| 词条 | Peter Van Riper |
| 释义 |
|name= Peter van Riper |image= Peter van Riper (mid-1980s).jpg |image_size= 200px |caption=Van Riper playing aluminium baseball bats, circa 1985 }} Peter van Riper (July 8, 1942 – November 18, 1998) was a sound and light environment artist, musician and pioneer of laser art and holography. BiographyVan Riper was born in Detroit's Inner City, Michigan, the son of a psychoanalyst and an avid record collector.[1] During the 1960s he received a B.A. Far Eastern History, and Art History from the University of North Carolina, Chapel Hill, graduated in Art History at Tokyo University, and took part in Fluxus performances and exhibitions in Japan. He later appeared on Tellus Audio Cassette Magazine #24 FluxTellus, Harvestworks, 1990, as part of an ensemble performing George Maciunas's Solo For Lips And Tongue. He collaborated with Fluxus members during exhibitions and performances, but Van Riper's influences are much wider. He is a true sound artist whose music is often inspired by Far Eastern traditions from Japan or Indonesia.[2] From 1967 to 1970, van Riper was a member of Editions Inc., an Ann Arbor, Michigan gallery of holography, animated along laser physicist Lloyd Cross and artist Jerry Pethick (1935–2003).[3] In 1970 they organized an exhibition at the Cranbrook Academy, and at the Finch College Museum in New York. Both Cross and Pethick co-founded the School of Holography, San Francisco, California.[4] Van Riper exhibited holograms during The Nature Of Light: Exploring Unconventional Photographic Techniques exhibition, Joyce Goldstein Gallery, New York, 1996, and also created a sound performance during the exhibition opening. CollaborationsWith choreographer Simone FortiIn the late 1970s and early 1980s, Van Riper worked with dancer Simone Forti, providing lighting design and live sound accompaniment to her dance performances.[5] An avant garde dancer and choreographer, Forti took part in some of Allan Kaprow's 1960s happenings and specialized in improvised dancing.[6] While working with her, Van Riper mostly used soprano and sopranino saxophones but also various devices and objects or even tape music. He also moved freely around the stage and dancer. With visual artist Eugènia BalcellsVan Riper provided what he calls Acobxcvxcvustic Metal Music and small percussion works to Barcelona video and installation artist Eugènia Balcells[7] (born 1943), who settled in New York from 1979 to 1988. For TV Weave, an installation with TV screens first showed at Metrònom gallery, Barcelona, 1985, Peter Van Riper played chiming music from suspended aluminium baseball bats. An excerpt from aluminium baseball bats music can be found on The Aerial #4 CD.[8] Says Balcells: {{cquote|The music played by Peter Van Riper creates a tonal environment, a continuous sound created by percussion on aluminium baseball bats, cut at different lengths and suspended with cables in the space.[9]}}With performance artist Sha Sha HigbyVan Riper collaborated with yet another performance artist: Sha Sha Higby.[10] Other worksOn December 6, 1982, he performed together with Jackson Mac Low and percussionist Z'EV, during a show called Language/Theater: Language/Noise, at Martinson Hall, Public Theater, New York.[11] That same year he was included in a collective exhibition called Young Fluxus, Artists Space gallery, New York, 1982.
[From The Kitchen Center for Video and Music program notes[12] for December 1976.}} List of sound works
Recorded music
References1. ^From a Van Riper 1997 radio interview 2. ^See Steve Peter's liner notes to The Aerial #4. A Journal In Sound cassette & CD, What Next? - Nonsequitur Foundation, Santa Fe, NM, 1991 3. ^From Rebecca Deem's Jerry Pethick obituary, 2004 4. ^See John Fairstein's 1997 article The San Francisco School of Holography 5. ^Sally Banes, Terpsichore in Sneakers: Post-Modern Dances, Wesleyan University Press, 1987. See especially Chapter I: Simone Forti: Dancing As If Newborn, pp 20–40 6. ^{{fr icon}} Christophe Delerce Les rapports danse/musique après 1945 aux Etats-Unis, IRCAM, Paris, 1999. See especially Chapter 2.2: L'improvisation. Available online. 7. ^{{cite web|url=http://www.eugeniabalcells.com/|title=Eugènia Balcells|work=eugeniabalcells.com}} 8. ^Heart, included in The Aerial #4. A Journal In Sound cassette & CD, What Next? - Nonsequitur Foundation, Santa Fe, NM, 1991 9. ^{{cite web|url=http://www.eugeniabalcells.com/webingles/performances/whomp/content.html|title=Whomp Whip Music|work=eugeniabalcells.com}} 10. ^{{cite web|url=http://www.shashahigby.com/|title=The Art of Sha Sha Higby|work=shashahigby.com}} 11. ^See handbill in The New York Public Library for the Performing Arts archive (ref. b. 2-232 f. 22) 12. ^{{cite web|url=http://www.vasulka.org/archive/Kitchen/KLE/KLE009a.pdf|format=PDF|title=The Kitchen Center for Video and Music|date=December 1976|website=Vasulka.org|accessdate=11 January 2019}} 13. ^ {{dead link|date=January 2019}} External links
11 : Postmodern artists|Contemporary artists|American sound artists|Laser art|American people of Dutch descent|American experimental musicians|American male composers|1998 deaths|1942 births|20th-century American composers|20th-century male musicians |
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