| 词条 | Liu Xinwu |
| 释义 |
| image = | image_size = 250px | caption = | name = Liu Xinwu | native_name = 刘心武 | native_name_lang = zh | pseudonym = Liu Liu ({{lang|zh-hans|刘浏}}) Zhao Zhuanghan ({{lang|zh-hans|赵壮汉}}) | birth_name = | birth_date = {{Birth year and age|1942|6}} | birth_place = Chengdu, Sichuan, China | death_date = | death_place = | occupation = Novelist | language = Chinese | education = | alma_mater = | period = 1977 - present | genre = Novel | subject = | movement = Scar literature | notableworks= Bell Tower and Drum Tower | spouse = | children = | relatives = | awards = {{Awards|award=2nd Mao Dun Literary Prize |year=1985 |title=Bell Tower and Drum Tower}} | website = | partner = | signture = }}{{Chinese name|Liu}}{{Chinese||s=刘心武 |t=劉心武 |p=Liú Xīnwǔ }}Liu Xinwu ({{zh|s=刘心武}}; born June 1942) is a Chinese author, and one of the earliest proponents of the post-Maoist wave of Chinese literature.[1] BiographyBorn in the province of Sichuan, his family moved to Beijing, a city that figures prominently in his work, in 1950. Liu spent most of his life in Beijing, except for a brief period during the Cultural Revolution, when he was sent to work in rural China. His short story, "Class counsellor" (also translated as "The Class Teacher"; {{zh|s=班主任|hp=bān zhǔrèn|links=no}}) published in 1977 was one of the earliest examples of prose condemning the excesses of the Chinese government during the Cultural Revolution. His work has sometimes been referred to as scar literature, though this assessment is disputed.[2] Liu filled editorial positions in a number of prominent government-sponsored publications throughout most of the 1980s. In 1987, however, he was removed as editor of the publication People's Literature after a story published failed to meet government approval. He left all his government positions after the Tiananmen Square protests of 1989 because of continual harassment from the government for his pro-demonstrator stance. Since then, he has devoted himself entirely to his writing. Liu's work, which includes novels, short stories, and children's literature, focuses on the common people of Beijing and people who live on the margins of society. RedologySince the early 1990s Liu has also been engaging in Redology, also known as studies of the famous 18th-century Chinese novel Dream of the Red Chamber. Liu takes on the controversial stance that in studying this famous Qing novel, the researcher's point of departure should be the figure of Qin Keqing, thus authoring the branch of Qin studies ({{zh|s=秦學|hp=qínxué|links=no}}) within redology. In 2006 Liu gave a talk at Columbia University introducing this concept. Liu has also published on The Dream with the famous redologist Zhou Ruchang.[3] Translations
References1. ^{{cite web |url=http://people.chinese.cn/en/article/2009-11/02/content_76907.htm |title=Chinese Writer: Liu Xinwu |date=2009 |publisher= |work=people.cn}} {{Dream of the Red Chamber}}{{Mao Dun Literature Prize}}{{Authority control}}{{DEFAULTSORT:Liu, Xinwu}}2. ^{{cite journal|last=Xie |first=Xinhua |journal=The Journal of the Teacher's College, Qingdao University |year=2000 |volume=17 |title=《班主任》不是伤痕文学 ("'The Class Teacher' is not scar literature") |url=http://www.wanfangdata.com.cn/qikan/periodical.articles/qddxsfxyxb/qddx2000/0001/000101.htm |issue=1 |deadurl=yes |archiveurl=https://web.archive.org/web/20070930155633/http://www.wanfangdata.com.cn/qikan/periodical.articles/qddxsfxyxb/qddx2000/0001/000101.htm |archivedate=September 30, 2007 }} 3. ^Joel Martinsen, Conspiracy of the Red Mansions danwei.org (Dec 8, 2006). 9 : 1942 births|Living people|Chinese male short story writers|Writers from Chengdu|Mao Dun Literature Prize laureates|Chinese male novelists|Chinese children's writers|20th-century Chinese short story writers|20th-century Chinese male writers |
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