| 词条 | No Exit (1962 film) |
| 释义 |
| name = No Exit | image = No exit 1962 film poster.jpg | image size = 250px | caption = Theatrical release poster | director = Tad Danielewski | producer = Fernando Ayala Héctor Olivera | screenplay = George Tabori Orson Welles (uncredited) | based on = {{Based on|No Exit|Jean-Paul Sartre}} | starring = Morgan Sterne Viveca Lindfors Rita Gam | music = Vladimir Ussachevsky | cinematography = Ricardo Younis | editing = Jacques Bart Carl Lerner Atilio Rinaldi | studio = Aries Cinematográfica Argentina | distributor = Zenith International Films | released = {{film date|1962|12|5|United States}} | runtime = 85 minutes | country = United States Argentina | language = English | budget = | gross = }} No Exit, also known as Sinners Go to Hell,{{sfn|IMDB, Sinners Go to Hell}} is a 1962 American-Argentine dramatic film adaptation of Jean-Paul Sartre's play No Exit directed by Tad Danielewski. The film stars Morgan Sterne, Viveca Lindfors and Rita Gam. PlotThe Valet (Manuel Rosón) enters a hotel room with Joseph Garcin (Morgan Sterne) in tow. The windowless room has a single entrance and no mirrors. Two women, Inès Serrano (Viveca Lindfors) and Estelle Rigault (Rita Gam), are then led in; afterwards, the Valet leaves and locks the door. Realizing that they are in hell, the trio expects to be tortured; however, no torturer is forthcoming. While waiting, they strike up a conversation and discuss each other's sins, desires, and unpleasant memories; they slowly realize that such probing is the form of torture they are meant to receive. It later becomes apparent that Joseph, once a journalist, was executed for cowardice and the betrayal of the French Resistance. Estelle, who has a voracious sexual appetite, was a gold digger and seductress who killed a man. Meanwhile, the lesbian Inès abused her partner's love for her and eventually killed them both in a murder-suicide. As the story progresses, Garcin becomes increasingly annoyed by Inès' considering him a coward, while Estelle makes unreciprocated advances on him; Inès is tempted by Estelle, but crazed by Estelle's heterosexuality. The three at first continue to see events happening on Earth, but eventually, as the living move on, they are left with only their own thoughts and the company of the other two. Towards the end of the film, Garcin demands he be let out; in response, the door opens. However, none leave. They resign themselves to their fate. ProductionSartre did not know about the film while it was in production.{{sfn|Contat|Rybalka|1974|p=612}} Viveca Lindfors, at the time married to screenwriter George Tabori, was chosen to play Inès.{{sfn|Feinberg|1999|p=20}} StyleThe film uses dialogue-free flashbacks when the main characters talk about their lives.{{sfn|Crowther 1962, Gay Purr-ee (1962)}} Alison Darren in the Lesbian Film Guide notes that Inès is a "typical screen lesbian" of the early 1960s, both physically attractive and inherently evil.{{sfn|Darren|2000|p=152}} Release and receptionAfter being screened at the 12th Berlin International Film Festival in June 1962, where Rita Gam and Viveca Lindfors shared the Silver Bear for Best Actress award,{{sfn|BIFF, Berlinale 1962: Prize}} No Exit received its American release on December 5.{{sfn|IMDB, Sinners Go to Hell}} Bosley Crowther, writing for The New York Times, found the film "antiseptic", with emotionless acting and stagy directing; he summarized that the film "prove[d] that "No Exit" is inappropriate material for a full-length [film]".{{sfn|Crowther 1962, Gay Purr-ee (1962)}} Darren calls the film an "excellent psychological drama" with a "surprisingly overt" depiction of lesbianism.{{sfn|Darren|2000|p=152}} See also
ReferencesBibliography{{refbegin}}
External links
12 : Argentine films|1962 films|1960s drama films|American films|English-language films|Films directed by Tad Danielewski|American black-and-white films|Argentine black-and-white films|American films based on plays|Argentine films based on plays|French film remakes|American remakes of French films |
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