey: Jazz Messenger, Jazz Mentor" [https://www.npr.org/2011/05/03/113661199/art-blakey-jazz-messenger-jazz-mentor npr music.] Accessed July 31, 2013.
76. ^Afro Blue at jazzstandards.com - retrieved on February 20, 2009
77. ^The Real Book, Volume I, p. 11
78. ^All Blues at jazzstandards.com - retrieved on February 20, 2009
79. ^The Real Book, Volume I, p. 18
80. ^The Best Is Yet to Come at jazzstandards.com - retrieved on February 20, 2009
81. ^Blue in Green at jazzstandards.com - retrieved on April 29, 2009
82. ^The Real Book, Volume I, p. 51
83. ^See page 20 of the Fall 1993 issue of Letter from Evans (http://www2.selu.edu/orgs/34skid/html/23.pdf) where Earl Zindars says "I know that it is [100-percent Bill's] because he wrote it over at my pad where I was staying in East Harlem, 5th floor walkup, and he stayed until 3 o'clock in the morning playing these six bars over and over."
84. ^https://www.npr.org/templates/story/story.php?storyId=92185496 35m30s - On being asked about the issue by the interviewer (Marian McPartland), Evans said "The truth is I did [write the music]... I don't want to make a federal case out of it, the music exists, and Miles is getting the royalties"
85. ^Desafinado at jazzstandards.com - retrieved on February 20, 2009
86. ^The Real Book, Volume I, p. 108
87. ^The Real Book, Volume I, p. 151
88. ^Giant Steps at jazzstandards.com - retrieved on February 20, 2009
89. ^The Real Book, Volume I, p. 157
90. ^The New Real Book, Volume II, p. 121
91. ^Goodbye Pork Pie Hat at jazzstandards.com - retrieved on April 24, 2009
92. ^A Felicidade at jazzstandards.com - retrieved on February 20, 2009
93. ^Killer Joe at jazzstandards.com - retrieved on April 29, 2009
94. ^The Real Book, Volume II, p. 229
95. ^The New Real Book, Volume II, p. 179
96. ^The Real Book, Volume I, p. 49
97. ^The Real Book, Volume I, p. 276
98. ^My Favorite Things at jazzstandards.com - retrieved on February 20, 2009
99. ^The Real Book, Volume I, p. 285
100. ^Naima at jazzstandards.com - retrieved on February 20, 2009
101. ^The Real Book, Volume I, p. 293
102. ^The New Real Book, Volume II, p. 238
103. ^The Real Book, Volume I, p. 306
104. ^Sidewinder at jazzstandards.com - retrieved on April 29, 2009
105. ^The Real Book, Volume I, p. 355
106. ^So What at jazzstandards.com - retrieved on February 20, 2009
107. ^The Real Book, Volume I, p. 364
108. ^Take Five at jazzstandards.com - retrieved on February 20, 2009
109. ^The Real Book, Volume I, p. 397
110. ^At the Half Note Cafe
111. ^Impressions at jazzstandards.com - retrieved on February 20, 2009
112. ^The Real Book, Volume I, p. 205
113. ^The New Real Book, Volume II, p. 154
114. ^Once I Loved at jazzstandards.com - retrieved on February 20, 2009
115. ^The Real Book, Volume I, p. 311
116. ^One Note Samba at jazzstandards.com - retrieved on February 20, 2009
117. ^The Real Book, Volume I, p. 314
118. ^Stolen Moments at jazzstandards.com - retrieved on February 20, 2009
119. ^The Real Book, Volume I, p. 384
120. ^Corcovado (Quiet Nights of Quiet Stars) at jazzstandards.com - retrieved on February 20, 2009
121. ^The Real Book, Volume I, p. 335
122. ^Days of Wine and Roses at jazzstandards.com - retrieved on February 20, 2009
123. ^Meditation at jazzstandards.com - retrieved on February 20, 2009
124. ^The Real Book, Volume I, p. 266
125. ^The Real Book, Volume I, p. 425
126. ^The Real Book, Volume I, p. 50
127. ^The Real Book, Volume I, p. 56
128. ^The Girl from Ipanema at jazzstandards.com - retrieved on February 20, 2009
129. ^The Real Book, Volume I, p. 158
130. ^How Insensitive at jazzstandards.com - retrieved on February 20, 2009
131. ^The Real Book, Volume I, p. 181
132. ^The Real Book, Volume I, p. 204
133. ^The Real Book, Volume II, p. 305
134. ^The Real Book, Volume I, p. 337
135. ^The Real Book, Volume III, p. 360
136. ^The Real Book, Volume I, p. 14
137. ^Watermelon Man at jazzstandards.com - retrieved on February 20, 2009
138. ^The Real Book, Volume III, p. 429
139. ^The Real Book, Volume II, p. 76
140. ^The Real Book, Volume I, p. 214
141. ^The New Real Book, Volume III, p. 177
142. ^The Real Book, Volume I, p. 230
143. ^The Real Book, Volume I, p. 260
144. ^The New Real Book, Volume II, p. 196
145. ^The Real Book, Volume I, p. 373
146. ^The New Real Book, Volume II, p. 335
147. ^The Real Book, Volume I, p. 72
148. ^The New Real Book, Volume III, p. 76
149. ^Dindi at jazzstandards.com - retrieved on February 20, 2009
150. ^The Real Book, Volume II, p. 105
151. ^Dolphin Dance at jazzstandards.com - retrieved on April 29, 2009
152. ^The Real Book, Volume I, p. 119
153. ^The New Real Book, Volume III, p. 108
154. ^The Real Book, Volume I, p. 135
155. ^The New Real Book, Volume III, p. 128
156. ^The Real Book, Volume II, p. 150
157. ^The Real Book, Volume I, p. 261
158. ^The New Real Book, Volume III, p. 229
159. ^{{Harvnb|Ref=none|Rosenthal|1993|p=68}}
160. ^The Real Book, Volume I, p. 378
161. ^Footprints at jazzstandards.com - retrieved on February 20, 2009
162. ^The Real Book, Volume I, p. 144
163. ^The Real Book, Volume I, p. 264
164. ^The New Real Book, Volume III, p. 215
165. ^The Real Book, Volume II, p. 262
166. ^The Real Book, Volume I, p. 362
167. ^The Real Book, Volume I, p. 152
168. ^The New Real Book, Volume II, p. 110
169. ^Triste at jazzstandards.com - retrieved on February 20, 2009
170. ^The Real Book, Volume I, p. 417
171. ^The Real Book, Volume I, p. 431
172. ^The Real Book, Volume I, p. 466
173. ^The New Real Book, Volume II, p. 432
174. ^The Real Book, Volume I, p. 254
175. ^The New Real Book, Volume II, p. 339
176. ^The Real Book, Volume I, p. 100
177. ^The Real Book, Volume II, p. 244
178. ^The Real Book, Volume I, p. 338
179. ^The Real Book, Volume II, p. 79
180. ^The Real Book, Volume II, p. 268
181. ^Send in the Clowns {{webarchive|url=https://www.webcitation.org/62EgoDpLu?url=http://www.jazzstandards.com/compositions-7/sendintheclowns.htm |date=2011-10-06 }} at jazzstandards.com - retrieved on February 20 * 1974–2009
182. ^The Real Book, Volume I, p. 41
183. ^The New Real Book, Volume II, p. 20
184. ^  at jazzstandards.com
185. ^The Real Book, Volume II, p. 46
186. ^[{{Allmusic|class=album|id=r821862|pure_url=yes}} 8:30] review on Allmusic - retrieved on March 27, 2009

Bibliography

Reference works

  • {{cite book |title=Hard Bop: Jazz and black music 1955–1965 |first=David H. |last=Rosenthal |publisher=Oxford University Press US |year=1993 |isbn=0-19-508556-6}}

Fake books

  • {{cite book|title=The New Real Book, Volume I|year=1988|publisher=Sher Music|isbn=0-9614701-4-3 | ref=refTheNewRealBookVol1}}
  • {{cite book | title=The New Real Book, Volume II | year=1991 | publisher=Sher Music | isbn=0-9614701-7-8 | ref=refTheNewRealBookVol2}}
  • {{cite book|title=The New Real Book, Volume III|year=1995|publisher=Sher Music|isbn=1-883217-30-X | ref=refTheNewRealBookVol3}}
  • {{cite book | title=The Real Book, Volume I |edition=6th | year=2004 | publisher=Hal Leonard | isbn=0-634-06038-4 | ref=refTheRealBookVol1}}
  • {{cite book | title=The Real Book, Volume II |edition=2nd | year=2007 | publisher=Hal Leonard | isbn=1-4234-2452-2 | ref=refTheRealBookVol2}}
  • {{cite book | title=The Real Book, Volume III |edition=2nd | year=2006 | publisher=Hal Leonard | isbn=0-634-06136-4 | ref=refTheRealBookVol3}}
  • {{cite book | title=The Real Jazz Book | publisher=Warner Bros | isbn=978-91-85041-36-7 | ref=refTheRealJazzBook}}
  • {{cite book | title=The Real Vocal Book, Volume I | year=2006 | publisher=Hal Leonard | isbn=0-634-06080-5 | ref=refTheRealVocalBookVol1}}
{{jazz}}{{DEFAULTSORT:List Of Post-1950 Jazz Standards}}

4 : Lists of musical works|1950s jazz standards|1960s jazz standards|1970s jazz standards
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