词条 | National patrimony |
释义 |
ChinaIn Chinese, the term "national essence" is translated as guocui 國粹, and the journal Guocui xuebao 國粹學報 (Journal of National Essence)[2] was established in 1905 with the aim of preserving and protecting China's artistic national patrimony. This journal originally was divided into seven sections, four of which are topical in nature and represent specific aspects of what might be considered China's "national essence" and, by extension, national patrimony:
Two years after the journal's initial publication, two additional topical sections were added:
Japan[3]In Japanese, the term "national essence" is translated as kokusui, and the term kokusui hozon 國粹保存 is translated as "preserving the national essence." In response to increasing Western influence in the late 19th and early 20th centuries, a growing sense Japanese nationalism led in 1889 to the establishment of three institutions aimed at protecting and preserving artistic aspects of the country's national patrimony:
Notes1. ^For example, see Sophie Maisonneuve, ‘Between History and Commodity: The Production of A Musical Patrimony through the Record in the 1920-1930’, Poetics, 29 (2001), pp. 89-108; esp. 89-90, 95, 103. For an example from Ireland, see also {{DEFAULTSORT:National Patrimony}}2. ^http://www.tbmc.com.tw/english_version/chinesedata/chinese_15.htm 3. ^Kenneth Pyle, The New Generation in Meiji Japan, 1885-1895 (Stanford, 1969), pp. 4, 52-71. 2 : Cultural heritage|Nationalism |
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