| 词条 | Neo-Fauvism |
| 释义 |
The magazine Cahiers d'Art was launched in 1926 and its writers mounted a challenge to the Surrealist practice of automatism by seeing it not in terms of unconscious expression, but as another development of traditional artistry. They identified a group of artists as the exponents of this and termed them Neo-Fauves.[1] Although these artists were later mostly forgotten, the movement had an effect of disillusioning the Surrealist group with the technique of graphic automatism as a revolutionary means of by-passing conventional aesthetics, ideology and commercialism.[1] Neo-Fauvism has been seen as the last trend within painting that could be marketed as a coherent style.[2] Notes and references1. ^1 2 Grant, Kim. Surrealism and the Visual Arts: Theory and Reception, Introduction. Cambridge University Press 2005. {{ISBN|978-0-521-83655-5}}, {{ISBN|0-521-83655-7}}. 2. ^Goethe-Institut, retrieved 10 June 2008. {{webarchive |url=https://web.archive.org/web/20070822212258/http://www.goethe.de/kue/bku/thm/ein/en178614.htm |date=August 22, 2007 }} See also
External links{{Fauvism}}{{Westernart}} 4 : Fauvism|French art|Western art|Art movements |
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