| 释义 |
- Sources
{{Refimprove|date=June 2008}}List of pieces using polytonality and/or bitonality. - Samuel Barber
- Symphony No. 2 (1944){{citation needed|date=April 2012}}
- Béla Bartók
- Mikrokosmos Volume 5 number 125: The opening (mm. 1-76) of "Boating", (actually bimodality) in which the right hand uses pitches of the pentatonic scale on E{{music|flat}} and the left hand uses those of either G mixolydian or dorian[1]
- Mikrokosmos No. 105, "Playsong"[2]
- 44 Violin Duets, "Song of the Harvest" (1933)[3]
- Bagatelles (1908)[4] 1st Bagatelle, RH: C{{music|#}} minor, LH: C Phrygian.[4]
- Jeff Beal
- Theme from House of Cards[5]
- Benjamin Britten
- Sea Interludes (1945)[6]
- Fanfare for St Edmundsbury (1959){{citation needed|date=April 2012}}
- Folk Songs of the British Isles, Vol. 1, No. 6[7]
- Alberto Ginastera
- Danzas Argentinas - 1. "Danza del viejo boyero" (1937), RH: white keys, LH: black keys[8]
- Philip Glass
- Symphony No. 2, used for ambiguity[9]
- Jerry Goldsmith
- Planet of the Apes (1968){{citation needed|date=April 2012}}
- Patton (1970){{citation needed|date=April 2012}}
- The Omen (1976)[11]
- Percy Grainger
- Lincolnshire Posy{{citation needed|date=April 2012}}
- Gustav Holst
- The Planets{{citation needed|date=April 2012}}
- Terzetto for Flute, Oboe and Viola
- Arthur Honegger
- Symphony for Strings, III[3]
- Bruce Hornsby
- "What The Hell Happened" (from Halcyon Days, 2004)[10]
- Charles Ives
- Variations on "America" (1891-1892), polytonal interludes added 1909-1910[11]
- Sixty-seventh Psalm (1898–99)[7]
- Piano Sonata No. 2 (Ives) III. The Alcotts, presence of bitonality (right hand in B{{music|b}} major and left hand in A{{music|b}} major)[12]
- John Kander
- Cabaret (1966), in the Finale Ultimo{{citation needed|date=April 2012}}
- Colin McPhee
- Concerto for Piano, with Wind Octette Acc. (1928)[13]
- Darius Milhaud[14]
- Scaramouche, in the first movement "Vif"{{citation needed|date=April 2012}}
- Sorocaba, from Saudades Do Brasil{{citation needed|date=April 2012}}
- Le Boeuf sur le toit{{citation needed|date=April 2012}}
- Ennio Morricone
- The Untouchables (1987){{citation needed|date=April 2012}}
- Wolfgang Amadeus Mozart
- Ein musikalischer Spass[14]
- Sergei Prokofiev
- Lieutenant Kijé Suite (mov. V, "The Burial of Kijé"){{citation needed|date=April 2012}}
- Sarcasms, Op. 17. The third movement uses two different key signatures for each hand.[15]
- Alfred Reed
- A Festival Prelude{{citation needed|date=April 2012}}
- Julius Rontgen
- Symphony No. 9 "The Bitonal"{{sept 8, 1930}}[16]
- Arnold Schoenberg
- "Gavotte", Suite for Piano Op. 25 (1923)[17]
- William Schuman
- George Washington Bridge[18]
- Igor Stravinsky[14]
- Petrushka, opening fanfare{{citation needed|date=April 2012}}
- Symphony of Psalms - 3rd Movement{{citation needed|date=April 2012}}
- Symphonies of Wind Instruments (1947), rehearsal No. 11[19]
- "Rite of Spring"
- Karol Szymanowski
- String Quartet No. 1 in C major Movement 3 (1917). Each part has its own key: Cello, C; Viola, 3 flats; Violin 2, 6 sharps; Violin 1, 3 sharps. See score.
- Jeff Wayne
- The War of the Worlds - "The Red Weed (Parts 1 & 2)" (B and G major)[20]
[https://books.google.com/books?ei=KbEVUMqEFoXQrQGV-oGQBQ&id=K97mAAAAMAAJ&dq=this+jesus+must+die+bitonality&q=bitonality#search_anchor Country Life], Volume 154, p.2015.- John Williams
- John Zdechlik
- Chorale and Shaker Dance{{citation needed|date=April 2012}}
{{inc-musong}}Sources1. ^Stein, Deborah (2005). "Introduction to Musical Ambiguity" in Engaging Music: Essays in Music Analysis, p.82-3. New York: Oxford University Press. {{ISBN|0-19-517010-5}}.
2. ^Kostka, Stefan and Payne, Dorothy (1995). Tonal Harmony, p.495. {{ISBN|0-07-300056-6}}.
3. ^1 DeLone, et al. (1975). Aspects of 20th Century Music, p.339. {{ISBN|0-13-049346-5}}.
4. ^Ross, Alex (2007). The Rest Is Noise: Listening to the Twentieth Century, p.83. {{ISBN|9780374249397}}.
5. ^[https://www.youtube.com/watch?v=fODB8ttWY3k]
6. ^Wilkins, Margaret Lucy (2006). Creative Music Composition, p.78. {{ISBN|9780415974677}}.
7. ^1 2 Richardson, John (1999). Singing Archaeology: Philip Glass's Akhnaten, p.73. {{ISBN|9780819563422}}.
8. ^Hinson, Maurice (2000). Guide to the Pianist's Repertoire, p.334. {{ISBN|9780253336460}}.
9. ^"Philip Glass : Symphony No. 2", ChesterNovello.com.
10. ^Diton, Robert (September 23, 2011). "Bruce Hornsby to bring the noise to Englewood", Examiner.com.
11. ^Latham, Alison (2004). The Oxford Dictionary of Musical Works, p.173. {{ISBN|9780198610205}}.
12. ^{{cite web|last=Ives|first=Charles|title=Piano Sonata No.2 'Concord, Mass., 1840–60'|url=http://hz.imslp.net/files/imglnks/usimg/3/38/IMSLP34171-PMLP09680-Ives-ConcordSonata1920-3.pdf|work=II. The Alcotts|publisher=imslp.org}}
13. ^Gagné, Nicole V. (2012). Historical Dictionary of Modern and Contemporary Classical Music, p.171. {{ISBN|9780810879621}}.
14. ^1 2 Reti, Rudolph (1958). Tonality, Atonality, Pantonality: A study of some trends in twentieth century music, {{page needed|date=April 2012}}. Westport, Connecticut: Greenwood Press. {{ISBN|0-313-20478-0}}.
15. ^Encyclopædia Britannica, "Polytonality (music)".
16. ^Gaudeamus. The life of Julius Röntgen (1855-1932). Composer and musician. Dr Jurjen Vis, Waanders Uitgevers Zwolle, 2007, Appendix 4, p.449
17. ^Maconie, Robin (2005). Other Planets, p.71. {{ISBN|0-8108-5356-6}}. "Has distinctly polytonal tendencies."
18. ^Swayne, Steve (2011). Orpheus in Manhattan: William Schuman and the Shaping of America's Musical Life, p.244. {{ISBN|9780195388527}}.
19. ^Berry, Wallace (1976). Structural Functions in Music, p.183n1. {{ISBN|0-486-25384-8}}.
20. ^Anatomy of a Musical: An Analysis of the Structure of Jeff Wayne’s Musical Version of The War of the Worlds
21. ^1 Karlin, Fred and Wright, Rayburn (2004). On the Track: A Guide to Contemporary Film Scoring, p.359. {{ISBN|9780415941365}}.
{{Music theory lists}}{{Musical repertoire}}{{DEFAULTSORT:Polytonal}} 2 : Lists of musical works|Music theory lists |