“List of modernist composers”的意思、由来-开放百科全书

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List of modernist composers

释义

Austria
Russia/Soviet Union
Second Viennese school
Germany
Finland
France
Italy
Hungary
Poland
Scotland
United States
England
See also
References

{{More citations needed|date=December 2011}}Lists of composers by philosophical stance: modernist composers

Austria

Gustav Mahler (1860–1911) ({{harvnb|Frisch|2005|loc=182–85, 203–13}}; {{harvnb|Gagné|2012|loc=178}})

Russia/Soviet Union

Sergei Prokofiev (1891–1953) ({{harvnb|Gagné|2012|loc=178}}; {{harvnb|Rifkin|2006|loc=133–41, 145–47}})
Alexander Scriabin (1872–1915) {{harv|Gagné|2012|loc=178}}
Dmitri Shostakovich (1906–1975) {{harv|Rifkin|2006|loc=134}}
Igor Stravinsky (1882–1971) ({{harvnb|Ashby 2004a|loc=3}}; {{harvnb|Ashby|2004b|loc=351}})

Second Viennese school

Alban Berg (1885–1935) ({{harvnb|Ashby|2004a|loc=8}}; {{harvnb|Ashby|2004b|loc=351}})
Arnold Schoenberg (1874–1951) ({{harvnb|Ashby|2004a|loc=8}}; {{harvnb|Whitesell|2004|loc=104}})
Anton Webern (1883–1945){{Citation needed|date=April 2015}}

Germany

Johann Sebastian Bach (1685–1750) {{harv|Clapp|1916|loc=passim}}
Georg Böhm (1661–1733) {{harv|Hanley|1954|loc=293}}
Paul Hindemith (1895–1963) ({{harvnb|Ashby|2004a|loc=8}}; {{harvnb|Gagné|2012|loc=178}}; {{harvnb|Rifkin|2006|loc=134, 157}})
Hans Pfitzner (1869–1949) {{harv|Frisch|2005|loc=244–52}}
Max Reger (1873–1916) ({{harvnb|Dahlhaus|1989|loc=335}}; {{harvnb|Frisch|2005|loc=139, 149, 150–54, 168–72}})
Franz Schreker (1878–1934) {{harv|Dahlhaus|1989|loc=335}}
Richard Strauss (1864–1949) ({{harvnb|Dahlhaus|1989|loc=335}}; {{harvnb|Frisch|2005|loc=214–44}}; {{harvnb|Whitesell|2004|loc=103}})
Johann Gottfried Walther (1684–1748) {{harv|Hanley|1954|loc=289}}
Alexander Zemlinsky (1871–1942) {{harv|Dahlhaus|1989|loc=335}}

Finland

Erik Bergman (1911–2006) {{harv|Howell|2011|loc=passim}}

France

Pierre Boulez (1925–2016) {{harv|Bauer|2001|loc=121}} (Also described as a postmodern composer)
Claude Debussy (1862–1918) {{harv|Gagné|2012|loc=178}}
Gabriel Fauré (1845–1924) {{harv|Rifkin|2006|loc=134}}
André Jolivet (1905–1974) {{harv|Gagné|2012|loc=146}}
Arthur Honegger (1892–1955) {{harv|Rifkin|2006|loc=134}}
Olivier Messiaen (1908–1992) {{harv|Gagné|2012|loc=178}}
Darius Milhaud (1892–1974) {{harv|Gagné|2012|loc=178}}
Francis Poulenc (1899–1963) {{harv|Rifkin|2006|loc=133–34, 141–43}}
Maurice Ravel (1875–1937) {{harv|Gagné|2012|loc=178}}
Erik Satie (1866–1925) {{harv|Gagné|2012|loc=178}}
Edgard Varèse (1883–1965) {{harv|Gagné|2012|loc=178}}

Italy

Luciano Berio (1925–2003) {{harv|Wilmotte|1994|loc=passim}} (Also described as a postmodern composer)
Ferruccio Busoni (1866–1924) {{harv|Frisch|2005|loc=139}}
Claudio Monteverdi (1567–1643) ({{harvnb|Tommasini|2007}}; {{harvnb|Werder|1965}}; {{harvnb|Whenham|1997|loc=36}})
Salvatore Sciarrino (born 1947) {{harv|Gagné|2012|loc=178}}{{Failed verification|date=March 2017}}

Hungary

Béla Bartók (1881–1945) {{harv|Gagné|2012|loc=178}}
Franz Liszt (1811–1886) {{harv|Loya|2011|loc=1–5 et passim}}

Poland

Karol Szymanowski (1882–1937) {{harv|Ross|2007|loc=159}}

Scotland

Oliver Knussen (1952–2018) {{harv|Gagné|2012|loc=151, 179}}

United States

Milton Babbitt (1916–2011) ({{harvnb|Ashby|2004a|loc=8}}; {{harvnb|Bauer|2004|loc=121}})
Samuel Barber (1910–1981) ({{harvnb|Lien|2002|loc=xii–xiii, 54–55}}; {{harvnb|Rifkin|2006|loc=157}}; {{harvnb|Wright|2010|loc=87–88}})
Irving Berlin (1888–1989) {{harv|Ross|2007|loc=136}}
John Cage (1912–1992) ({{harvnb|Bernstein|2002|loc=passim}}; {{harvnb|Williams|2002|loc=241}}) (Also described as a postmodern composer)
Aaron Copland (1900–1990) ({{harvnb|Gagné|2012|loc=178}}; {{harvnb|Lien|2002|loc=53–54}})
Henry Cowell (1897–1965) {{harv|Lien|2002|loc=51}}
Ruth Crawford-Seeger (1901–1953) {{harv|Ashby|2004a|loc=3}}
George Crumb (born 1929) {{harv|Petersen|2010|loc=311, 313}}
Vernon Duke (1903–1969) {{harv|Holden|2010|loc=296}}
Morton Feldman (1926–1987) {{harv|Ross|2007|loc=355}} (Also described as a postmodern composer)
George Gershwin (1898–1937) {{harv|Ross|2007|loc=136}}
Philip Glass (born 1937) {{harv|Schwarz|1990|loc=247}} (Also described as a postmodern composer)
Bernard Herrmann (1911–1975) {{harv|Ashby|2004a|loc=8}}
Charles Ives (1874–1954) {{harv|Botstein|2008}}
Jerome Kern (1885–1945){{harv|Ross|2007|loc=136}}
Leon Kirchner (1919–2009){{Citation needed|date=October 2013}}
Donald Martino (1931–2005) {{harv|Ashby|2004a|loc=3}}
Leo Ornstein (1893–2002) {{harv|Broyles and Von Glahn|2007|loc=xvi, 119}}
Harry Partch (1901–1974) {{harv|Lien|2002|loc=51–52}}
Cole Porter (1891–1964) {{harv|Ross|2007|loc=136}}
Ezra Pound (1885–1972) {{harv|Gagné|2012|loc=211}}
Lou Reed (1942–2013) {{harv|Ashby|2004a|loc=8}}
Steve Reich (born 1936) {{harv|Schwarz|1990|loc=247, 271}} (Also described as a postmodern composer)
Richard Rodgers (1902–1979) {{harv|Ross|2007|loc=136}}
Dane Rudhyar (1895–1985) {{harv|Gagné|2012|loc=178}}
Charles Seeger (1886–1979) {{harv|Ross|2007|loc=271}}
Edgard Varèse (1883–1965) {{harv|Lien|2002|loc=52}}
Brian Wilson (born 1942) {{harv|Ashby|2004a|loc=8}}

England

Brian Ferneyhough (born 1943) {{harv|Ashby|2004a|loc=3}} (Also described as a postmodern composer)
William Walton (1902–1983) {{harv|Karolyi|1994|loc=43}}

References

{{wikicite|ref={{harvid|Ashby|2004a}}|reference=Ashby, Arved Mark. 2004a. "Introduction". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 1–22. Rochester: University of Rochester Press. {{ISBN|1-58046-143-3}}.}}
{{wikicite|ref={{harvid|Ashby|2004b}}|reference=Ashby, Arved Mark. 2004b. "Modernism Goes to the Movies". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 345–86. Rochester: University of Rochester Press. {{ISBN|1-58046-143-3}}.}}
{{wikicite|ref={{harvid|Bauer|2004}}|reference=Bauer, Amy. 2004 "'Tone-Color, Movement, Changing Harmonic Planes': Cognition, Constraints, and Conceptual Blends in Modernist Music". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 121–52. Rochester: University of Rochester Press. {{ISBN|1-58046-143-3}}.}}
{{wikicite|ref={{harvid|Bernstein|2002}}|reference=Bernstein, David W. 2002. "Cage and High Modernism". The Cambridge Companion to John Cage, edited by David Nicholls, 186–213. Cambridge: Cambridge University Press. {{ISBN|0-521-78348-8}} (cloth); {{ISBN|0-521-78968-0}} (pbk).}}
{{wikicite|ref={{harvid|Botstein|n.d.}}|reference=Leon Botstein. "Modernism", Grove Music Online, edited by Laura Macy (accessed December 20, 2008), grovemusic.com (subscription access).}}
{{wikicite|ref={{harvid|Broyles and Von Glahn|2007}}|reference=Broyles, Michael, and Denise Von Glahn. 2007. Leo Ornstein: Modernist Dilemmas, Personal Choices. Bloomington and London: Indiana University Press. {{ISBN|978-0-253-34894-4}}.}}
{{wikicite|ref={{harvid|Clapp|1916}}|reference=Clapp, Philip Greeley. 1916. "[https://archive.org/stream/jstor-737959/737959#page/n1 Sebastian Bach, Modernist]". Musical Quarterly 2, no. 2 (April): 295–313.}}
{{wikicite|ref={{harvid|Dahlhaus|1989}}|reference=Dahlhaus, Carl. 1989. Nineteenth-Century Music, translated by J. Bradford Robinson. California Studies in 19th-Century Music. Berkeley, Los Angeles, and London: University of California Press. {{ISBN|978-0-520-07644-0}}.}}
{{wikicite|ref={{harvid|Frisch|2005}}|reference=Frisch, Walter. 2005. German Modernism: Music and the Arts. California Studies in 20th-Century Music. Berkeley, Los Angeles, and London: University of California Press. {{ISBN|978-0-520-25148-9}}.}}
{{wikicite|ref={{harvid|Gagné|2012}}|reference=Gagné, Nicole V. 2012. Historical Dictionary of Modern and Contemporary Classical Music. Historical Dictionaries of Literature and the Arts. Lanham, MD: Scarecrow Press. {{ISBN|0-8108-6765-6}}.}}
{{wikicite|ref={{harvid|Hanley|1954}}|reference=Hanley, Edwin. 1954. "Chorale Variations. Johann Gottfried Walther: Meinen Jesum lass' ich nicht; Jesu meine Freude. Georg Böhm: Ach wie nichtig, ach wie flüchtig; Auf meinen lieben Gott; Herr Jesu Christ, dich zu uns wend. Finn Viderø, organ. 12" LP. Haydn HSL-3066" (record review). The Musical Quarterly 40, no. 2 (April): 289–94.}}
{{wikicite|ref={{harvid|Holden|2010}}|reference=Holden, Scott. 2010. "The 'Adventures and Battles' of Vladimir Dukelsky (a.k.a. Vernon Duke)". American Music 28, no. 3 (Fall): 296–319.}}
{{wikicite|ref={{harvid|Howell|2011}}|reference=Howell, Tim. 2011. "The Legacy of a Modernist". Finnish Music Quarterly, no. 4:38–41.}}
{{wikicite|ref={{harvid|Karolyi|1994}}|reference=Karolyi, Otto. 1994. Modern British Music: The Second British Musical Renaissance—From Elgar to P. Maxwell Davies. Rutherford, Madison, Teaneck: Fairleigh Dickinson University Press; London and Toronto: Associated University Presses. {{ISBN|0-8386-3532-6}}.}}
{{wikicite|ref={{harvid|Lien|2002}}|reference=Lien, Anthony Marcus. 2002. "Against the Grain: Modernism and the American Art Song, 1900 to 1950". PhD diss. Davis: University of California, Davis.}}
{{wikicite|ref={{harvid|Loya|2011}}|reference=Loya, Shay. 2011. Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition. Eastman Studies in Music. Rochester, NY: University of Rochester Press. {{ISBN|9781580463232}}.}}
{{wikicite|ref={{harvid|Petersen|2010}}|reference=Petersen, Nils Holger. 2010. "Quotation and Framing: Re-contextualization and Intertextuality as Newness in George Crumb's Black Angels". Contemporary Music Review 29, no. 3 (June): 309–21.}}
{{wikicite|ref={{harvid|Purdy|2010}}|reference=Purdy, Daniel. 2010. Goethe Yearbook 17. New York: Camden House. {{ISBN|9781571134257}}.}}
{{wikicite|ref={{harvid|Rifkin|2006}}|reference=Rifkin, Deborah. 2006. "Making It Modern: Chromaticism and Phrase Structure in Twentieth-Century Tonal Music". Theory and Practice 31:133–58.}}
{{wikicite|ref={{harvid|Ross|2007}}|reference=Ross, Alex. 2007. The Rest Is Noise: Listening to the Twentieth Century. New York: Farrar, Strauss, and Giroux. {{ISBN|978-0-374-24939-7}}.}}
{{wikicite|ref={{harvid|Schwarz|1990}}|reference=Schwarz, K. Robert. 1990. "Process vs. Intuition in the Recent Works of Steve Reich and John Adams". American Music 8, no. 3 (Autumn): 245–73.}}
{{wikicite|ref={{harvid|Taruskin|2010}}|reference=The Oxford History of Western Music (2nd ed., Oxford University Press, 2010).}}
{{wikicite|ref={{harvid|Tommasini|2007}}|reference=Tommasini, Anthony. 2007. "The Savvy Operator Who Aced That Newfangled Art Form, Opera". The New York Times (17 August).}}
{{wikicite|ref={{harvid|Webster|2008}}|reference=Webster, James. 2008. "Rosen's Modernist Haydn". In Variations on the Canon: Essays on Music from Bach to Boulez in Honor of Charles Rosen on His Eightieth Birthday, edited by Robert Curry, David Gable, Robert Lewis Marshall, 283–90. Eastman Studies in Music 58. Rochester, NY: University of Rochester Press. {{ISBN|9781580462853}}.}}
{{wikicite|ref={{harvid|Werder|1965}}|reference=Werder, Felix. 1965. "Monteverdi the Modernist: Monteverdi, by Leo Schrade". The Age (17 April).}}
{{wikicite|ref={{harvid|Whenham|1997}}|reference=Whenham, John. 1997. Monteverdi: Vespers (1610). Cambridge Music Handbooks. Cambridge and New York: Cambridge University Press. {{ISBN|9780521459792}}.}}
{{wikicite|ref={{harvid|Whitesell|2004}}|reference=Whitesell, Lloyd. 2004. "Twentieth-Century Tonality, or, Breaking Up Is Hard to Do". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 103–120. Rochester: University of Rochester Press. {{ISBN|1-58046-143-3}}.}}
{{wikicite|ref={{harvid|Williams|2002}}|reference=Williams, Alastair. 2002. "Cage and Postmodernism". The Cambridge Companion to John Cage, edited by David Nicholls, 227–41. Cambridge: Cambridge University Press. {{ISBN|0-521-78348-8}} (cloth); {{ISBN|0-521-78968-0}} (pbk).}}
{{wikicite|ref={{harvid|Wilmotte|1994}}|reference=Wilmotte, Marie-Hélène. 1994. "L'expérimental comme gage de la modernité: La Sequenza I de Luciano Berio". Les cahiers du CIREM, nos. 30–31:71–84.}}
{{wikicite|ref={{harvid|Wright|2010}}|reference=Wright, Jeffrey Marsh, II. 2010. "The Enlisted Composer: Samuel Barber's Career, 1942–1945". PhD diss. Chapel Hill: The University of North Carolina at Chapel Hill.}}

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