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词条 Nagisa (harpist)
释义

  1. See also

  2. Sources

Nagisa (from Persian negin ["jewel"],(Negin-Sa) [ This combination exists in other female Iranian names like : "Pari-Sa", "Mehr-Sa", "Gol-Sa", "Rokh-Sa" (Roxanne in English) ] alternately Nakisa[1]) was a master harpist and composer of the royal court of King Khosrau II of Persia (died 628 AD).[2]

She collaborated with Barbad[2] on her famous septet piece, the Royal Khosrowvani (سرود خسروانى). The main themes of her songs were in praise of King Khosrau II. She also composed the national anthem of the time.

Music flourished during the Sassanid dynasty because many rulers were patrons of art and some were even artists. Under the Sassanids, poetry, singing, music, and art grew extremely popular, and many patrons such as Khosrow Parviz and Ardeshir protected and promoted musicians. Several musicians, like Ramtin, Bamshad, Barbad, and Nagisa became masterful to an extent that their influences surpassed their own time. Barbad and Nagisa greatly influenced and contributed to the Persian musical system, Khosrowvani.[3] Accounts say that once Nakisa's audience was so moved by her performance that they passed out, or tore their garments (jame-daran).[4]

See also

  • Music of Sassanids
  • Music of Iran
  • Sassanid Empire

Sources

1. ^{{cite book|author=Fereshteh Davaran|title=Continuity in Iranian Identity: Resilience of a Cultural Heritage|url=https://books.google.com/books?id=HFEqf1_2VYcC&pg=PA100|accessdate=24 August 2013|date=26 February 2010|publisher=Routledge|isbn=978-0-203-88630-4|pages=100–}}
2. ^{{cite book|author=Lloyd Ridgeon|title=Religion and Politics in Modern Iran: A Reader|url=https://books.google.com/books?id=Q9li9YRqhtkC&pg=PA174|accessdate=24 August 2013|date=2 December 2005|publisher=I.B.Tauris|isbn=978-1-84511-073-4|pages=174–}}
3. ^{{cite book|author1=Elton L. Daniel|author2=ʻAlī Akbar Mahdī|title=Culture and Customs of Iran|url=https://books.google.com/books?id=8ZIjyEi1pd8C&pg=PA196|accessdate=24 August 2013|year=2006|publisher=Greenwood Publishing Group|isbn=978-0-313-32053-8|pages=196–}}
4. ^{{cite book|author=Lloyd Miller|title=Music and Song in Persia (RLE Iran B): The Art of Avaz|url=https://books.google.com/books?id=zfr1odMhpUsC&pg=PA19|accessdate=24 August 2013|date=4 May 2012|publisher=Routledge|isbn=978-1-136-81487-7|pages=19–}}
  • {{cite book|author1=Kamran Talattof|author2=Jerome W. Clinton|author3=K. Allin Luther|title=The Poetry of Nizami Ganjavi: Knowledge, Love, and Rhetoric|url=https://books.google.com/books?id=Y64HcNHGEXcC&pg=PA164|accessdate=24 August 2013|year=2000|publisher=Palgrave Macmillan|isbn=978-0-312-22810-1|pages=164–}}
{{authority control}}{{Iran-musician-stub}}

6 : 7th-century women|Iranian composers|Harpists|Musicians of the Sasanian Empire|7th-century Iranian people|Women harpists

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