“Laurette Taylor”的意思、由来-开放百科全书

Laurette Taylor (born Loretta Helen Cooney; April 1, 1883^[1] – December 7, 1946)^[2]^[3] was an American stage and silent film star.

Personal life

Taylor was born as Loretta Helen Cooney in New York City on April 1, 1883, of Irish heritage, to James and Elizabeth (née Dorsey) Cooney.^[2] She had a younger sister, Elizabeth.^[4] She married her first husband, Charles Alonzo Taylor (born January 20, 1864, South Hadley, Massachusetts – died March 21, 1942, Glendale, California), on May 1, 1901, aged 18. He was almost two decades her senior. They had two children, Dwight Oliver Taylor (January 1, 1903 – December 31, 1986) and Marguerite Courtney (August 13, 1904 – February 8, 1995), but divorced circa 1910.^[2]

On December 22, 1912, she married British-born playwright J. Hartley Manners, who wrote the play Peg o' My Heart, a successful play and an enduring personal triumph for Taylor, who toured in it extensively throughout the country. The play's success inspired a 1922 film version starring Taylor and directed by King Vidor. A six-reel print of the film survives in the Motion Picture Division of the Library of Congress. The marriage was successful and Taylor remained married to Manners until his death in 1928. By law, Taylor lost her U.S. citizenship by marrying a foreign national. A widow, Taylor reclaimed by naturalization, on September 11, 1930, her United States citizenship (cert #3234876). Her petition notes her "not having acquired any other nationality by affirmative act".^[3]

Stage Work

Taylor made her Broadway debut in The Great John Ganton in 1908 and appeared in other stage productions such as The Ringmaster, Alias Jimmy Valentine, Seven Sisters, Lola Lola, and The Bird of Paradise. Taylor also appeared in other productions, including One Night in Rome, The Wooing of Eve and the special production, Laurette Taylor in Scenes From Shakespeare. In the latter production, she performed scenes from Romeo and Juliet, The Merchant of Venice, and The Taming of the Shrew.^[5]^[6]

According to New York Times theatre critic Brooks Atkinson, it was The Girl in Waiting (1910), which "made her a star."^[7] Of her acting, he wrote,

Her biggest hit was [https://www.ibdb.com/broadway-production/peg-o-my-heart-7544 Peg o' My Heart]. A simple Cinderella-formula vehicle written for her by her husband Manners, it ran on Broadway from December 20, 1912 to May 1914, setting a new Broadway dramatic-play run record of 607 performances. The play earned her and her husband about $10,000 a week, made Taylor "the most generally worshiped [theatrical] star of her time," and cemented her reputation as a skilled actress. After it closed on Broadway, Taylor starred in the London production until German Zeppelin bombing closed it down in 1915.^[7]

In 1917 she appeared in Out There, (another vehicle written for her by Manners) playing "an obscure Cockney waif" who, "by patriotism and idealism" managed to become a uniformed Red Cross nurse. "She relieved the suffering of wounded English soldiers by attending to them professionally and by charming them in person." A line from the play - "If I go, will you go?" - became the headline of a highly effective armed forces recruiting poster.^[7]

In 1918, Taylor starred in yet another successful Manners vehicle, Happiness (she would later reprise the role in the 1924 movie of the same name). According to Atkinson, the play version was "a sentimental comedy about a Brooklyn errand girl who taught a rich customer the secret of happiness."^[7]

Soon after, Taylor toured the nation with a revival of Peg o' My Heart, which reopened on Broadway at the Cort Theater on February 14, 1921, and ran for another 692 performances.{{cn|date=July 2016}}

However, by the 1920s, public taste had become more sophisticated. Taylor had always starred in the kind of simple, formulaic plays which had delighted pre-World War I middle-class audiences, and her popularity waned. New York Times theatre critic John Corbin wrote that she "had probably the greatest talent, the highest spirit of our times," but that her dated material held her back.^[7]

Attempting to change course, Manners then wrote a serious play for her, The National Anthem, a play with "high motives" which "rebuked and renounced the jazz generation." It opened in 1922 and, unsurprisingly, failed. It was the last time Taylor appeared in a play by her husband.^[7]

In 1924, Taylor starred in a film version of Happiness, directed by King Vidor, which told of the adventures of a young shopgirl, "Jenny Wray", who learns that riches do not necessarily lead to happiness. The cast included Hedda Hopper and Pat O'Malley. The same year, Taylor starred in another screen version of Manners' dramatic play, One Night In Rome, in which she played the dual roles of Duchess Mareno/Madame Enigme. Taylor seems to have enjoyed making One Night in Rome as she kept a personal print of the movie to always show guests at her home, running it over and over again. Taylor's friend Noël Coward spent a weekend at her home. He was inspired by that visit to write, in just three days, his comedy of manners Hay Fever (1925).{{cn|date=July 2016}}

The play, a comedic dissection of a family whose theatrical excesses drive their unsuspecting visitors to distraction, was a major hit from the moment of its August 6, 1925 debut. It also caused a serious and permanent rift in the friendship of Taylor and Coward.{{cn|date=July 2016}} She suffered from severe alcoholism for many years, a condition which sharply limited her appearances from the late 1920s throughout her career.{{cn|date=July 2016}} In 1938, she headed the cast in a revival of Outward Bound and did not appear again until her re-emergence in Williams' The Glass Menagerie in 1944; her performance received nearly unanimously rapturous reviews and won her the New York Drama Critics Award for Best Actress of the season.{{cn|date=July 2016}}

Motion Pictures

Taylor planned to make her film debut in Peg o' My Heart, but the film version of the hit play was coveted by nearly every screen actress, including Mary Pickford, who made an offer considerably in excess of the highest amount ever paid for the picture rights to a play or a story. The rights to the film were coveted because of the production's established popularity. Almost any actress in the famous role would be assured of a resounding success, however Taylor doggedly clung to the movie rights for her own use, should she ever commit to appearing in a film. It took years for the play to be filmed and released. King Vidor remembered in his autobiography, A Tree Is A Tree:

She never appeared in another film, although David O. Selznick did invite her to film a sound test for a role in his 1938 film The Young in Heart, which Taylor did, but she declined the part and actress Minnie Dupree was cast. (The sound film test exists and has been shown on TV from time to time). In preparing interviews for what became The Golden Age, Rick McKay kept asking each person "Who influenced you the most" and time and time again, Laurette Taylor's name was mentioned. McKay ended up devoting an entire section to Taylor, and it includes a section on her 1938 screen test.

Approach to Acting

Taylor wrote an essay on acting, titled "The Quality Most Needed", which was included in some of the early editions of the text "Actors on Acting". In it, Taylor muses on the importance of imagination over physical beauty for the actress wishing to truly create art. She sharply criticizes performances where you can "see the acting", and warns against paying too much attention to the traditions of acting, saying it "cramps creative instinct". To Taylor, the imaginative actress will leave you with a feeling that you can imagine her character's conduct "[i]n any position, aside from the situations involved in the actions of the play". Taylor applauded the imaginative actress who "builds a picture, using all her heart and soul and brain", not for the audience but for herself.^[8]

Death

Taylor died from a coronary thrombosis on December 7, 1946, at age 63. Her ashes were interred in Woodlawn Cemetery in The Bronx, New York City. Her great-granddaughter, Chloe Taylor, is an actress in Los Angeles, California.{{cn|date=July 2016}}

Legacy

Writing after Taylor's death, Tennessee Williams paid tribute to "the great warmth of her heart", saying, "There was a radiance about her art which I can compare only to the greatest lines of poetry, and which gave me the same shock of revelation as if the air about us had been momentarily broken through by light from some clear space beyond us."^[9]

In 1960, the play Laurette, starring Judy Holliday and directed by José Quintero, closed out of town in Philadelphia due to Holliday's battle with breast cancer.^[10] For years, film director George Cukor tried unsuccessfully to launch a film version of Taylor's life. In 1963, a musical adaptation of Laurette opened on Broadway. The musical, titled Jennie,^[11] starred Mary Martin in the title role. Its book, by Arnold Schulman, is credited as having been suggested by Marguerite Courtney's Laurette, and its score was by Howard Dietz and Arthur Schwartz. It ran for only 82 performances, receiving mediocre reviews. A one-act play, Opening Night, appeared briefly off-Broadway in October 1963. Peggy Wood portrayed Fanny Ellis, a once-famous star who is preparing for a performance in her dressing room. Many thought Fanny was actually Taylor. Wood appeared with Ruth Gates. The play ran for only 47 performances. {{Citation needed|date=June 2011}}

In the 2004 documentary The Golden Age, by the Legends Who Were There, numerous Broadway veterans cited Taylor's performance in Glass Menagerie and Outward Bound as the most memorable stage performances they had ever seen. A rare sound film clip of Taylor in a screen test made for David O. Selznick's studio is included in the documentary. The test, for a role in the film The Young in Heart, reportedly did not meet the approval of studio executives. {{Citation needed|date=January 2010}}

Notable fans

References

1. ^Source Citation: Year: 1900; Census Place: Manhattan, New York, New York; Roll: 1119; Page: 3A; Enumeration District: 859; FHL microfilm: 1241119. Source Information: Ancestry.com. 1900 United States Federal Census [database on-line]. Provo, UT, USA: Ancestry.com Operations Inc, 2004. Original data: United States of America, Bureau of the Census. Twelfth Census of the United States, 1900. Washington, D.C.: National Archives and Records Administration, 1900. T623, 1854 rolls.
2. ^¹²Birthname (Loretta Helen Cooney) as per ancestry.com; accessed July 22, 2016.
3. ^¹Ancestry.com. New York, Index to Petitions for Naturalization filed in New York City, 1792-1989 [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2007.
Original data: Soundex Index to Petitions for Naturalization filed in Federal, State, and Local Courts located in New York City, 1792-1989. New York, NY, USA: The National Archives at New York City.
4. ^1900 United States Federal Census
5. ^{{cite web |url=https://www.ibdb.com/broadway-cast-staff/laurette-taylor-61942 |publisher=ibdb.com |title=Laurette Taylor |accessdate=August 15, 2018}}
6. ^{{cite web |url=https://www.ibdb.com/broadway-production/laurette-taylor-in-scenes-from-shakespeare-8700 |publisher=ibdb.com |title=Laurette Taylor in Scenes from Shakespeare |accessdate=August 15, 2018}}
7. ^¹²³⁴⁵⁶⁷{{Cite book|title=Broadway|last=Atkinson|first=Brooks|publisher=Macmillan|year=1970|isbn=|location=New York|pages=37–38|type=|format=|asin=|asin-tld=|bibcode=|lccn=75-109446|archive-url=|dead-url=|layurl=}}
8. ^Sheila O'Malley website archive, sheilaomalley.com; accessed July 22, 2016.
9. ^[https://www.nytimes.com/books/00/12/31/specials/williams-taylor.htm Tennessee Williams' tribute to Laurette Taylor], nytimes.com; accessed July 26, 2017.
10. ^"Judy Holliday Faces Surgery", The New York Times, October 12, 1960, p. 44
11. ^Internet Broadway Database: Jennie
12. ^Hagen, Uta 1991. A Challenge for the Actor. New York: Scribner's; {{ISBN|0-684-19040-0}}
13. ^¹{{YouTube|5EExb7iDBe8|Charles Durning}}
14. ^ Zeruk, James Peg Entwistle and the Hollywood Sign Suicide: A Biography (McFarland & Company, Inc., October 25, 2013. {{ISBN|978-0-7864-7313-7}})