请输入您要查询的百科知识:

 

词条 List of industrial music genres
释义

  1. Industrial music

  2. Post-industrial developments

     Dark ambient  Electro-industrial  Electronic body music  Industrial hip hop  Industrial rock  Japanoise  Neofolk  Power electronics  Power noise  Witch house 

  3. Sales

  4. See also

  5. References

      Bibliography  

  6. Further reading

  7. External links

{{redirect-distinguish|Post-industrial music|Neofolk}}{{multiple issues|{{refexample|date=June 2017}}{{neologism|date=June 2017}}
}}

Industrial music is a form of experimental music which emerged in the 1970s. After 1980, industrial splintered into a range of offshoots, sometimes collectively named post-industrial music.{{citation needed|date=November 2017}} This list details some of these offshoots, including fusions with other experimental and electronic music genres as well as rock, folk, and hip hop. Industrial genres have spread worldwide and are particularly well represented in North America, Europe, and Japan.

Industrial music

{{main|Industrial music}}Industrial music comprises many styles of experimental music, including many forms of electronic music. The term was coined in the mid-1970s for Industrial Records artists. The first industrial artists experimented with noise and controversial topics. Their production was not limited to music, but included mail art, performance art, installation pieces and other art forms.{{sfn|Vale & Juno|1983}} Prominent industrial musicians include Throbbing Gristle, Cabaret Voltaire, Boyd Rice, SPK, and Z'EV.{{sfn|Vale & Juno|1983}} Test Dept,[1] Clock DVA,[2] Nocturnal Emissions,[3] Whitehouse,[4] Laibach,[4] and The Leather Nun[5] subsequently participated in the movement. German group Einstürzende Neubauten forged their own style, which mixed metal percussion, guitars and unconventional instruments (such as jackhammers and bones) in stage performances that often damaged the venues in which they played.[6]

Post-industrial developments

Dark ambient

{{main|Dark ambient}}Dark ambient projects like Coil,[7] Lilith,[8] Nurse with Wound,[9] Lustmord,[10] and Zoviet France,[11] evolved out of industrial music during the 1980s. These artists make use of non-musical material and noise, but less abrasively than other post-industrial musicians, bordering more on ambient music.[12] The last material that Throbbing Gristle recorded in the studio, In the Shadow of the Sun and Journey Through a Body, was ambient, and pointed in the direction that TG's offshoots (notably Coil, Chris & Cosey) would take.[13] Other artists include Long Distance Poison,[14] Hafler Trio,[15] MRT, PGR,[16] Controlled Bleeding,[17] Nine Inch Nails (Ghosts I-IV),[18] early Techno Animal,[19] prominent game music composer Akira Yamaoka, Robin Rimbaud,[20] Final[21] and Deutsch Nepal.[22]

Electro-industrial

{{main|Electro-industrial}}

Electro-Industrial draws on EBM, and developed in the mid-1980s. While EBM has a minimal structure and clean production, electro-industrial has a deep, complex and layered sound. The style was pioneered by Skinny Puppy,[23] Front Line Assembly, and Wumpscut. In the mid-'90s, the style spawned the dark electro and aggrotech offshoots.[24] Other artists include Haujobb,[25] Lab Report,[26] and Leæther Strip.{{sfn|Mercer|1997|p=24|ps=: "Claus Larsen fronts one of Europe's leading Electro-Industrial bands."}}

Electronic body music

{{main|Electronic body music}}Electronic body music combines elements of industrial music and electronic dance music.{{sfn|Sicko|1999|p=142}} It first came to prominence in Belgium.{{sfn|Sicko|1999|p=142}} The name was coined by Ralf Hütter of Kraftwerk in 1978 to explain the more physical sound of their album The Man-Machine.[27][28] The term was later used in its current sense by Belgian group Front 242 in 1984 to describe their EP No Comment, released in the same year.[29] It denotes a certain type of danceable electronic music, a mixture of electropunk and industrial music. Other artists include Armageddon Dildos,[30][31] Die Krupps,[32] à;GRUMH...,[33] A Split-Second,[34] And One,[35] Bigod 20,[36] The Neon Judgement,[37] and Attrition.[38]

Industrial hip hop

{{main|Industrial hip hop}}

Industrial hip hop fuses the themes and aesthetics of industrial with hip hop music. Its origins are in the work of Mark Stewart and Adrian Sherwood. In 1985, Stewart, former Pop Group singer, released As the Veneer of Democracy Starts to Fade, applying the cut-up style of industrial music with the house band of Sugar Hill Records (Doug Wimbish, Keith Leblanc, and Skip McDonald).[39] Sherwood was a major figure in British dub music, as well as working with industrial groups such as Cabaret Voltaire, Einstürzende Neubauten, Ministry, KMFDM, and Nine Inch Nails.[40] Tackhead, a collaboration between Sherwood and the Sugar Hill band, picked up where Stewart left off.[41] The Disposable Heroes of Hiphoprisy, from San Francisco,[42][43] and Meat Beat Manifesto,[44] from the UK, are also early representatives of the style. The later work of Broadrick's Godflesh,[45] as well as his collaborations with Kevin Martin, Ice,[46] and Techno Animal,[45] are examples of industrial hip hop.[47] Saul Williams, a slam poet, also performs in the style.[48] Other notable contributors include: CX KidtroniK, clipping., B L A C K I E, Death Grips, and Electric Caves.

Industrial rock

{{main|Industrial rock|Industrial metal}}Industrial rock artists generally employ the basic rock instrumentation of electric guitars, drums and bass and pair it with white noise blasts, electronic music gear (synthesizers, sequencers, samplers and drum machines). Guitars are commonly heavily distorted or otherwise effected. Bass guitars and drums may be played live, or be replaced by electronic musical instruments or computers. The early fusions of industrial music and rock were practiced by a handful of post-punk groups, including Chrome,{{sfn|Reynolds|2005|p=257–258}} Killing Joke,{{sfn|Reynolds|2005|p=435}} Swans,[49]{{rp|32}} Big Black,{{sfn|Blush|2001|p=222}} and Foetus.{{sfn|Connelly|2007|p=12}} Nine Inch Nails popularized industrial rock in the US with the release of Pretty Hate Machine and The Downward Spiral.[50] Industrial metal evolved from the scene, and is practiced by groups such as Ministry,{{sfn|Di Perna|1995|p=69}} Godflesh,[51] and Fear Factory.[52]

Japanoise

{{main|Japanoise}}

Japanoise (a blend of the words "Japanese" and "noise") is the noise music scene of Japan.{{sfn|Kilpatrick|2004|p=86}}[53] Popular and active in the 1980s and 1990s but continuing into the early 21st century, the Japanoise scene is defined by its sense of musical freedom: Groups range from the punk demolition of Hanatarash[54] and its subsequent psychedelic Boredoms evolutions,[55] to the tabletop electronics of Incapacitants[56] and Merzbow.[57] The scene was initially inspired by power electronics[4] and sometimes deals with BDSM themes.[58] Nonetheless, Japanoise is often less serious than other post-industrial styles,[59] and some musicians, such as Aube,[60] are also inspired by psychedelia or space rock.

Neofolk

{{main|Neofolk}}Neofolk is the music of artists like Douglas Pearce of Death In June,[61] Tony Wakeford of Sol Invictus,[62] and David Tibet of Current 93,{{sfn|Reed|2013|p=224}} who had collaborated with one another.[63]{{better source|date=September 2017|reason=A review referenced is one by user.}} These musicians comprised a post-industrial music circle who incorporated folk music based on traditional European elements. Neofolk can be solely acoustic folk music or a blend of acoustic folk instrumentation with accompanying sounds, such as pianos, strings or elements of industrial music and experimental music. The genre encompasses an assortment of themes including traditional music, heathenry, romanticism and occultism. Neofolk musicians often have ties to other genres such as martial industrial. Apocalyptic folk predates neofolk and was used by David Tibet for the music of his band Current 93 during the late 1980s. Initially, Tibet did not intend to imply connection with the folk music genre; rather, that Current 93's music was made by "apocalyptic folk, or guys."[64]

Power electronics

{{main|Power electronics (music)}}Power electronics was originally coined by William Bennett for the noise music of his own project Whitehouse.[65] It consists of screeching waves of feedback, analogue synthesizers making sub-bass pulses or high frequency squealing sounds, and screamed, distorted, often hateful and offensive lyrics. Deeply atonal, there are no conventional melodies or rhythms.[66] Members of Whitehouse who began other projects, such as Sutcliffe Jügend, also practice power electronics.[67] Death industrial is a similar style associated with groups such as The Grey Wolves,[68] but the term first referred to artists such as Brighter Death Now.[69] The Swedish label Cold Meat Industry issued the releases in this subgenre.[69]

Power noise

{{main|Power noise}}

Power noise (also known as rhythmic noise) takes its inspiration from some of the more structured and distorted early industrial acts, such as Esplendor Geométrico.[70] The Belgian group Dive also anticipated the style in the early '90s.[70]{{sfn|Kilpatrick|2004|p=87}} Power noise groups meld noise music with various forms of electronic dance music. The term "power noise" was coined by Raoul Roucka of Noisex in 1997, with the track "United (Power Noise Movement)".[71][72]{{Dead link|date=September 2017|url=https://web.archive.org/web/20110816065356/http://regenmag.com/Reviews-1193-Noisex-Brain-on-Rotation.html|fix-attempted=yes}} Typically, power noise is based upon a distorted kick drum from a drum machine such as a Roland TR-909, uses militaristic 4/4 beats, and is usually instrumental. Sometimes a melodic component is added, but this is almost always secondary to the rhythm. Power noise tracks are typically structured and danceable, but are occasionally abstract. This genre is showcased at the annual Maschinenfest festival in Krefeld, Germany, as well as at Infest in Bradford, UK. Other artists include Imminent Starvation, Axiome, Converter, and Terrorfakt. The German labels Ant-Zen and Hands Productions specialize in the style. Technoid grew out of the scene, taking inspiration from IDM, experimental techno and noise music. German label Hymen Records is responsible for the term and the style. Artists include Gridlock, Black Lung, Revolution State, and Xingu Hill.

Witch house

{{main|Witch house (music genre)}}

Witch house is a debated term referring to a fusion genre of electronic music that features a prominent hip-hop influence, specifically the 1990s Houston chopped and screwed sound pioneered by DJ Screw.[73][74] Witch house consists of applying techniques rooted in Swishahouse hip-hop – drastically slowed tempos with skipping, stop-timed beats[75] – with signifiers of noise, drone, or shoegaze, the genre recontextualizes its forebears into a sinister, unprecedented, yet aesthetically referential atmosphere.[76] Witch house is also influenced by hazy 1980s goth bands, including Cocteau Twins, The Cure and Dead Can Dance,[77] as well as being heavily influenced by certain early industrial bands.[78][79] The use of hip-hop drum machines, noise atmospherics, creepy samples,[80] synthpop-influenced lead melodies, and heavily altered or distorted vocals is also common.

Sales

Without a doubt, the best-selling offshoots of industrial music are industrial rock and metal; Ministry and Nine Inch Nails both recorded platinum-selling albums.[86] Their success led to an increase in commercial success for some other post-industrial musicians; for example, the Nine Inch Nails remix album Further Down the Spiral, which included contributions from Foetus and Coil, was certified gold in 1996.[81]

See also

{{Portal|Industrial music}}
  • Dark wave
  • Grindcore
  • Rivethead
  • Surrealist music
  • Electropunk
{{clear}}

References

1. ^{{Cite web |url={{Allmusic|class=artist|id=mn0000030644/biography|pure_url=yes}} |title=Test Dept — Biography |last=Bush |first=John |website=AllMusic |publisher=All Media Network |access-date=2017-09-15 |df=mdy-all}}
2. ^{{Cite web |url={{Allmusic|class = artist|id = mn0000788360/biography|pure_url=yes}} |title=Clock DVA — Biography |last=Ankeny |first=Jason |website=AllMusic |publisher=All Media Network |access-date=2017-09-15 |df=mdy-all}}
3. ^{{cite web|url={{Allmusic | class = artist | id =mn0000447197/biography|pure_url=yes}}| title = Nocturnal Emissions — Biography | accessdate = 2017-09-15|df=mdy-all | work= AllMusic|publisher=All Media Network | first = Bradley | last = Torreano }}
4. ^{{Cite web |url=http://www.allmusic.com/artist/laibach-mn0000780506/biography |title=Laibach — Biography |last=Jeffries |first=David |website=AllMusic |publisher=All Media Network |access-date=2017-09-15 |df=mdy-all}}
5. ^{{Cite web |url={{Allmusic|class = artist|id = mn0000091821/biography|pure_url=yes}} |title=Leather Nun — Biography |last=Sutton |first=Michael |website=AllMusic |publisher=All Media Network |access-date=2017-09-15 |df=mdy-all}}
6. ^{{Cite web |url={{Allmusic|class = artist|id = mn0000926091/biography|pure_url=yes}} |title=Einstürzende Neubauten — Biography |last=Huey |first=Steve |website=AllMusic |publisher=All Media Network |access-date=2017-09-15 |df=mdy-all}}
7. ^{{Cite web |url=http://www.stylusmagazine.com/articles/artist_profile/coil.htm |title=Coil - Artist Profile |last=Ed Howard |year=2003 |website=Stylus Magazine |access-date=2017-09-18 |df=mdy-all}}
8. ^{{Cite web |url={{Allmusic|class=artist|id=lilith-mn0000242030/biography|pure_url=yes}} |title=Lilith — Biography |last=Cooper |first=Sean |website=AllMusic|publisher=All Media Network |access-date=2017-09-15 |df=mdy-all}}
9. ^{{cite web|url={{Allmusic|class=artist|id=mn0000394288/biography|pure_url=yes}}|title=Nurse with Wound — Biography|accessdate= 2017-09-15|df=mdy-all|first=John |last=Bush|work=AllMusic|publisher=All Media Network}}
10. ^{{Cite web |url=https://pitchfork.com/features/show-no-mercy/7544-show-no-mercy/ |title=Show No Mercy |last=Stosuy |first=Brandon |date=2008-10-31 |website=Pitchfork |access-date=2017-09-15 |df=mdy-all}}
11. ^{{Cite web |url={{Allmusic|class= album|id= mw0001269225|pure_url=yes}} |title=Shadow, Thief of the Sun - :zoviet*france: |last=Carruthers |first=Sean |access-date=2017-09-15|df=mdy-all|website=AllMusic|publisher=All Media Network }}
12. ^{{cite web | url=http://music.hyperreal.org/epsilon/info/werner_notes.html | last=Werner|first= Peter | title=Ambient Industrial | work=music.hyperreal.org| publisher=Hyperreal| accessdate=2017-09-15|df=mdy-all}}
13. ^{{cite web|url= http://www.headheritage.co.uk/unsung/review/146|title= Throbbing Gristle - In The Shadow Of The Sun|last= Lucan|first=Lord|date= 2000-07-26|work=headheritage.co.uk|publisher=Head Heritage Ltd.|accessdate= 2017-09-15|df=mdy-all}}
14. ^{{Discogs artist|1991720|Long Distance Poison}}
15. ^{{Cite web |url={{Allmusic|class=artist|id=mn0000948243/biography|pure_url=yes}} |title=Hafler Trio — Biography |last=Ankeny |first=Jason |website=AllMusic |publisher=All Media Network |access-date=2017-09-15 |df=mdy-all}}
16. ^{{Cite web |url={{Allmusic|class=artist|id=mn0000001224/biography|pure_url=yes}} |title=PGR — Biography |last=Cooper |first=Sean |access-date=2017-09-15 |df=mdy-all|work=AllMusic|publisher=All Media Network}}
17. ^{{Cite web |url={{Allmusic|class=artist|id=mn0000123674/biography|pure_url=yes}}|title=Controlled Bleeding — Biography|last=Ankeny |first=Jason|accessdate= 2017-09-15|df=mdy-all|website=AllMusic|publisher=All Media Network}}
18. ^{{cite web|url={{Allmusic |class=album|id=mw0000783108|pure_url=yes}}|title=Ghosts I-IV - Nine Inch Nails|work=AllMusic|publisher=All Media Network|accessdate=2017-09-15|df=mdy-all|last=Erlewine|first=Stephen Thomas|author-link=Stephen Thomas Erlewine}}
19. ^{{cite web|url={{Allmusic |class=artist|id=mn0000024102/biography|pure_url=yes}}|last=Cooper|first=Sean|title=Techno Animal — Biography|work=AllMusic|publisher=All Media Network|accessdate=2017-09-15|df=mdy-all}}
20. ^{{Cite web |url={{Allmusic|class=artist|id=mn0000839245/biography|pure_url=yes}} |title=Scanner — Biography |last=Cooper |first=Sean |website=AllMusic |publisher=All Media Network |access-date=2017-09-15 |df=mdy-all}}
21. ^{{cite web|url={{Allmusic |class=album|id=mw0000182248|pure_url=yes}}|title=One - Final|last=Raggett|first=Ned|work=AllMusic|publisher=All Media Network|accessdate=2017-09-15|df=mdy-all}}
22. ^{{cite web|url={{Allmusic |class=artist|id=mn0000245842/biography|pure_url=yes}}|title=Deutsch Nepal — Biography|accessdate= 2017-09-15|df=mdy-all|website=AllMusic|publisher=All Media Network}}
23. ^{{Cite web |url=https://www.rollingstone.com/artists/skinnypuppy/articles/story/6056448/skinny_puppy_bark_back |title=Skinny Puppy Bark Back |last=Adem Tepedelen |date=2004-05-20 |website=Rolling Stone |archive-url=https://web.archive.org/web/20090301073038/http://www.rollingstone.com/artists/skinnypuppy/articles/story/6056448/skinny_puppy_bark_back |archive-date=2009-03-01 |dead-url=yes |access-date=2017-09-15 |df=mdy-all}}
24. ^{{Cite web |url=http://vendetta-music.com/PHP/Interviews/Breathe_April07.php |title=Axel Machens |date=2007-04-23 |website=Vendetta Music |archive-url=https://web.archive.org/web/20080703182520/http://vendetta-music.com/PHP/Interviews/Breathe_April07.php |archive-date=2008-07-03 |dead-url=true|access-date=2017-09-15 |df=mdy-all}}
25. ^{{Cite news |url=https://www.pghcitypaper.com/pittsburgh/german-electro-industrial-duo-haujobb-plays-pegasus-lounge/Content?oid=1339032 |title=German electro-industrial duo Haujobb plays Pegasus Lounge |last=Theiner |first=Manny |date=2007-09-13 |work=Pittsburgh City Paper |access-date=2017-09-15|df=mdy-all}}
26. ^{{cite web|url={{Allmusic | class = artist | id = mn0000778352| pure_url= yes}}| title=Lab Report | first = John | last = Bush | accessdate = 2017-09-15|work=AllMusic|publisher=All Media Network|df=mdy-all}}
27. ^{{cite web|title=WSKU Radio (Kent - Ohio) - Ralf Hütter|format=transcrypted by Klein, MJ|url=http://kraftwerk.technopop.com.br/interview_108.php|archiveurl=https://archive.li/20080310021047/http://kraftwerk.technopop.com.br/interview_108.php|work=kraftwerk.technopop.com.br|date=1978-06-19|publisher=Kraftwerk|df=mdy-all|accessdate=2017-09-15|archivedate=2008-03-10|deadurl=yes}}
28. ^{{cite book|last1=Elferen|first1=Isabella van|title=Gothic Music: The Sounds of the Uncanny|date=January 7, 2012|location=Cardiff|publisher=University of Wales Press|via=Google Books|isbn=9780708325186|page=163}}
29. ^{{cite web|date=2004-06-20|author=Jon Monsoon|url=http://entertainment.iafrica.com/music/profiles/330563.htm|title=EBM - A revolution in progress|work=iAfrica.com|access-date=2017-09-15|df=mdy-all|archiveurl=https://web.archive.org/web/20040721082853/http://entertainment.iafrica.com/music/profiles/330563.htm|archivedate=2004-07-21}}
30. ^{{Cite web |url={{Allmusic|class=artist|id=mn0000928141/biography|pure_url=yes}} |title=Armageddon Dildos — Biography |last=Ruhlmann |first=William |website=AllMusic |publisher=All Media Network |access-date=2017-09-15 |df=mdy-all}}
31. ^{{Cite web |url={{Allmusic |class=album|id=mw0000620129|pure_url=yes}}|title=Homicidal Dolls - Armageddon Dildos|first=Steven |last=McDonald|website=AllMusic |publisher=All Media Network |access-date=2017-09-15|df=mdy-all}}
32. ^{{Cite web |url=http://www.releasemagazine.net/Onrecord/ordiekruppstmh.htm |title=Die Krupps - Too Much History |last=Eliasson |first=Tobias |date=2007-12-20 |website=Release Magazine |access-date=2017-09-15 |df=mdy-all}}
33. ^{{cite web|url={{Allmusic | class = artist | id = mn0000921561/biography|pure_url=yes}}| title= à;GRUMH... — Biography| first = Steve | last = Huey |website=AllMusic |publisher=All Media Network |access-date=2017-09-15 |df=mdy-all }}
34. ^{{Cite web |url={{Allmusic | class = artist | id = mn0000569418|pure_url=yes}}| title= A Split Second |last=Huey |first=Steve |website=AllMusic |publisher=All Media Network |access-date=2017-09-15|df=mdy-all}}
35. ^{{Cite web |url={{Allmusic | class = artist | id = mn0000019161/biography|pure_url=yes}}| title= And One — Biography|last=Ankeny|first=Jason|website=AllMusic |publisher=All Media Network |access-date=2017-09-15|df=mdy-all}}
36. ^{{Cite web |url={{Allmusic | class = artist | id = mn0000762430/biography|pure_url=yes}}|last=Blush|first=John| title= Bigod 20 — Biography|website=AllMusic |publisher=All Media Network |access-date=2017-09-15|df=mdy-all}}
37. ^{{Cite web |url={{Allmusic|class = artist|id = mn0000399998|pure_url=yes}} |title=The Neon Judgement |last=Huey |first=Steve |website=AllMusic |publisher=All Media Network |access-date=2017-09-15|df=mdy-all}}
38. ^{{Cite web |url={{Allmusic|class = artist|id = mn0000056233/biography|pure_url=yes}} |title=Attrition — Biography|last=Wilson |first=MacKenzie |website=AllMusic |publisher=All Media Network |access-date=2017-09-15 |df=mdy-all}}
39. ^{{Cite magazine |last=Mark Fisher |date=July 2008 |title=Prometheus Unbound |magazine=The Wire |issue=293 |page=32}}
40. ^{{cite web|url={{Allmusic | class = artist | id = mn0000594648/biography|pure_url=yes}}| title = Adrian Sherwood — Biography| first = Jason | last = Ankeny |work=AllMusic|publisher=All Media Network| accessdate = 2017-09-15|df=mdy-all}}
41. ^{{cite web|author=Stephen Troussé|title=Portishead – Third|work=Uncut|url=http://www.uncut.co.uk/reviews/album/portishead-third| date=2008-04-16|accessdate = 2017-09-15|df=mdy-all}}
42. ^{{cite magazine|author=Ben Wood|title=Michael Franti: A New Bob Marley?|magazine=Suite 101|date=May 31, 2007}}
43. ^{{cite news |url=http://www.nzherald.co.nz/music/news/article.cfm?c_id=264&objectid=10533107|title=Michael Franti and Spearhead - All Rebel Rockers |author=Kara, Scott |date=2008-09-19 |work=The New Zealand Herald | accessdate = 2017-09-15|df=mdy-all}}
44. ^{{cite web|url={{Allmusic | class = artist | id = mn0000402976/biography|pure_url = yes}}| title= Meat Beat Manifesto — Biography| first = John | last = Bush|work=AllMusic|publisher=All Media Network| accessdate = 2017-09-15|df=mdy-all}}
45. ^{{cite web|title=Ivens interview by Chris Downton|last=Downton|first=Chris|work=Cyclic Defrost|url=https://www.cyclicdefrost.com/2007/11/ivens-interview-by-chris-downton/|accessdate=2017-09-15|date=2007-11-24|df=mdy-all}}
46. ^{{cite web|author=Alan Ranta|title=The Bug - London Zoo |work=Tiny Mixtapes|url=https://www.tinymixtapes.com/music-review/bug-london-zoo|date=2008-08-07|accessdate=2017-09-15|df=mdy-all}}
47. ^{{cite web|author=Stevie Chick|title=Till Deaf Us Do Part|work=The Guardian|date=2008-07-18|url=https://www.theguardian.com/music/2008/jul/18/electronicmusic|accessdate=2017-09-15|df=mdy-all}}
48. ^{{Cite web |url=http://www.revolvermag.com/content/nine-inch-nails-release-album-online |title=Nine Inch Nails Release Album Online |date=2008-03-03 |website=Revolver Magazine |archive-url=https://web.archive.org/web/20080306005311/http://www.revolvermag.com/content/nine-inch-nails-release-album-online |archive-date=2008-03-06 |access-date=2017-09-15 |df=mdy-all}}
49. ^{{Cite magazine |last=Licht |first=Alan |year=2003 |title=Tunnel vision |magazine=The Wire |issue=233|pages=30–37}}
50. ^{{Cite web |url=https://www.rollingstone.com/music/artists/nine-inch-nails/biography |title=Nine Inch Nails |website=Rolling Stone |publisher=Wenner Media |access-date=2017-09-15 |df=mdy-all}}
51. ^{{Cite web |url={{Allmusic|class=album|id=godflesh-mw0000204753|pure_url=yes}} |title=Godflesh - Godflesh |last=Walters |first=Martin |website=AllMusic |publisher=All Media Network |access-date=2017-09-15 |df=mdy-all}}
52. ^{{Cite web |url=http://www.allmusic.com/artist/fear-factory-mn0000167320/biography |title=Fear Factory — Biography |last=Huey |first=Steve |website=AllMusic |publisher=All Media Network |access-date=2017-09-15|df=mdy-all}}
53. ^{{cite web|url=http://culturemachine.tees.ac.uk/Articles/ThackerArticle.htm |title=CM92007Thacker |publisher=Culturemachine.tees.ac.uk |date= |accessdate=2017-09-15 |deadurl=yes |archiveurl=https://web.archive.org/web/20080415061200/http://culturemachine.tees.ac.uk/Articles/ThackerArticle.htm |archivedate=April 15, 2008 |df=mdy-all}}
54. ^{{cite web|url={{Allmusic | class = artist | id = mn0000556129/biography| tab = biography|pure_url=yes}}| title= Hanatarash — Biography| first = Erik | last = Hage |website=AllMusic |publisher=All Media Network |access-date=2017-09-15|df=mdy-all}}
55. ^{{cite web |url={{Allmusic | class = artist | id = mn0000770540/biography|pure_url=yes}}| title= Boredoms — Biography| first = Steve | last = Huey|website=AllMusic |publisher=All Media Network |access-date=2017-09-15|df=mdy-all}}
56. ^{{cite web|url={{Allmusic | class = album | id = mw0000672858|pure_url=yes}}| title= Asset Without Liability - Incapacitants| first = Brian | last = Whitener |website=AllMusic |publisher=All Media Network |access-date=2017-09-15|df=mdy-all}}
57. ^{{cite web|url={{Allmusic | class = artist | id = mn0000884057/biography|pure_url=yes}}| title= Merzbow — Biography| first = François | last = Couture|website=AllMusic |publisher=All Media Network |access-date=2017-09-15|df=mdy-all}}
58. ^{{cite web|url={{Allmusic | class = album | id = mw0000236600 |pure_url=yes}}| title= Music for Bondage Performance, Vol. 2 - Merzbow | first = Tom | last = Schulte |website=AllMusic |publisher=All Media Network |access-date=2017-09-15|df=mdy-all}}
59. ^{{cite web|url={{Allmusic | class = album | id = mw0000621880|pure_url=yes}}| title= Pop Tatari - Boredoms| first = Ned | last = Raggett |website=AllMusic |publisher=All Media Network |access-date=2017-09-15|df=mdy-all}}
60. ^{{cite web|url={{Allmusic | class = artist | id = mn0000057775/biography |pure_url=yes}}| title= Aube — Biography | first = John | last = Bush |website=AllMusic |publisher=All Media Network |access-date=2017-09-15|df=mdy-all}}
61. ^{{cite web|author=Helene Burkholder |date=2008-04-13|title=Balladeer of Doom - An interview with Douglas P., Part 2|url=http://monkeyhouse-recordings.co.uk/JK2CMS/index.php?option=com_content&task=view&id=1150&Itemid=38|archiveurl=https://web.archive.org/web/20110720080600/http://monkeyhouse-recordings.co.uk/JK2CMS/index.php?option=com_content&task=view&id=1150&Itemid=38|archivedate=2011-07-20|accessdate=2017-09-16|df=mdy-all}}
62. ^{{cite web|url=http://www.stewarthomesociety.org/wakeford.html|title=Tony Wakeford, Sol Invictus, Above The Ruins, fascism|work=Stewart Home|accessdate=2017-09-16|df=mdy-all}}
63. ^  Access date: March 17, 2009.
64. ^{{cite web|url=http://www.popmatters.com/feature/current-93-060516/|title=The Apocalyptic Visions of Current 93|author=Jennifer Kelly|work=PopMatters|date=2006-05-16|accessdate=2017-09-16|df=mdy-all}}
65. ^{{Cite web |url={{Allmusic|class = artist|id = mn0000820195/biography|pure_url =yes}} |title=Whitehouse — Biography |last=Schaefer |first=Peter |website=AllMusic |publisher=All Media Network |access-date=2017-09-16 |df=mdy-all}}
66. ^{{cite web|author=Emily Benjamin|title=Whitehouse Asceticists Susan Lawly|work=The Johns Hopkins News-Letter|date=2006-02-14|url=http://media.www.jhunewsletter.com/media/storage/paper932/news/2006/03/31/Arts/Whitehouse.Asceticists.Susan.Lawly-2242044.shtml|archiveurl=https://web.archive.org/web/20090405170858/http://media.www.jhunewsletter.com/media/storage/paper932/news/2006/03/31/Arts/Whitehouse.Asceticists.Susan.Lawly-2242044.shtml|accessdate=2017-09-16|archivedate=2009-04-05|df=mdy-all}}
67. ^{{cite web|author=Creaig Dunton|title=Kevin Tomkins, "Perfectly Flawed"|work=Brainwashed|date=2009-03-29|url=http://brainwashed.com/index.php?option=com_content&task=view&id=7474&Itemid=1 |accessdate=2017-09-16|df=mdy-all}}
68. ^{{Cite web |url=https://www.aversionline.com/view/v-a-transmissions-of-hatred-compilation-cd |title=Review: v/a "Transmissions of Hatred" compilation CD |last=Andrew Aversionline |date=2003-04-30 |website=Aversion Line |access-date=2017-09-16 |df=mdy-all}}
69. ^{{cite web |url=http://www.heathenharvest.com/article.php?story=20080830064736321 |title=Archived copy |accessdate=2009-03-16 |deadurl=yes |archiveurl=https://web.archive.org/web/20110526210216/http://www.heathenharvest.com/article.php?story=20080830064736321 |archivedate=2011-05-26 |df= }} Access date: March 17, 2009.
70. ^{{Cite web|url=http://www.hymen-records.com/vinylium/y014/y014.html|title=converter. coma. 12" 33rpm. may 1999|last=|first=|date=|website=hymen-records.com|publisher=Hymen Records|archive-url=https://web.archive.org/web/20071111040126/http://www.hymen-records.com/vinylium/y014/y014.html|archive-date=2007-11-11|dead-url=|access-date=2017-09-16|df=mdy-all}}
71. ^{{Discogs release|127104|Noisex – Over and Out}}
72. ^Vlad McNeally, review of Noisex, ReGen Magazine, November 29, 2007.   Access date: August 8, 2008.
73. ^{{Cite web |url=http://pitchfork.com/features/articles/7806-ghosts-in-the-machine/ |title=Ghosts in the Machine |last=Colly |first=Joe |date=2010-05-24 |work=Pitchfork |access-date=2017-09-16|df=mdy-all}}
74. ^{{Cite web |url=http://www.nashvillescene.com/music/article/13035268/new-genre-alert-which-house-witch-house |title=‘New’ ‘Genre’ Alert: Which House? Witch House |last=Rodgers |first=D. Patrick |date=2010-08-25 |website=Nashville Scene |access-date=2017-09-16|df=mdy-all}}
75. ^{{Cite web |url=http://exclaim.ca/music/article/translator-witch_house |title=The Translator Witch House |last=Lindsay |first=Cam |date=2011-01-31 |website=Exclaim.ca |access-date=2017-09-16|df=mdy-all}}
76. ^{{Cite web |url=http://www.imposemagazine.com/bytes/slow-motion-music |title=Slow Motion Music |last=Watson |first=William Cody |date=2010-09-12 |website=Impose Magazine |access-date=2017-09-16|df=mdy-all}}
77. ^{{Cite news |url=https://www.theguardian.com/music/musicblog/2010/mar/08/scene-heard-drag |title=Scene and heard: Drag |last=Wright |first=Scott |date=2010-03-09 |work=The Guardian |access-date=2017-09-16 |publisher=Guardian News and Media Limited |location=London |df=mdy-all}}
78. ^{{Cite web |url=http://flavorwire.com/118771/haunted-a-witch-house-primer#more-118771|title=Haunted: A Witch House Primer|last=Marshalek|first=Russ|work=Flavorwire|date=2010-09-22|accessdate=2017-09-16|df=mdy-all}}
79. ^{{cite web|url=http://www.nypress.com/brooklyns-vanishing-witch-house|title=Brooklyn's Vanishing Witch House|date=2010-08-25|accessdate=2017-09-16|df=mdy-all|work=NY Press|last=Maness|first=Carter}}
80. ^{{Cite web |url=https://nyulocal.com/the-witch-house-debate-is-he-music-genre-wor-h-lis-en-de3671c4c711|title=The Witch House Debate: Is †he Music Genre Wor†h ∆ Lis†en?|work=NYU Local|date=2011-02-01|accessdate=2017-09-16|last=Sokol|first=Zach|df=mdy-all}}
81. ^{{cite web|url=https://www.riaa.com/gold-platinum/|title=Gold & Platinum|work=riaa.com|publisher=Recording Industry Association of America|accessdate=2017-09-16|df=mdy-all}}

Bibliography

{{Refbegin|colwidth=60em}}
  • {{cite book|last1=Vale|first1=V.|authorlink=V. Vale|last2=Juno|first2=A.|year=1983|title=Industrial Culture Handbook|location=San Francisco, CA|publisher=RE/SEARCH PUBLICATIONS|ref={{Sfnref|Vale & Juno|1983}}}}
  • {{cite book|first=Mick|last=Mercer|title=The Hex Files: The Goth Bible|location=Woodstock|publisher=The Overlook Press|year=1997|ref={{sfnref|Mercer|1997}}}}
  • {{cite book|first=Dan|last=Sicko|title=Techno Rebels: The Renegades of Electronic Funk|publisher=Billboard Books|year=1999|ref={{sfnref|Sicko|1999}}}}
  • {{cite book| first = Steven| last = Blush| authorlink = Steven Blush| editor-first = George| editor-last = Petros| editor-link = George Petros| title = A Tribal History | date = Oct 1, 2001| publisher = Feral House| isbn = 9780922915712|ref={{sfnref|Blush|2001}}}}
  • {{cite book|last=Reynolds|first=Simon|year=2005|title=Rip It Up And Start Again: Postpunk 1978-1984|location= London|publisher=Faber and Faber Limited|ref={{sfnref|Reynolds|2005}}}}
  • {{Cite book |title=Concrete, Bulletproof, Invisible + Fried: My Life as a Revolting Cock |last=Connelly |first=Chris |year=2007 |location=London |publisher=SAF Publishing}}
  • {{cite magazine|last=Di Perna|first=Alan|year=1995|title=Jackhammer of the Gods|magazine=Guitar World|volume=15|number=6|pages=54–59, 61–62, 67, 69, 71|ref={{sfnref|Di Perna|1995}}}}
  • {{cite book|first=Nancy |last=Kilpatrick|title=The Goth Bible: A Compendium for the Darkly Inclined|location=New York|publisher=St. Martin's Griffin|year=2004|chapter=Chapter 5: Music of the Macabre|ref={{sfnref|Kilpatrick|2004}}}}
  • {{cite book|last1=Reed|first1=S. Alexander|title=Assimilate: A Critical History of Industrial Music|year=2013|publisher=Oxford University Press|url=https://books.google.ru/books?id=6sMDubxofwIC|ref={{sfnref|Reed|2013}}}}
{{Refend}}

Further reading

{{Refbegin|colwidth=60em}}
  • {{cite book|first=Paul|last=Hegarty|chapter=Full With Noise: Theory and Japanese Noise Music|pages=86–98|title=Life in the Wires|year=2004|editor-first1=Arthur|editor-last1=Kroker|editor-link=Arthur Kroker|editor-first2=Marilouise |editor-last2=Kroker|publisher=NWP Ctheory Books|location=Victoria, Canada}}
  • {{cite book|first=Paul|last=Hegarty|title=Noise/Music: A History|year=2007|publisher=Continuum International Publishing Group}}
  • {{cite book|last=Kahn|first=Douglas|author-link=Douglas Kahn|title=Noise, Water, Meat: A History of Sound in the Arts|year=1999|publisher=MIT Press}}
  • {{cite book|first=Brandon|last=LaBelle|title=Background Noise: Perspectives on Sound Art|year=2006|location=New York and London|publisher=Continuum International Publishing}}
  • {{cite book|editor-first1=Dan|editor-last1=Lander|editor-first2=Lexier|editor-last2=Micah|title=Sound by Artists|year=1990|location=Toronto|publisher=Art Metropole/Walter Phillips Gallery}}
  • {{cite book|author-link=Alan Licht|first=Alan|last=Licht|title=Sound Art: Beyond Music, Between Categories|year=2007|location= New York|publisher=Rizzoli}}
  • {{cite book|author-link=Thurston Moore|first=Thurston|last=Moore|title= Mix Tape: The Art of Cassette Culture|year=2004|publisher= Universe}}
  • {{cite web|author-link=Joseph Nechvatal|first=Joseph|last=Nechvatal|title=Towards a Sound Ecstatic Electronica|year=2000|work=The Thing|url=http://post.thing.net/node/1981|accessdate=2017-09-13|df=mdy-all}}
  • {{cite web|author-link=Amanda Petrusich|last=Petrusich|first=Amanda|date=2007-09-17|url=https://pitchfork.com/features/interview/6690-lou-reed/|title=Lou Reed|work=Pitchfork|accessdate=2017-09-13|df=mdy-all}}
  • {{cite book|first=Jim|last=Samson|title=Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920|year=1977|location=New York|publisher=W.W. Norton & Company}}
  • {{cite book|editor=Brett Woodward|title=Merzbook: The Pleasuredome of Noise|year=1999|location=Melbourne, Cologne|publisher=Extreme}}
{{Refend}}

External links

  • alphamanbeast's noise directory
  •   The Birth of Experimental Music (pop music/experimental)
{{Industrial music-footer}}{{Avant-garde}}{{Western music genres}}{{DEFAULTSORT:Post-Industrial Music}}

3 : Postindustrial society|Industrial music|Lists of music genres

随便看

 

开放百科全书收录14589846条英语、德语、日语等多语种百科知识,基本涵盖了大多数领域的百科知识,是一部内容自由、开放的电子版国际百科全书。

 

Copyright © 2023 OENC.NET All Rights Reserved
京ICP备2021023879号 更新时间:2024/9/21 5:36:48