词条 | Anak Tomb No. 3 | ||||
释义 |
Infobox Korean name | img=Man - Anak Tomb No. 3.jpg | hangul=안악삼호무덤 | hanja=安岳三號墳 | rr=Anak-samho-mudeom | mr=Anak-samho-mudŏm | context=north }} Anak Tomb No. 3 is a chamber tomb of Goguryeo located in Anak, South Hwanghae, North Korea. It is known for mural paintings and an epitaph. It is part of the Complex of Goguryeo Tombs. It was discovered in 1949 with valuable treasures having been stolen, but murals were kept in good condition. Epitaph and its interpretationThe Anak Tomb No.3 is one of few Goguryeo tombs that have epitaphs so that their dates can be determined. Its seven-lined epitaph contains the date 357, the personal name Dong Shou (冬壽), his title, his birthplace and his age at death.[1] Accordingly, some scholars generally regard this site as the tomb of Dong Shou.[1] The inscription of Dong Shou relates that he was a general from the Xianbei state of Former Yan in Liaodong (modern Liaoning, China), who fled to Goguryeo in 336 and was given a position in the former territory of the Lelang commandery.[2] While K. H. J. Gardiner and Wonyong Kim believe this to be a Chinese tomb of excellent quality, North and other South Korean scholars believe that Dong Shou was an emigre official. Moreover, the quality of these paintings and the size of the tomb indicate that it is a royal tomb of Koguryo—a theory advocated recently by Hwi-joon Ahn and Youngsook Pak.[2] North Korean scholars claim that it is the mausoleum of King Micheon or King Gogugwon. The epitaph reflects a complex situation in which Dong Shou, and Goguryeo, were put. He claimed various titles including "Minister of Lelang" and "Governor of Changli, Xuantu and Daifang." It is not clear whether these titles were given by the Eastern Jin or just self-designation. Scholars associate one of his title "Minister of Lelang" with the title "Duke of Lelang", which was bestowed on King Gogugwon by Murong Jun of the Former Yan in 354. The murals found in Anak Tomb No. 3 are nearly identical with those in the Yuantaizi Tomb found in Liaoning.[3] MuralsThe next mural in this tomb is a procession scene and resides in the corridor. It contains 250 people, including the owner of the tomb who is sitting in a cow-pulled wagon.[4] Other Goguryeo people displayed in this mural include members of a marching band, flag bearers, maids and civil officials.[4] The large number of people suggests the high social status of the owner.[4] It is also important to note the seemingly identical, impersonal facial structure of the people included in this scene. This can be attributed to the fact that at the time when this mural was developed, the expression of individuality was not yet a developed technique in Goguryeo paintings.[5] The inside of the eastern chamber contains a colorful mural illustrating the typical life of the Goguryeo people. The scene includes a kitchen, a meat storage room, a barn, a carriage shed, and household staff, along with other commonplace features.[4][5] This mural allows scholars to analyze the daily rituals of the Goguryeo culture, and gain insight on what the house of the tomb's owner may have looked like. References1. ^1 "冬壽墓蓮花紋研究" {{webarchive |url=https://web.archive.org/web/20150113101228/http://www.kaogu.cn/uploads/soft/2014/20140723wangfeifengdongshoumu1.pdf |date=January 13, 2015 }} 2. ^1 {{cite web|url=http://eng.buddhapia.com/_Service/_ContentView/ETC_CONTENT_2.ASP?PK%3D0000594065%26danrak_no%3D%26clss_cd%3D%26top_menu_cd%3D0000000808 |title=Archived copy |accessdate=2011-04-14 |deadurl=yes |archiveurl=https://web.archive.org/web/20110719081913/http://eng.buddhapia.com/_Service/_ContentView/ETC_CONTENT_2.ASP?PK=0000594065&danrak_no=&clss_cd=&top_menu_cd=0000000808 |archivedate=2011-07-19 |df= }} 3. ^http://www.hudong.com/wiki/%E8%A2%81%E5%8F%B0%E5%AD%90%E5%A2%93 4. ^1 2 3 4 5 6 7 8 {{Cite web|url=http://contents.nahf.or.kr/goguryeo/anak3/an_html_en/int1.html|title=contents.nahf.or.kr/goguryeo/anak3/an_html_en/int1.html|website=contents.nahf.or.kr|language=en|access-date=2017-05-25}} 5. ^1 2 3 4 {{Cite book|title=Artistic Creation, Borrowing, Adaptation, and Assimilation in Koguryǒ Tomb Murals of the Fourth to Seventh Century|last=Jeon|first=Ho-Tae|publisher=Duke University Press|year=|isbn=|location=|pages=}}
See also{{commonscat|Anak Tomb No.3}}
8 : Buildings and structures completed in the 4th century|Goguryeo|Korean art|Murals in North Korea|Archaeological sites in North Korea|National Treasures of North Korea|Buildings and structures in South Hwanghae Province|Burial monuments and structures |
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